Official selection \u2013 Short Film International Competition<\/center><\/h3>
\r\n\r\nZINEBI Grand Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind)<\/a><\/center><\/h3> Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI)<\/h4>\r\n\u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes in the memory, guiding us through painful memories dissolving around us.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nGrand Award of Basque Cinema<\/center><\/h2> \r\n![\"\"]()
\r\n
Wild Flowers<\/a><\/center><\/h3> Karla Crn\u010devi\u0107 (Basque Country \u2013 Croatia, 2022 | 11\u2032 | DOC)<\/h4>\r\n\u201d A fully-rounded work, where brutality and tenderness team up to build a deeply sensorial narrative, with precise use of resources as its most striking feature.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nGrand Award of Spanish Cinema<\/center><\/h2> \r\n![\"\"]()
\r\n
Olores (Smells)<\/a><\/center><\/h3> Alba Esquinas (Spain, 2022 | 10\u2032 | DOC)<\/h4>\r\n\u201cA fully-rounded work, where brutality and tenderness team up to build a deeply sensorial narrative, with precise use of resources as its most striking feature.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Fiction Short Film<\/center><\/h2> \r\n![\"\"]()
\r\n
Backflip<\/a><\/center><\/h3> Nikita Diakur (Germany \u2013 France, 2022 | 12\u2032 | FIC)<\/h4>\r\n\u201cBackflip<\/em> tosses us into an abyss through comedy, immersing us in the fiction of an overwhelming reality: the virtual avatar of a human being incessantly attempts a backflip, demonstrating pain, failure, discouragement, and learning through mistakes. This is a comical and also painful film with which spectators can inevitably identify. All of us are that wretched figure: its ridiculousness, its pain and its perseverance are ours.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Documentary Short Film <\/center><\/h2> \r\n![\"\"]()
\r\n
Balls (Lopte)<\/a><\/center><\/h3> Gorana Jovanovi\u0107 (Serbia \u2013 Slovenia, 2022 | 22\u2019| DOC)<\/h4>\r\n\u201cThe tiny details of Balls<\/em> show us the powerful links between football, war and politics. With some excellent camera and lighting work, the film maintains a latent tension concealing the violence and oppression in male spaces. The film has a mantle under which we can glimpse its context: the patriarchy and the non self-aware claustrophobia it drags along behind it.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Animation Short Film <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4>\r\n\u201cUsing a technique with close links to the very history of resistance it recounts, the short film alternates the use of soft, tactile materials, apparently innocent, with the reconstruction of events brimming over with violence and brutality. An exhaustive piece of research and development using a specific technique to show what could not have been shown any other way.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nEITB Audience Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4><\/center>\r\n
\r\n
<\/p>
Short Film International Competition Jury <\/strong>Anca Caramelea, Hilke Doering, Juan Soto, Sabina Urraca, Bego\u00f1a Vicario<\/center>\r\n\r\n
\r\nFAS Cineclub Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Espera y sedimento (Hold On & Sediment)<\/a><\/center><\/h3>Tana Garrido Ruiz (Basque Country, 2022 | 13\u2032 | DOC)<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nUNICEF Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Son of the Sun (Atasinin Balasi) <\/a><\/center><\/h3>Dastan Madalbekov (Kyrgyzstan, 2022 | 17\u2032 | FIC)<\/h4>\r\n\u201cUNICEF has decided to give its award to the short film Son of the Sun<\/em>, by director Dastan Madalbekov because it addresses children growing up in loneliness, bereft of the protection and affection of a family or those who are their nearest and dearest.\u201d\r\n
\r\n<\/p>
Isidro Elezgarai Esteban, UNICEF Chair-Basque Country Committee\r\n\r\n
\r\nEuropean Film Awards 2023 Short Film Candidate<\/center><\/h2> \r\n![\"\"]()
\r\n
Zoon <\/a><\/center><\/h3>Jonatan Schwenk (Germany, 2022 | 4\u2032 | ANI)<\/h4>\r\n\u201cThe film is a song of praise to the magic of cinema and beauty which needs no message or metaphor to strike a chord. It stands out as a reminder, not to forget that sometimes the prevalence of the enigma and inexplicable fascination can be beautiful.\u201d\r\n
\r\n
\r\n\r\n
\r\n\r\nZIFF \u2013 ZINEBI
\r\nInternational Competition<\/center><\/h3>
\r\n\r\nZIFF Grand Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Anhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\r\n\r\n
ZINEBI Grand Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind)<\/a><\/center><\/h3> Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI)<\/h4>\r\n\u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes in the memory, guiding us through painful memories dissolving around us.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nGrand Award of Basque Cinema<\/center><\/h2> \r\n![\"\"]()
\r\n
Wild Flowers<\/a><\/center><\/h3> Karla Crn\u010devi\u0107 (Basque Country \u2013 Croatia, 2022 | 11\u2032 | DOC)<\/h4>\r\n\u201d A fully-rounded work, where brutality and tenderness team up to build a deeply sensorial narrative, with precise use of resources as its most striking feature.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nGrand Award of Spanish Cinema<\/center><\/h2> \r\n![\"\"]()
\r\n
Olores (Smells)<\/a><\/center><\/h3> Alba Esquinas (Spain, 2022 | 10\u2032 | DOC)<\/h4>\r\n\u201cA fully-rounded work, where brutality and tenderness team up to build a deeply sensorial narrative, with precise use of resources as its most striking feature.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Fiction Short Film<\/center><\/h2> \r\n![\"\"]()
\r\n
Backflip<\/a><\/center><\/h3> Nikita Diakur (Germany \u2013 France, 2022 | 12\u2032 | FIC)<\/h4>\r\n\u201cBackflip<\/em> tosses us into an abyss through comedy, immersing us in the fiction of an overwhelming reality: the virtual avatar of a human being incessantly attempts a backflip, demonstrating pain, failure, discouragement, and learning through mistakes. This is a comical and also painful film with which spectators can inevitably identify. All of us are that wretched figure: its ridiculousness, its pain and its perseverance are ours.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Documentary Short Film <\/center><\/h2> \r\n![\"\"]()
\r\n
Balls (Lopte)<\/a><\/center><\/h3> Gorana Jovanovi\u0107 (Serbia \u2013 Slovenia, 2022 | 22\u2019| DOC)<\/h4>\r\n\u201cThe tiny details of Balls<\/em> show us the powerful links between football, war and politics. With some excellent camera and lighting work, the film maintains a latent tension concealing the violence and oppression in male spaces. The film has a mantle under which we can glimpse its context: the patriarchy and the non self-aware claustrophobia it drags along behind it.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Animation Short Film <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4>\r\n\u201cUsing a technique with close links to the very history of resistance it recounts, the short film alternates the use of soft, tactile materials, apparently innocent, with the reconstruction of events brimming over with violence and brutality. An exhaustive piece of research and development using a specific technique to show what could not have been shown any other way.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nEITB Audience Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4><\/center>\r\n
\r\n
<\/p>
Short Film International Competition Jury <\/strong>Anca Caramelea, Hilke Doering, Juan Soto, Sabina Urraca, Bego\u00f1a Vicario<\/center>\r\n\r\n
\r\nFAS Cineclub Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Espera y sedimento (Hold On & Sediment)<\/a><\/center><\/h3>Tana Garrido Ruiz (Basque Country, 2022 | 13\u2032 | DOC)<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nUNICEF Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Son of the Sun (Atasinin Balasi) <\/a><\/center><\/h3>Dastan Madalbekov (Kyrgyzstan, 2022 | 17\u2032 | FIC)<\/h4>\r\n\u201cUNICEF has decided to give its award to the short film Son of the Sun<\/em>, by director Dastan Madalbekov because it addresses children growing up in loneliness, bereft of the protection and affection of a family or those who are their nearest and dearest.\u201d\r\n
\r\n<\/p>
Isidro Elezgarai Esteban, UNICEF Chair-Basque Country Committee\r\n\r\n
\r\nEuropean Film Awards 2023 Short Film Candidate<\/center><\/h2> \r\n![\"\"]()
\r\n
