{"id":1711,"date":"2021-10-05T12:18:57","date_gmt":"2021-10-05T12:18:57","guid":{"rendered":"https:\/\/zinebi.eus\/festival\/winners\/ano-2000-2009\/"},"modified":"2023-09-06T08:29:33","modified_gmt":"2023-09-06T08:29:33","slug":"2000-2009-years","status":"publish","type":"page","link":"https:\/\/zinebi.eus\/en\/festival\/winners\/2000-2009-years\/","title":{"rendered":"2000 – 2009 years"},"content":{"rendered":"
\r\n
\r\n
\r\n

YEARS
\r\n2010-2022<\/a><\/strong><\/p>\r\n\u00a0\r\n\r\n<\/div>\r\n<\/div>\r\n

\r\n
\r\n

YEARS
\r\n2000-2009<\/a><\/strong><\/p>\r\n\u00a0\r\n\r\n<\/div>\r\n<\/div>\r\n

\r\n
\r\n

YEARS
\r\n1990-1999<\/a><\/strong><\/p>\r\n\u00a0\r\n\r\n<\/div>\r\n<\/div>\r\n

\r\n
\r\n

YEARS
\r\n1980-1989<\/a><\/strong><\/p>\u00a0\r\n\u00a0\r\n\r\n<\/div>\r\n<\/div>\r\n

\r\n
\r\n

YEARS
\r\n1970-1979<\/a><\/strong><\/p>\r\n\u00a0\r\n\r\n<\/div>\r\n<\/div>\r\n

\r\n
\r\n

YEARS
\r\n1959-1969<\/a><\/strong><\/p>\r\n\u00a0\r\n\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n

\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\t\t
\"ZINEBI<\/a><\/div>\r\n\t\t\t\t\t\t\t\t\t<\/figure>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t

2009- 51 EDICI\u00d3N<\/h2>\r\n

BILBAO FESTIVAL GRAND PRIX
\r\nWagah<\/b><\/p>

, Supriyo Sen (Germany)<\/p>\r\n

SPANISH CINEMA GRAND PRIX
\r\nJohannes<\/b>, Graciela de Torres Olson (Spain)<\/span><\/p>\r\n

BASQUE CINEMA GRAND PRIX
\r\n5 Recuerdos (5 Memories)<\/b>, Oriana Alcaine, Alejandra M\u00e1rquez (Euskadi)<\/span><\/p>\r\n

ANIMATION<\/p>\r\n

GOLD MIKELDI
\r\nLogorama<\/b>, Fran\u00e7ois Alaux, Herv\u00e9 de Cr\u00e9cy, Ludovic Houplain (France)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nGolpe de Espejo (Coup Mirror)<\/b>, Claudio D\u00edaz Vald\u00e9s (Chile)<\/span><\/p>\r\n

DOCUMENTARY`>\r\n<\/p>

GOLD MIKELDI
\r\nNueve y Cinco (Nine and five)<\/b>, Dar\u00edo Schvarzstein (Argentina)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nThe Title Was Shot<\/b>, Vivian Ostrovsky (USA.)<\/span><\/p>\r\n

FICTION<\/p>\r\n

GOLD MIKELDI
\r\nTulum (The Party)<\/b>, Dalibor Matanic (Croatia)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nAutopilot<<\/b>, J.B. Herndon (USA.)<\/span><\/p>\r\n

SPECIAL MENTION
\r\nVari\u00e1ci\u00f3k (Variations)<\/b>, Krisztina Eszterg\u00e1lyos (Hungary)<\/span><\/p>\r\n

SILVER \u201cCARABELA\u201d FOR THE BEST LATIN AMERICAN FILM
\r\nMarina, la Esposa del Pescador (Marina, The Fisherman\u2019s Wife)<\/b>, Carlos Hern\u00e1ndez (Colombia)<\/span><\/p>\r\n

GENERAL PUBLIC AWARD
\r\nLogorama<\/b>, Fran\u00e7