Zoon <\/a><\/center><\/h3>Jonatan Schwenk (Germany, 2022 | 4\u2032 | ANI)<\/h4>\r\n\u201cThe film is a song of praise to the magic of cinema and beauty which needs no message or metaphor to strike a chord. It stands out as a reminder, not to forget that sometimes the prevalence of the enigma and inexplicable fascination can be beautiful.\u201d\r\n
\r\n
\r\n\r\n
\r\n\r\nZIFF \u2013 ZINEBI
\r\nInternational Competition<\/center><\/h3>
\r\n\r\nZIFF Grand Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Anhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"https:\/\/zinebi.eus\/assets\/media\/Copia-de-ALL-MY-SCARS-VANISH-IN-THE-WIND_still1.png\")
\r\nTodas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind)<\/a><\/center><\/h3> Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI)<\/h4>\r\n\u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes in the memory, guiding us through painful memories dissolving around us.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nGrand Award of Basque Cinema<\/center><\/h2> \r\n![\"\"]()
\r\n
Wild Flowers<\/a><\/center><\/h3> Karla Crn\u010devi\u0107 (Basque Country \u2013 Croatia, 2022 | 11\u2032 | DOC)<\/h4>\r\n\u201d A fully-rounded work, where brutality and tenderness team up to build a deeply sensorial narrative, with precise use of resources as its most striking feature.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nGrand Award of Spanish Cinema<\/center><\/h2> \r\n![\"\"]()
\r\n
Olores (Smells)<\/a><\/center><\/h3> Alba Esquinas (Spain, 2022 | 10\u2032 | DOC)<\/h4>\r\n\u201cA fully-rounded work, where brutality and tenderness team up to build a deeply sensorial narrative, with precise use of resources as its most striking feature.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Fiction Short Film<\/center><\/h2> \r\n![\"\"]()
\r\n
Backflip<\/a><\/center><\/h3> Nikita Diakur (Germany \u2013 France, 2022 | 12\u2032 | FIC)<\/h4>\r\n\u201cBackflip<\/em> tosses us into an abyss through comedy, immersing us in the fiction of an overwhelming reality: the virtual avatar of a human being incessantly attempts a backflip, demonstrating pain, failure, discouragement, and learning through mistakes. This is a comical and also painful film with which spectators can inevitably identify. All of us are that wretched figure: its ridiculousness, its pain and its perseverance are ours.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Documentary Short Film <\/center><\/h2> \r\n![\"\"]()
\r\n
Balls (Lopte)<\/a><\/center><\/h3> Gorana Jovanovi\u0107 (Serbia \u2013 Slovenia, 2022 | 22\u2019| DOC)<\/h4>\r\n\u201cThe tiny details of Balls<\/em> show us the powerful links between football, war and politics. With some excellent camera and lighting work, the film maintains a latent tension concealing the violence and oppression in male spaces. The film has a mantle under which we can glimpse its context: the patriarchy and the non self-aware claustrophobia it drags along behind it.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Animation Short Film <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4>\r\n\u201cUsing a technique with close links to the very history of resistance it recounts, the short film alternates the use of soft, tactile materials, apparently innocent, with the reconstruction of events brimming over with violence and brutality. An exhaustive piece of research and development using a specific technique to show what could not have been shown any other way.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nEITB Audience Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4><\/center>\r\n
\r\n
<\/p>
Short Film International Competition Jury <\/strong>Anca Caramelea, Hilke Doering, Juan Soto, Sabina Urraca, Bego\u00f1a Vicario<\/center>\r\n\r\n
\r\nFAS Cineclub Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Espera y sedimento (Hold On & Sediment)<\/a><\/center><\/h3>Tana Garrido Ruiz (Basque Country, 2022 | 13\u2032 | DOC)<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nUNICEF Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Son of the Sun (Atasinin Balasi) <\/a><\/center><\/h3>Dastan Madalbekov (Kyrgyzstan, 2022 | 17\u2032 | FIC)<\/h4>\r\n\u201cUNICEF has decided to give its award to the short film Son of the Sun<\/em>, by director Dastan Madalbekov because it addresses children growing up in loneliness, bereft of the protection and affection of a family or those who are their nearest and dearest.\u201d\r\n
\r\n<\/p>
Isidro Elezgarai Esteban, UNICEF Chair-Basque Country Committee\r\n\r\n
\r\nEuropean Film Awards 2023 Short Film Candidate<\/center><\/h2> \r\n![\"\"]()
\r\n
Zoon <\/a><\/center><\/h3>Jonatan Schwenk (Germany, 2022 | 4\u2032 | ANI)<\/h4>\r\n\u201cThe film is a song of praise to the magic of cinema and beauty which needs no message or metaphor to strike a chord. It stands out as a reminder, not to forget that sometimes the prevalence of the enigma and inexplicable fascination can be beautiful.\u201d\r\n
\r\n
\r\n\r\n
\r\n\r\nZIFF \u2013 ZINEBI
\r\nInternational Competition<\/center><\/h3>
\r\n\r\nZIFF Grand Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Anhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI)<\/h4>\r\n\u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes in the memory, guiding us through painful memories dissolving around us.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nGrand Award of Basque Cinema<\/center><\/h2> \r\n![\"\"]()
\r\n
Wild Flowers<\/a><\/center><\/h3> Karla Crn\u010devi\u0107 (Basque Country \u2013 Croatia, 2022 | 11\u2032 | DOC)<\/h4>\r\n\u201d A fully-rounded work, where brutality and tenderness team up to build a deeply sensorial narrative, with precise use of resources as its most striking feature.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nGrand Award of Spanish Cinema<\/center><\/h2> \r\n![\"\"]()
\r\n
Olores (Smells)<\/a><\/center><\/h3> Alba Esquinas (Spain, 2022 | 10\u2032 | DOC)<\/h4>\r\n\u201cA fully-rounded work, where brutality and tenderness team up to build a deeply sensorial narrative, with precise use of resources as its most striking feature.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Fiction Short Film<\/center><\/h2> \r\n![\"\"]()
\r\n
Backflip<\/a><\/center><\/h3> Nikita Diakur (Germany \u2013 France, 2022 | 12\u2032 | FIC)<\/h4>\r\n\u201cBackflip<\/em> tosses us into an abyss through comedy, immersing us in the fiction of an overwhelming reality: the virtual avatar of a human being incessantly attempts a backflip, demonstrating pain, failure, discouragement, and learning through mistakes. This is a comical and also painful film with which spectators can inevitably identify. All of us are that wretched figure: its ridiculousness, its pain and its perseverance are ours.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Documentary Short Film <\/center><\/h2> \r\n![\"\"]()
\r\n
Balls (Lopte)<\/a><\/center><\/h3> Gorana Jovanovi\u0107 (Serbia \u2013 Slovenia, 2022 | 22\u2019| DOC)<\/h4>\r\n\u201cThe tiny details of Balls<\/em> show us the powerful links between football, war and politics. With some excellent camera and lighting work, the film maintains a latent tension concealing the violence and oppression in male spaces. The film has a mantle under which we can glimpse its context: the patriarchy and the non self-aware claustrophobia it drags along behind it.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Animation Short Film <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4>\r\n\u201cUsing a technique with close links to the very history of resistance it recounts, the short film alternates the use of soft, tactile materials, apparently innocent, with the reconstruction of events brimming over with violence and brutality. An exhaustive piece of research and development using a specific technique to show what could not have been shown any other way.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nEITB Audience Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4><\/center>\r\n
\r\n
<\/p>
Short Film International Competition Jury <\/strong>Anca Caramelea, Hilke Doering, Juan Soto, Sabina Urraca, Bego\u00f1a Vicario<\/center>\r\n\r\n
\r\nFAS Cineclub Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Espera y sedimento (Hold On & Sediment)<\/a><\/center><\/h3>Tana Garrido Ruiz (Basque Country, 2022 | 13\u2032 | DOC)<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nUNICEF Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Son of the Sun (Atasinin Balasi) <\/a><\/center><\/h3>Dastan Madalbekov (Kyrgyzstan, 2022 | 17\u2032 | FIC)<\/h4>\r\n\u201cUNICEF has decided to give its award to the short film Son of the Sun<\/em>, by director Dastan Madalbekov because it addresses children growing up in loneliness, bereft of the protection and affection of a family or those who are their nearest and dearest.\u201d\r\n
\r\n<\/p>
Isidro Elezgarai Esteban, UNICEF Chair-Basque Country Committee\r\n\r\n
\r\nEuropean Film Awards 2023 Short Film Candidate<\/center><\/h2> \r\n![\"\"]()
\r\n
Zoon <\/a><\/center><\/h3>Jonatan Schwenk (Germany, 2022 | 4\u2032 | ANI)<\/h4>\r\n\u201cThe film is a song of praise to the magic of cinema and beauty which needs no message or metaphor to strike a chord. It stands out as a reminder, not to forget that sometimes the prevalence of the enigma and inexplicable fascination can be beautiful.\u201d\r\n
\r\n
\r\n\r\n
\r\n\r\nZIFF \u2013 ZINEBI
\r\nInternational Competition<\/center><\/h3>
\r\n\r\nZIFF Grand Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Anhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"https:\/\/zinebi.eus\/assets\/media\/Copia-de-WILD-FLOWERS_still.png\")
\r\nWild Flowers<\/a><\/center><\/h3> Karla Crn\u010devi\u0107 (Basque Country \u2013 Croatia, 2022 | 11\u2032 | DOC)<\/h4>\r\n\u201d A fully-rounded work, where brutality and tenderness team up to build a deeply sensorial narrative, with precise use of resources as its most striking feature.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nGrand Award of Spanish Cinema<\/center><\/h2> \r\n![\"\"]()
\r\n
Olores (Smells)<\/a><\/center><\/h3> Alba Esquinas (Spain, 2022 | 10\u2032 | DOC)<\/h4>\r\n\u201cA fully-rounded work, where brutality and tenderness team up to build a deeply sensorial narrative, with precise use of resources as its most striking feature.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Fiction Short Film<\/center><\/h2> \r\n![\"\"]()
\r\n
Backflip<\/a><\/center><\/h3> Nikita Diakur (Germany \u2013 France, 2022 | 12\u2032 | FIC)<\/h4>\r\n\u201cBackflip<\/em> tosses us into an abyss through comedy, immersing us in the fiction of an overwhelming reality: the virtual avatar of a human being incessantly attempts a backflip, demonstrating pain, failure, discouragement, and learning through mistakes. This is a comical and also painful film with which spectators can inevitably identify. All of us are that wretched figure: its ridiculousness, its pain and its perseverance are ours.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Documentary Short Film <\/center><\/h2> \r\n![\"\"]()
\r\n
Balls (Lopte)<\/a><\/center><\/h3> Gorana Jovanovi\u0107 (Serbia \u2013 Slovenia, 2022 | 22\u2019| DOC)<\/h4>\r\n\u201cThe tiny details of Balls<\/em> show us the powerful links between football, war and politics. With some excellent camera and lighting work, the film maintains a latent tension concealing the violence and oppression in male spaces. The film has a mantle under which we can glimpse its context: the patriarchy and the non self-aware claustrophobia it drags along behind it.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Animation Short Film <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4>\r\n\u201cUsing a technique with close links to the very history of resistance it recounts, the short film alternates the use of soft, tactile materials, apparently innocent, with the reconstruction of events brimming over with violence and brutality. An exhaustive piece of research and development using a specific technique to show what could not have been shown any other way.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nEITB Audience Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4><\/center>\r\n
\r\n
<\/p>
Short Film International Competition Jury <\/strong>Anca Caramelea, Hilke Doering, Juan Soto, Sabina Urraca, Bego\u00f1a Vicario<\/center>\r\n\r\n
\r\nFAS Cineclub Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Espera y sedimento (Hold On & Sediment)<\/a><\/center><\/h3>Tana Garrido Ruiz (Basque Country, 2022 | 13\u2032 | DOC)<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nUNICEF Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Son of the Sun (Atasinin Balasi) <\/a><\/center><\/h3>Dastan Madalbekov (Kyrgyzstan, 2022 | 17\u2032 | FIC)<\/h4>\r\n\u201cUNICEF has decided to give its award to the short film Son of the Sun<\/em>, by director Dastan Madalbekov because it addresses children growing up in loneliness, bereft of the protection and affection of a family or those who are their nearest and dearest.\u201d\r\n
\r\n<\/p>
Isidro Elezgarai Esteban, UNICEF Chair-Basque Country Committee\r\n\r\n
\r\nEuropean Film Awards 2023 Short Film Candidate<\/center><\/h2> \r\n![\"\"]()
\r\n
Zoon <\/a><\/center><\/h3>Jonatan Schwenk (Germany, 2022 | 4\u2032 | ANI)<\/h4>\r\n\u201cThe film is a song of praise to the magic of cinema and beauty which needs no message or metaphor to strike a chord. It stands out as a reminder, not to forget that sometimes the prevalence of the enigma and inexplicable fascination can be beautiful.\u201d\r\n
\r\n
\r\n\r\n
\r\n\r\nZIFF \u2013 ZINEBI
\r\nInternational Competition<\/center><\/h3>
\r\n\r\nZIFF Grand Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Anhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Karla Crn\u010devi\u0107 (Basque Country \u2013 Croatia, 2022 | 11\u2032 | DOC)<\/h4>\r\n\u201d A fully-rounded work, where brutality and tenderness team up to build a deeply sensorial narrative, with precise use of resources as its most striking feature.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nGrand Award of Spanish Cinema<\/center><\/h2> \r\n![\"\"]()
\r\n
Olores (Smells)<\/a><\/center><\/h3> Alba Esquinas (Spain, 2022 | 10\u2032 | DOC)<\/h4>\r\n\u201cA fully-rounded work, where brutality and tenderness team up to build a deeply sensorial narrative, with precise use of resources as its most striking feature.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Fiction Short Film<\/center><\/h2> \r\n![\"\"]()
\r\n
Backflip<\/a><\/center><\/h3> Nikita Diakur (Germany \u2013 France, 2022 | 12\u2032 | FIC)<\/h4>\r\n\u201cBackflip<\/em> tosses us into an abyss through comedy, immersing us in the fiction of an overwhelming reality: the virtual avatar of a human being incessantly attempts a backflip, demonstrating pain, failure, discouragement, and learning through mistakes. This is a comical and also painful film with which spectators can inevitably identify. All of us are that wretched figure: its ridiculousness, its pain and its perseverance are ours.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Documentary Short Film <\/center><\/h2> \r\n![\"\"]()
\r\n
Balls (Lopte)<\/a><\/center><\/h3> Gorana Jovanovi\u0107 (Serbia \u2013 Slovenia, 2022 | 22\u2019| DOC)<\/h4>\r\n\u201cThe tiny details of Balls<\/em> show us the powerful links between football, war and politics. With some excellent camera and lighting work, the film maintains a latent tension concealing the violence and oppression in male spaces. The film has a mantle under which we can glimpse its context: the patriarchy and the non self-aware claustrophobia it drags along behind it.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Animation Short Film <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4>\r\n\u201cUsing a technique with close links to the very history of resistance it recounts, the short film alternates the use of soft, tactile materials, apparently innocent, with the reconstruction of events brimming over with violence and brutality. An exhaustive piece of research and development using a specific technique to show what could not have been shown any other way.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nEITB Audience Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4><\/center>\r\n
\r\n
<\/p>
Short Film International Competition Jury <\/strong>Anca Caramelea, Hilke Doering, Juan Soto, Sabina Urraca, Bego\u00f1a Vicario<\/center>\r\n\r\n
\r\nFAS Cineclub Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Espera y sedimento (Hold On & Sediment)<\/a><\/center><\/h3>Tana Garrido Ruiz (Basque Country, 2022 | 13\u2032 | DOC)<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nUNICEF Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Son of the Sun (Atasinin Balasi) <\/a><\/center><\/h3>Dastan Madalbekov (Kyrgyzstan, 2022 | 17\u2032 | FIC)<\/h4>\r\n\u201cUNICEF has decided to give its award to the short film Son of the Sun<\/em>, by director Dastan Madalbekov because it addresses children growing up in loneliness, bereft of the protection and affection of a family or those who are their nearest and dearest.\u201d\r\n
\r\n<\/p>
Isidro Elezgarai Esteban, UNICEF Chair-Basque Country Committee\r\n\r\n
\r\nEuropean Film Awards 2023 Short Film Candidate<\/center><\/h2> \r\n![\"\"]()
\r\n
Zoon <\/a><\/center><\/h3>Jonatan Schwenk (Germany, 2022 | 4\u2032 | ANI)<\/h4>\r\n\u201cThe film is a song of praise to the magic of cinema and beauty which needs no message or metaphor to strike a chord. It stands out as a reminder, not to forget that sometimes the prevalence of the enigma and inexplicable fascination can be beautiful.\u201d\r\n
\r\n
\r\n\r\n
\r\n\r\nZIFF \u2013 ZINEBI
\r\nInternational Competition<\/center><\/h3>
\r\n\r\nZIFF Grand Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Anhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"https:\/\/zinebi.eus\/assets\/media\/Copia-de-SMELLS_1_stills.jpeg\")
\r\nOlores (Smells)<\/a><\/center><\/h3> Alba Esquinas (Spain, 2022 | 10\u2032 | DOC)<\/h4>\r\n\u201cA fully-rounded work, where brutality and tenderness team up to build a deeply sensorial narrative, with precise use of resources as its most striking feature.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Fiction Short Film<\/center><\/h2> \r\n![\"\"]()
\r\n
Backflip<\/a><\/center><\/h3> Nikita Diakur (Germany \u2013 France, 2022 | 12\u2032 | FIC)<\/h4>\r\n\u201cBackflip<\/em> tosses us into an abyss through comedy, immersing us in the fiction of an overwhelming reality: the virtual avatar of a human being incessantly attempts a backflip, demonstrating pain, failure, discouragement, and learning through mistakes. This is a comical and also painful film with which spectators can inevitably identify. All of us are that wretched figure: its ridiculousness, its pain and its perseverance are ours.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Documentary Short Film <\/center><\/h2> \r\n![\"\"]()
\r\n
Balls (Lopte)<\/a><\/center><\/h3> Gorana Jovanovi\u0107 (Serbia \u2013 Slovenia, 2022 | 22\u2019| DOC)<\/h4>\r\n\u201cThe tiny details of Balls<\/em> show us the powerful links between football, war and politics. With some excellent camera and lighting work, the film maintains a latent tension concealing the violence and oppression in male spaces. The film has a mantle under which we can glimpse its context: the patriarchy and the non self-aware claustrophobia it drags along behind it.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Animation Short Film <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4>\r\n\u201cUsing a technique with close links to the very history of resistance it recounts, the short film alternates the use of soft, tactile materials, apparently innocent, with the reconstruction of events brimming over with violence and brutality. An exhaustive piece of research and development using a specific technique to show what could not have been shown any other way.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nEITB Audience Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4><\/center>\r\n
\r\n
<\/p>
Short Film International Competition Jury <\/strong>Anca Caramelea, Hilke Doering, Juan Soto, Sabina Urraca, Bego\u00f1a Vicario<\/center>\r\n\r\n
\r\nFAS Cineclub Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Espera y sedimento (Hold On & Sediment)<\/a><\/center><\/h3>Tana Garrido Ruiz (Basque Country, 2022 | 13\u2032 | DOC)<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nUNICEF Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Son of the Sun (Atasinin Balasi) <\/a><\/center><\/h3>Dastan Madalbekov (Kyrgyzstan, 2022 | 17\u2032 | FIC)<\/h4>\r\n\u201cUNICEF has decided to give its award to the short film Son of the Sun<\/em>, by director Dastan Madalbekov because it addresses children growing up in loneliness, bereft of the protection and affection of a family or those who are their nearest and dearest.\u201d\r\n
\r\n<\/p>
Isidro Elezgarai Esteban, UNICEF Chair-Basque Country Committee\r\n\r\n
\r\nEuropean Film Awards 2023 Short Film Candidate<\/center><\/h2> \r\n![\"\"]()
\r\n
Zoon <\/a><\/center><\/h3>Jonatan Schwenk (Germany, 2022 | 4\u2032 | ANI)<\/h4>\r\n\u201cThe film is a song of praise to the magic of cinema and beauty which needs no message or metaphor to strike a chord. It stands out as a reminder, not to forget that sometimes the prevalence of the enigma and inexplicable fascination can be beautiful.\u201d\r\n
\r\n
\r\n\r\n
\r\n\r\nZIFF \u2013 ZINEBI
\r\nInternational Competition<\/center><\/h3>
\r\n\r\nZIFF Grand Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Anhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Alba Esquinas (Spain, 2022 | 10\u2032 | DOC)<\/h4>\r\n\u201cA fully-rounded work, where brutality and tenderness team up to build a deeply sensorial narrative, with precise use of resources as its most striking feature.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Fiction Short Film<\/center><\/h2> \r\n![\"\"]()
\r\n
Backflip<\/a><\/center><\/h3> Nikita Diakur (Germany \u2013 France, 2022 | 12\u2032 | FIC)<\/h4>\r\n\u201cBackflip<\/em> tosses us into an abyss through comedy, immersing us in the fiction of an overwhelming reality: the virtual avatar of a human being incessantly attempts a backflip, demonstrating pain, failure, discouragement, and learning through mistakes. This is a comical and also painful film with which spectators can inevitably identify. All of us are that wretched figure: its ridiculousness, its pain and its perseverance are ours.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Documentary Short Film <\/center><\/h2> \r\n![\"\"]()
\r\n
Balls (Lopte)<\/a><\/center><\/h3> Gorana Jovanovi\u0107 (Serbia \u2013 Slovenia, 2022 | 22\u2019| DOC)<\/h4>\r\n\u201cThe tiny details of Balls<\/em> show us the powerful links between football, war and politics. With some excellent camera and lighting work, the film maintains a latent tension concealing the violence and oppression in male spaces. The film has a mantle under which we can glimpse its context: the patriarchy and the non self-aware claustrophobia it drags along behind it.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Animation Short Film <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4>\r\n\u201cUsing a technique with close links to the very history of resistance it recounts, the short film alternates the use of soft, tactile materials, apparently innocent, with the reconstruction of events brimming over with violence and brutality. An exhaustive piece of research and development using a specific technique to show what could not have been shown any other way.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nEITB Audience Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4><\/center>\r\n
\r\n
<\/p>
Short Film International Competition Jury <\/strong>Anca Caramelea, Hilke Doering, Juan Soto, Sabina Urraca, Bego\u00f1a Vicario<\/center>\r\n\r\n
\r\nFAS Cineclub Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Espera y sedimento (Hold On & Sediment)<\/a><\/center><\/h3>Tana Garrido Ruiz (Basque Country, 2022 | 13\u2032 | DOC)<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nUNICEF Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Son of the Sun (Atasinin Balasi) <\/a><\/center><\/h3>Dastan Madalbekov (Kyrgyzstan, 2022 | 17\u2032 | FIC)<\/h4>\r\n\u201cUNICEF has decided to give its award to the short film Son of the Sun<\/em>, by director Dastan Madalbekov because it addresses children growing up in loneliness, bereft of the protection and affection of a family or those who are their nearest and dearest.\u201d\r\n
\r\n<\/p>
Isidro Elezgarai Esteban, UNICEF Chair-Basque Country Committee\r\n\r\n
\r\nEuropean Film Awards 2023 Short Film Candidate<\/center><\/h2> \r\n![\"\"]()
\r\n
Zoon <\/a><\/center><\/h3>Jonatan Schwenk (Germany, 2022 | 4\u2032 | ANI)<\/h4>\r\n\u201cThe film is a song of praise to the magic of cinema and beauty which needs no message or metaphor to strike a chord. It stands out as a reminder, not to forget that sometimes the prevalence of the enigma and inexplicable fascination can be beautiful.\u201d\r\n
\r\n
\r\n\r\n
\r\n\r\nZIFF \u2013 ZINEBI
\r\nInternational Competition<\/center><\/h3>
\r\n\r\nZIFF Grand Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Anhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"https:\/\/zinebi.eus\/assets\/media\/Copia-de-backflip_still1.jpg\")
\r\nBackflip<\/a><\/center><\/h3> Nikita Diakur (Germany \u2013 France, 2022 | 12\u2032 | FIC)<\/h4>\r\n\u201cBackflip<\/em> tosses us into an abyss through comedy, immersing us in the fiction of an overwhelming reality: the virtual avatar of a human being incessantly attempts a backflip, demonstrating pain, failure, discouragement, and learning through mistakes. This is a comical and also painful film with which spectators can inevitably identify. All of us are that wretched figure: its ridiculousness, its pain and its perseverance are ours.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Documentary Short Film <\/center><\/h2> \r\n![\"\"]()
\r\n
Balls (Lopte)<\/a><\/center><\/h3> Gorana Jovanovi\u0107 (Serbia \u2013 Slovenia, 2022 | 22\u2019| DOC)<\/h4>\r\n\u201cThe tiny details of Balls<\/em> show us the powerful links between football, war and politics. With some excellent camera and lighting work, the film maintains a latent tension concealing the violence and oppression in male spaces. The film has a mantle under which we can glimpse its context: the patriarchy and the non self-aware claustrophobia it drags along behind it.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Animation Short Film <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4>\r\n\u201cUsing a technique with close links to the very history of resistance it recounts, the short film alternates the use of soft, tactile materials, apparently innocent, with the reconstruction of events brimming over with violence and brutality. An exhaustive piece of research and development using a specific technique to show what could not have been shown any other way.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nEITB Audience Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4><\/center>\r\n
\r\n
<\/p>
Short Film International Competition Jury <\/strong>Anca Caramelea, Hilke Doering, Juan Soto, Sabina Urraca, Bego\u00f1a Vicario<\/center>\r\n\r\n
\r\nFAS Cineclub Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Espera y sedimento (Hold On & Sediment)<\/a><\/center><\/h3>Tana Garrido Ruiz (Basque Country, 2022 | 13\u2032 | DOC)<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nUNICEF Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Son of the Sun (Atasinin Balasi) <\/a><\/center><\/h3>Dastan Madalbekov (Kyrgyzstan, 2022 | 17\u2032 | FIC)<\/h4>\r\n\u201cUNICEF has decided to give its award to the short film Son of the Sun<\/em>, by director Dastan Madalbekov because it addresses children growing up in loneliness, bereft of the protection and affection of a family or those who are their nearest and dearest.\u201d\r\n
\r\n<\/p>
Isidro Elezgarai Esteban, UNICEF Chair-Basque Country Committee\r\n\r\n
\r\nEuropean Film Awards 2023 Short Film Candidate<\/center><\/h2> \r\n![\"\"]()
\r\n
Zoon <\/a><\/center><\/h3>Jonatan Schwenk (Germany, 2022 | 4\u2032 | ANI)<\/h4>\r\n\u201cThe film is a song of praise to the magic of cinema and beauty which needs no message or metaphor to strike a chord. It stands out as a reminder, not to forget that sometimes the prevalence of the enigma and inexplicable fascination can be beautiful.\u201d\r\n
\r\n
\r\n\r\n
\r\n\r\nZIFF \u2013 ZINEBI
\r\nInternational Competition<\/center><\/h3>
\r\n\r\nZIFF Grand Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Anhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Nikita Diakur (Germany \u2013 France, 2022 | 12\u2032 | FIC)<\/h4>\r\n\u201cBackflip<\/em> tosses us into an abyss through comedy, immersing us in the fiction of an overwhelming reality: the virtual avatar of a human being incessantly attempts a backflip, demonstrating pain, failure, discouragement, and learning through mistakes. This is a comical and also painful film with which spectators can inevitably identify. All of us are that wretched figure: its ridiculousness, its pain and its perseverance are ours.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Documentary Short Film <\/center><\/h2> \r\n![\"\"]()
\r\n
Balls (Lopte)<\/a><\/center><\/h3> Gorana Jovanovi\u0107 (Serbia \u2013 Slovenia, 2022 | 22\u2019| DOC)<\/h4>\r\n\u201cThe tiny details of Balls<\/em> show us the powerful links between football, war and politics. With some excellent camera and lighting work, the film maintains a latent tension concealing the violence and oppression in male spaces. The film has a mantle under which we can glimpse its context: the patriarchy and the non self-aware claustrophobia it drags along behind it.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Animation Short Film <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4>\r\n\u201cUsing a technique with close links to the very history of resistance it recounts, the short film alternates the use of soft, tactile materials, apparently innocent, with the reconstruction of events brimming over with violence and brutality. An exhaustive piece of research and development using a specific technique to show what could not have been shown any other way.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nEITB Audience Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4><\/center>\r\n
\r\n
<\/p>
Short Film International Competition Jury <\/strong>Anca Caramelea, Hilke Doering, Juan Soto, Sabina Urraca, Bego\u00f1a Vicario<\/center>\r\n\r\n
\r\nFAS Cineclub Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Espera y sedimento (Hold On & Sediment)<\/a><\/center><\/h3>Tana Garrido Ruiz (Basque Country, 2022 | 13\u2032 | DOC)<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nUNICEF Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Son of the Sun (Atasinin Balasi) <\/a><\/center><\/h3>Dastan Madalbekov (Kyrgyzstan, 2022 | 17\u2032 | FIC)<\/h4>\r\n\u201cUNICEF has decided to give its award to the short film Son of the Sun<\/em>, by director Dastan Madalbekov because it addresses children growing up in loneliness, bereft of the protection and affection of a family or those who are their nearest and dearest.\u201d\r\n
\r\n<\/p>
Isidro Elezgarai Esteban, UNICEF Chair-Basque Country Committee\r\n\r\n
\r\nEuropean Film Awards 2023 Short Film Candidate<\/center><\/h2> \r\n![\"\"]()
\r\n
Zoon <\/a><\/center><\/h3>Jonatan Schwenk (Germany, 2022 | 4\u2032 | ANI)<\/h4>\r\n\u201cThe film is a song of praise to the magic of cinema and beauty which needs no message or metaphor to strike a chord. It stands out as a reminder, not to forget that sometimes the prevalence of the enigma and inexplicable fascination can be beautiful.\u201d\r\n
\r\n
\r\n\r\n
\r\n\r\nZIFF \u2013 ZINEBI
\r\nInternational Competition<\/center><\/h3>
\r\n\r\nZIFF Grand Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Anhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"https:\/\/zinebi.eus\/assets\/media\/Copia-de-BALLS_still1.jpg\")
\r\nBalls (Lopte)<\/a><\/center><\/h3> Gorana Jovanovi\u0107 (Serbia \u2013 Slovenia, 2022 | 22\u2019| DOC)<\/h4>\r\n\u201cThe tiny details of Balls<\/em> show us the powerful links between football, war and politics. With some excellent camera and lighting work, the film maintains a latent tension concealing the violence and oppression in male spaces. The film has a mantle under which we can glimpse its context: the patriarchy and the non self-aware claustrophobia it drags along behind it.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Animation Short Film <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4>\r\n\u201cUsing a technique with close links to the very history of resistance it recounts, the short film alternates the use of soft, tactile materials, apparently innocent, with the reconstruction of events brimming over with violence and brutality. An exhaustive piece of research and development using a specific technique to show what could not have been shown any other way.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nEITB Audience Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4><\/center>\r\n
\r\n
<\/p>
Short Film International Competition Jury <\/strong>Anca Caramelea, Hilke Doering, Juan Soto, Sabina Urraca, Bego\u00f1a Vicario<\/center>\r\n\r\n
\r\nFAS Cineclub Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Espera y sedimento (Hold On & Sediment)<\/a><\/center><\/h3>Tana Garrido Ruiz (Basque Country, 2022 | 13\u2032 | DOC)<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nUNICEF Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Son of the Sun (Atasinin Balasi) <\/a><\/center><\/h3>Dastan Madalbekov (Kyrgyzstan, 2022 | 17\u2032 | FIC)<\/h4>\r\n\u201cUNICEF has decided to give its award to the short film Son of the Sun<\/em>, by director Dastan Madalbekov because it addresses children growing up in loneliness, bereft of the protection and affection of a family or those who are their nearest and dearest.\u201d\r\n
\r\n<\/p>
Isidro Elezgarai Esteban, UNICEF Chair-Basque Country Committee\r\n\r\n
\r\nEuropean Film Awards 2023 Short Film Candidate<\/center><\/h2> \r\n![\"\"]()
\r\n
Zoon <\/a><\/center><\/h3>Jonatan Schwenk (Germany, 2022 | 4\u2032 | ANI)<\/h4>\r\n\u201cThe film is a song of praise to the magic of cinema and beauty which needs no message or metaphor to strike a chord. It stands out as a reminder, not to forget that sometimes the prevalence of the enigma and inexplicable fascination can be beautiful.\u201d\r\n
\r\n
\r\n\r\n
\r\n\r\nZIFF \u2013 ZINEBI
\r\nInternational Competition<\/center><\/h3>
\r\n\r\nZIFF Grand Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Anhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Gorana Jovanovi\u0107 (Serbia \u2013 Slovenia, 2022 | 22\u2019| DOC)<\/h4>\r\n\u201cThe tiny details of Balls<\/em> show us the powerful links between football, war and politics. With some excellent camera and lighting work, the film maintains a latent tension concealing the violence and oppression in male spaces. The film has a mantle under which we can glimpse its context: the patriarchy and the non self-aware claustrophobia it drags along behind it.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nMikeldi for Best Animation Short Film <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4>\r\n\u201cUsing a technique with close links to the very history of resistance it recounts, the short film alternates the use of soft, tactile materials, apparently innocent, with the reconstruction of events brimming over with violence and brutality. An exhaustive piece of research and development using a specific technique to show what could not have been shown any other way.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nEITB Audience Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4><\/center>\r\n
\r\n
<\/p>
Short Film International Competition Jury <\/strong>Anca Caramelea, Hilke Doering, Juan Soto, Sabina Urraca, Bego\u00f1a Vicario<\/center>\r\n\r\n
\r\nFAS Cineclub Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Espera y sedimento (Hold On & Sediment)<\/a><\/center><\/h3>Tana Garrido Ruiz (Basque Country, 2022 | 13\u2032 | DOC)<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nUNICEF Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Son of the Sun (Atasinin Balasi) <\/a><\/center><\/h3>Dastan Madalbekov (Kyrgyzstan, 2022 | 17\u2032 | FIC)<\/h4>\r\n\u201cUNICEF has decided to give its award to the short film Son of the Sun<\/em>, by director Dastan Madalbekov because it addresses children growing up in loneliness, bereft of the protection and affection of a family or those who are their nearest and dearest.\u201d\r\n
\r\n<\/p>
Isidro Elezgarai Esteban, UNICEF Chair-Basque Country Committee\r\n\r\n
\r\nEuropean Film Awards 2023 Short Film Candidate<\/center><\/h2> \r\n![\"\"]()
\r\n
Zoon <\/a><\/center><\/h3>Jonatan Schwenk (Germany, 2022 | 4\u2032 | ANI)<\/h4>\r\n\u201cThe film is a song of praise to the magic of cinema and beauty which needs no message or metaphor to strike a chord. It stands out as a reminder, not to forget that sometimes the prevalence of the enigma and inexplicable fascination can be beautiful.\u201d\r\n
\r\n
\r\n\r\n
\r\n\r\nZIFF \u2013 ZINEBI
\r\nInternational Competition<\/center><\/h3>
\r\n\r\nZIFF Grand Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Anhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"https:\/\/zinebi.eus\/assets\/media\/Copia-de-SEARCHING-HELENY__still1.jpg\")
\r\nSearching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4>\r\n\u201cUsing a technique with close links to the very history of resistance it recounts, the short film alternates the use of soft, tactile materials, apparently innocent, with the reconstruction of events brimming over with violence and brutality. An exhaustive piece of research and development using a specific technique to show what could not have been shown any other way.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nEITB Audience Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4><\/center>\r\n
\r\n
<\/p>
Short Film International Competition Jury <\/strong>Anca Caramelea, Hilke Doering, Juan Soto, Sabina Urraca, Bego\u00f1a Vicario<\/center>\r\n\r\n
\r\nFAS Cineclub Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Espera y sedimento (Hold On & Sediment)<\/a><\/center><\/h3>Tana Garrido Ruiz (Basque Country, 2022 | 13\u2032 | DOC)<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nUNICEF Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Son of the Sun (Atasinin Balasi) <\/a><\/center><\/h3>Dastan Madalbekov (Kyrgyzstan, 2022 | 17\u2032 | FIC)<\/h4>\r\n\u201cUNICEF has decided to give its award to the short film Son of the Sun<\/em>, by director Dastan Madalbekov because it addresses children growing up in loneliness, bereft of the protection and affection of a family or those who are their nearest and dearest.\u201d\r\n
\r\n<\/p>
Isidro Elezgarai Esteban, UNICEF Chair-Basque Country Committee\r\n\r\n
\r\nEuropean Film Awards 2023 Short Film Candidate<\/center><\/h2> \r\n![\"\"]()
\r\n
Zoon <\/a><\/center><\/h3>Jonatan Schwenk (Germany, 2022 | 4\u2032 | ANI)<\/h4>\r\n\u201cThe film is a song of praise to the magic of cinema and beauty which needs no message or metaphor to strike a chord. It stands out as a reminder, not to forget that sometimes the prevalence of the enigma and inexplicable fascination can be beautiful.\u201d\r\n
\r\n
\r\n\r\n
\r\n\r\nZIFF \u2013 ZINEBI
\r\nInternational Competition<\/center><\/h3>
\r\n\r\nZIFF Grand Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Anhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4>\r\n\u201cUsing a technique with close links to the very history of resistance it recounts, the short film alternates the use of soft, tactile materials, apparently innocent, with the reconstruction of events brimming over with violence and brutality. An exhaustive piece of research and development using a specific technique to show what could not have been shown any other way.\u201d<\/center>\r\n
\r\n
\r\n\r\n
\r\nEITB Audience Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Searching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4><\/center>\r\n
\r\n
<\/p>
Short Film International Competition Jury <\/strong>Anca Caramelea, Hilke Doering, Juan Soto, Sabina Urraca, Bego\u00f1a Vicario<\/center>\r\n\r\n
\r\nFAS Cineclub Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Espera y sedimento (Hold On & Sediment)<\/a><\/center><\/h3>Tana Garrido Ruiz (Basque Country, 2022 | 13\u2032 | DOC)<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nUNICEF Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Son of the Sun (Atasinin Balasi) <\/a><\/center><\/h3>Dastan Madalbekov (Kyrgyzstan, 2022 | 17\u2032 | FIC)<\/h4>\r\n\u201cUNICEF has decided to give its award to the short film Son of the Sun<\/em>, by director Dastan Madalbekov because it addresses children growing up in loneliness, bereft of the protection and affection of a family or those who are their nearest and dearest.\u201d\r\n
\r\n<\/p>
Isidro Elezgarai Esteban, UNICEF Chair-Basque Country Committee\r\n\r\n
\r\nEuropean Film Awards 2023 Short Film Candidate<\/center><\/h2> \r\n![\"\"]()
\r\n
Zoon <\/a><\/center><\/h3>Jonatan Schwenk (Germany, 2022 | 4\u2032 | ANI)<\/h4>\r\n\u201cThe film is a song of praise to the magic of cinema and beauty which needs no message or metaphor to strike a chord. It stands out as a reminder, not to forget that sometimes the prevalence of the enigma and inexplicable fascination can be beautiful.\u201d\r\n
\r\n
\r\n\r\n
\r\n\r\nZIFF \u2013 ZINEBI
\r\nInternational Competition<\/center><\/h3>
\r\n\r\nZIFF Grand Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Anhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\r\nSearching Heleny (Cad\u00ea Heleny?)<\/a><\/center><\/h3>Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4><\/center>\r\n
\r\n
<\/p>
Short Film International Competition Jury <\/strong>Anca Caramelea, Hilke Doering, Juan Soto, Sabina Urraca, Bego\u00f1a Vicario<\/center>\r\n\r\n
\r\nFAS Cineclub Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Espera y sedimento (Hold On & Sediment)<\/a><\/center><\/h3>Tana Garrido Ruiz (Basque Country, 2022 | 13\u2032 | DOC)<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nUNICEF Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Son of the Sun (Atasinin Balasi) <\/a><\/center><\/h3>Dastan Madalbekov (Kyrgyzstan, 2022 | 17\u2032 | FIC)<\/h4>\r\n\u201cUNICEF has decided to give its award to the short film Son of the Sun<\/em>, by director Dastan Madalbekov because it addresses children growing up in loneliness, bereft of the protection and affection of a family or those who are their nearest and dearest.\u201d\r\n
\r\n<\/p>
Isidro Elezgarai Esteban, UNICEF Chair-Basque Country Committee\r\n\r\n
\r\nEuropean Film Awards 2023 Short Film Candidate<\/center><\/h2> \r\n![\"\"]()
\r\n
Zoon <\/a><\/center><\/h3>Jonatan Schwenk (Germany, 2022 | 4\u2032 | ANI)<\/h4>\r\n\u201cThe film is a song of praise to the magic of cinema and beauty which needs no message or metaphor to strike a chord. It stands out as a reminder, not to forget that sometimes the prevalence of the enigma and inexplicable fascination can be beautiful.\u201d\r\n
\r\n
\r\n\r\n
\r\n\r\nZIFF \u2013 ZINEBI
\r\nInternational Competition<\/center><\/h3>
\r\n\r\nZIFF Grand Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Anhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Esther Vital Garc\u00eda (Spain \u2013 Brazil, 2022 | 29\u2032 | DOC\/ANI)<\/h4><\/center>\r\n
\r\n
<\/p>
\r\n
FAS Cineclub Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Espera y sedimento (Hold On & Sediment)<\/a><\/center><\/h3>Tana Garrido Ruiz (Basque Country, 2022 | 13\u2032 | DOC)<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nUNICEF Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Son of the Sun (Atasinin Balasi) <\/a><\/center><\/h3>Dastan Madalbekov (Kyrgyzstan, 2022 | 17\u2032 | FIC)<\/h4>\r\n\u201cUNICEF has decided to give its award to the short film Son of the Sun<\/em>, by director Dastan Madalbekov because it addresses children growing up in loneliness, bereft of the protection and affection of a family or those who are their nearest and dearest.\u201d\r\n
\r\n<\/p>
Isidro Elezgarai Esteban, UNICEF Chair-Basque Country Committee\r\n\r\n
\r\nEuropean Film Awards 2023 Short Film Candidate<\/center><\/h2> \r\n![\"\"]()
\r\n
Zoon <\/a><\/center><\/h3>Jonatan Schwenk (Germany, 2022 | 4\u2032 | ANI)<\/h4>\r\n\u201cThe film is a song of praise to the magic of cinema and beauty which needs no message or metaphor to strike a chord. It stands out as a reminder, not to forget that sometimes the prevalence of the enigma and inexplicable fascination can be beautiful.\u201d\r\n
\r\n
\r\n\r\n
\r\n\r\nZIFF \u2013 ZINEBI
\r\nInternational Competition<\/center><\/h3>
\r\n\r\nZIFF Grand Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Anhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"https:\/\/zinebi.eus\/assets\/media\/Copia-de-ESPERA_SEDIMENTO_still.jpg\")
\r\nEspera y sedimento (Hold On & Sediment)<\/a><\/center><\/h3>Tana Garrido Ruiz (Basque Country, 2022 | 13\u2032 | DOC)<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nUNICEF Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Son of the Sun (Atasinin Balasi) <\/a><\/center><\/h3>Dastan Madalbekov (Kyrgyzstan, 2022 | 17\u2032 | FIC)<\/h4>\r\n\u201cUNICEF has decided to give its award to the short film Son of the Sun<\/em>, by director Dastan Madalbekov because it addresses children growing up in loneliness, bereft of the protection and affection of a family or those who are their nearest and dearest.\u201d\r\n
\r\n<\/p>
Isidro Elezgarai Esteban, UNICEF Chair-Basque Country Committee\r\n\r\n
\r\nEuropean Film Awards 2023 Short Film Candidate<\/center><\/h2> \r\n![\"\"]()
\r\n
Zoon <\/a><\/center><\/h3>Jonatan Schwenk (Germany, 2022 | 4\u2032 | ANI)<\/h4>\r\n\u201cThe film is a song of praise to the magic of cinema and beauty which needs no message or metaphor to strike a chord. It stands out as a reminder, not to forget that sometimes the prevalence of the enigma and inexplicable fascination can be beautiful.\u201d\r\n
\r\n
\r\n\r\n
\r\n\r\nZIFF \u2013 ZINEBI
\r\nInternational Competition<\/center><\/h3>
\r\n\r\nZIFF Grand Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Anhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Tana Garrido Ruiz (Basque Country, 2022 | 13\u2032 | DOC)<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nUNICEF Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Son of the Sun (Atasinin Balasi) <\/a><\/center><\/h3>Dastan Madalbekov (Kyrgyzstan, 2022 | 17\u2032 | FIC)<\/h4>\r\n\u201cUNICEF has decided to give its award to the short film Son of the Sun<\/em>, by director Dastan Madalbekov because it addresses children growing up in loneliness, bereft of the protection and affection of a family or those who are their nearest and dearest.\u201d\r\n
\r\n<\/p>
Isidro Elezgarai Esteban, UNICEF Chair-Basque Country Committee\r\n\r\n
\r\nEuropean Film Awards 2023 Short Film Candidate<\/center><\/h2> \r\n![\"\"]()
\r\n
Zoon <\/a><\/center><\/h3>Jonatan Schwenk (Germany, 2022 | 4\u2032 | ANI)<\/h4>\r\n\u201cThe film is a song of praise to the magic of cinema and beauty which needs no message or metaphor to strike a chord. It stands out as a reminder, not to forget that sometimes the prevalence of the enigma and inexplicable fascination can be beautiful.\u201d\r\n
\r\n
\r\n\r\n
\r\n\r\nZIFF \u2013 ZINEBI
\r\nInternational Competition<\/center><\/h3>
\r\n\r\nZIFF Grand Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Anhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"https:\/\/zinebi.eus\/assets\/media\/Copia-de-Son-of-the-Sun_1_Still.jpg\")
\r\nSon of the Sun (Atasinin Balasi) <\/a><\/center><\/h3>Dastan Madalbekov (Kyrgyzstan, 2022 | 17\u2032 | FIC)<\/h4>\r\n\u201cUNICEF has decided to give its award to the short film Son of the Sun<\/em>, by director Dastan Madalbekov because it addresses children growing up in loneliness, bereft of the protection and affection of a family or those who are their nearest and dearest.\u201d\r\n
\r\n<\/p>
Isidro Elezgarai Esteban, UNICEF Chair-Basque Country Committee\r\n\r\n
\r\nEuropean Film Awards 2023 Short Film Candidate<\/center><\/h2> \r\n![\"\"]()
\r\n
Zoon <\/a><\/center><\/h3>Jonatan Schwenk (Germany, 2022 | 4\u2032 | ANI)<\/h4>\r\n\u201cThe film is a song of praise to the magic of cinema and beauty which needs no message or metaphor to strike a chord. It stands out as a reminder, not to forget that sometimes the prevalence of the enigma and inexplicable fascination can be beautiful.\u201d\r\n
\r\n
\r\n\r\n
\r\n\r\nZIFF \u2013 ZINEBI
\r\nInternational Competition<\/center><\/h3>
\r\n\r\nZIFF Grand Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Anhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Dastan Madalbekov (Kyrgyzstan, 2022 | 17\u2032 | FIC)<\/h4>\r\n\u201cUNICEF has decided to give its award to the short film Son of the Sun<\/em>, by director Dastan Madalbekov because it addresses children growing up in loneliness, bereft of the protection and affection of a family or those who are their nearest and dearest.\u201d\r\n
\r\n<\/p>
Isidro Elezgarai Esteban, UNICEF Chair-Basque Country Committee\r\n\r\n
\r\nEuropean Film Awards 2023 Short Film Candidate<\/center><\/h2> \r\n![\"\"]()
\r\n
Zoon <\/a><\/center><\/h3>Jonatan Schwenk (Germany, 2022 | 4\u2032 | ANI)<\/h4>\r\n\u201cThe film is a song of praise to the magic of cinema and beauty which needs no message or metaphor to strike a chord. It stands out as a reminder, not to forget that sometimes the prevalence of the enigma and inexplicable fascination can be beautiful.\u201d\r\n
\r\n
\r\n\r\n
\r\n\r\nZIFF \u2013 ZINEBI
\r\nInternational Competition<\/center><\/h3>
\r\n\r\nZIFF Grand Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Anhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\r\n
European Film Awards 2023 Short Film Candidate<\/center><\/h2> \r\n![\"\"]()
\r\n
Zoon <\/a><\/center><\/h3>Jonatan Schwenk (Germany, 2022 | 4\u2032 | ANI)<\/h4>\r\n\u201cThe film is a song of praise to the magic of cinema and beauty which needs no message or metaphor to strike a chord. It stands out as a reminder, not to forget that sometimes the prevalence of the enigma and inexplicable fascination can be beautiful.\u201d\r\n
\r\n
\r\n\r\n
\r\n\r\nZIFF \u2013 ZINEBI
\r\nInternational Competition<\/center><\/h3>
\r\n\r\nZIFF Grand Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Anhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"https:\/\/zinebi.eus\/assets\/media\/Copia-de-Zoon_still5.jpg\")
\r\nZoon <\/a><\/center><\/h3>Jonatan Schwenk (Germany, 2022 | 4\u2032 | ANI)<\/h4>\r\n\u201cThe film is a song of praise to the magic of cinema and beauty which needs no message or metaphor to strike a chord. It stands out as a reminder, not to forget that sometimes the prevalence of the enigma and inexplicable fascination can be beautiful.\u201d\r\n
\r\n
\r\n\r\n
\r\n\r\nZIFF \u2013 ZINEBI
\r\nInternational Competition<\/center><\/h3>
\r\n\r\nZIFF Grand Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Anhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Jonatan Schwenk (Germany, 2022 | 4\u2032 | ANI)<\/h4>\r\n\u201cThe film is a song of praise to the magic of cinema and beauty which needs no message or metaphor to strike a chord. It stands out as a reminder, not to forget that sometimes the prevalence of the enigma and inexplicable fascination can be beautiful.\u201d\r\n
\r\n
\r\n\r\n
\r\n\r\nZIFF \u2013 ZINEBI
\r\nInternational Competition<\/center><\/h3>
\r\n\r\nZIFF Grand Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Anhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
ZIFF \u2013 ZINEBI
\r\nInternational Competition<\/center><\/h3>
\r\n\r\nZIFF Grand Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Anhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\r\nInternational Competition<\/center><\/h3>
\r\n\r\n
ZIFF Grand Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Anhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"https:\/\/zinebi.eus\/assets\/media\/Anhell69-Still-1.jpg\")
\r\nAnhell69<\/a><\/center><\/h3> Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Theo Montoya ( Colombia \u2013 Romania \u2013 France \u2013 Germany, 2022 | 72\u2032 | DOC)<\/h4>\r\n\u201cNot only we fell in love with each of its overwhelming characters; \r\nnot only we fell in love with its brilliant poetic structure; \r\nnot only we fell in love with its spectacular formal hybridity and inventiveness; \r\nbut we also fell in love with the many artistic promises that spring from this magnificent film. Long live Colombian cinema!\u201d\r\n
\r\n
\r\n\r\n
\r\nZIFF Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Nuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"https:\/\/zinebi.eus\/assets\/media\/de-our-film_still.jpg\")
\r\nNuestra pel\u00edcula<\/a><\/center><\/h3>Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
ZIFF \u2013 ZINEBI First Film International Competition Jury <\/strong>Nicole Brenez, Carlos Mara\u00f1\u00f3n, Marta Popivoda<\/center>\r\n\r\n\r\n
\r\nZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Diana Bustamante (Colombia \u2013 France, 2022 | 74\u2019 | DOC)<\/h4>\r\n\u201cFor her brave insight into Colombia\u2019s historical reality, with some brilliant editing for utilisation of the images to take us to a new dimension of remembrance of and respect for the victims of violence.\u201d\r\n
\r\n
<\/p>
\r\n
ZIFF Youth Jury Award (UPV\/EHU)<\/center><\/h2> \r\n![\"\"]()
\r\n
How to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"https:\/\/zinebi.eus\/assets\/media\/How-to-Save-a-Dead-Friend_still.jpg\")
\r\nHow to Save a Dead Friend<\/a><\/center><\/h3>Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
ZIFF Youth Jury<\/strong>Julia Rodr\u00edguez Amunarriz, Catalina Uriarte Baztan, Camila Macedo Belon, Elene Larrinaga Bilbao, Garazi Mendieta Eizaguirre, Gabriel Jose Qui\u00f1ones Espinal, Emmanuel Aaron V\u00e1squez Espinoza, I\u00f1igo Zulueta Fern\u00e1ndez, Maialen Molinuevo Galisteo, Sigrid Gallardo, Nahia Arzamendi Garc\u00eda, Mireia Eunate Mart\u00ednez Gast\u00f3n, Amaia Gil, Maitane Aguerre Iparraguirre, Ainara Rodil Jaime, Ane Mart\u00ednez Juez, Mar\u00eda Sampedro Laca, June Oscoz Larra\u00f1aga, Iraia Mendoza Larrea, Endika G\u00f3mez L\u00f3pez, Kevin Lajas L\u00f3pez, Daniel Rodr\u00edguez Miguel, Ane Cuesta Monge, Aitor Abio Moro, Iratxe Ugartetxea Muelas, Marcos Huedo Parres, Bel\u00e9n Pascual, Marc Moragues Pastor, Noemi Graciano Relloso, Sandra Apausa S\u00e1nchez, Ivana Coca Turiel, Ekaitz Vargas, Iker Guti\u00e9rrez Zamakona<\/center>\r\n\r\n
\r\n\r\nNETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Marusya Syroechkovskaya (Sweden \u2013 Norway \u2013 France \u2013 Germany, 2022 | 103\u2032 | DOC)<\/h4>\r\n\u201cDirector Marusya Syroechkovskaya portrays her relationship with her life partner, Kimi. The idea of bringing back her soul mate from the void culminates in a film which opens up to viewers like an old newspaper. Through the medium of personal records with home-movie aesthetics as a summary of ten years of archive material, we delve into their story and the story of an entire generation. \r\nThe film shows sensitive contemplation of those moments during the day, apparently insignificant, but which, from the perspective of time and death, come across as immense. There is an astounding quality in the images, the work on sound, and the irony used to address issues such as suicide and drug addiction. \r\nAlong with the music of Joy Division and Nirvana, the film is a time capsule for a moving story which poses some major questions on the essence of life.\u201d\r\n
<\/p>
\r\n
NETWORKING<\/center><\/h3>
\r\n\r\nZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\r\n\r\n
ZINEBI Networking EITB 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Ziku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"https:\/\/zinebi.eus\/assets\/media\/ZIKUN\u0303AGAKO-AMA-Still.jpg\")
\r\nZiku\u00f1agako ama<\/a><\/center><\/h3>direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n
\r\n<\/p>
ZINEBI Networking Euskadi Jury<\/strong> Gloria Bretones (Begin Again Film), Zaida Carmona (Filmin), Ainhoa Gonz\u00e1lez Sanchiz (Creativa Desk Media Euskadi), No\u00e9 Mendelle (Scottish Documentary Institute), Aintzane P\u00e9rez del Palomar (EITB \u2013 Euskal Irrati Telebista), Joana Sousa (DocLisboa)<\/center>\r\n\r\n
\r\nZINEBI Networking 2022 Award <\/center><\/h2> \r\n![\"\"]()
\r\n
Elena dio a luz un hermoso ni\u00f1o<\/a><\/center><\/h3>direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n
\r\n<\/p>
ZINEBI Estate\u2019s Networking Jury<\/strong> Lya (Asian Shadows), Anette Dujisin (Filmin Portugal), Elena Mera (Treeline), Ana Pel\u00e1ez (Televisi\u00f3n Espa\u00f1ola), Charlotte Serrand (La Roche-sur-Yon International Film Festival) <\/center>\r\n\r\n
\r\n\r\nAukera Awards<\/center><\/h3>
\r\n\r\nAukera-(H)emen Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Ultramarino<\/a><\/center><\/h3>\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Award<\/center><\/h2> \r\n![\"\"]()
\r\n
87 hadas <\/a><\/center><\/h3>\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Artistic Creation Special Mention<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\nAukera-Bizkaia Council Award<\/center><\/h2> \r\n![\"\"]()
\r\n
Komando Marmitako<\/a><\/center><\/h3>\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
<\/p>
Aukera Jury<\/strong>Lara Izagirre Garizurieta, Nagore Eceiza, Mar\u00eda Jes\u00fas Diez Sota<\/center>\r\n\r\n\r\n<\/div><\/div><\/div><\/center><\/center><\/div>","protected":false},"excerpt":{"rendered":"Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
direction<\/strong> Pello Guti\u00e9rrez Pe\u00f1alba | producer<\/strong> In\u0303aki Sagastume | production<\/strong> Zazpi T\u2019erdi <\/p>\r\n\u201cBecause it comes up with a relevant question for us \u2013 Why do we attach more importance to an original image? Because it is a local story with a universal projection. Because the docu-thriller genre may gain it a wider audience. Because of the clarity of the concept and a splendid presentation.\u201d\r\n <\/p> direction<\/strong> Chiara Mara\u00f1\u00f3n, Juan Soto | producer<\/strong> Ricard Sales, Luis Ferr\u00f3n, Sandra Tabares-Duque | production<\/strong>LaCima Producciones<\/p>\r\n\u201cBecause it is a family story, and universal at the same time. Because of the portrayal of Spain through in-depth historical research. Because it retrieves interesting archive images Because it is an encounter between History and story The jury expects to see a different way of using archives and editing in films\u201d\r\n <\/p> <\/p> Official selection \u2013 Short Film International Competition ZINEBI Grand Award Todas mis cicatrices se desvanecen en el viento (All My Scars Vanish in the Wind) Ang\u00e9lica Restrepo, Carlos Velandia (Colombia, 2022 | 14\u2032 | ANI) \u201cAn innovative and surprising piece of animation, taking viewers on a journey through time, the space and sound of landscapes […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":7727,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16043","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=16043"}],"version-history":[{"count":8,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions"}],"predecessor-version":[{"id":16315,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/16043\/revisions\/16315"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/7727"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=16043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\r\n
\r\n![\"\"](\"https:\/\/zinebi.eus\/assets\/media\/ELENA-DIO-A-LUZ-UN-HERMOSO-NIN\u0303O-Still2.png\")
\r\n
\r\n
\r\n
\r\n\r\n![\"\"](\"https:\/\/zinebi.eus\/assets\/media\/cartel-ULTRAMARINO.jpg\")
\r\nMaren Zubeldia<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\n![\"\"](\"https:\/\/zinebi.eus\/assets\/media\/Cartel-87-HADAS.jpg\")
\r\nBeatriz de Silva<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\n![\"\"](\"https:\/\/zinebi.eus\/assets\/media\/KOMANDO-MARMITAKO.png\")
\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n
\r\n\r\n
\r\n\r\nUxue Botas, Ane Nafarrate<\/h4><\/center>\r\n
\r\n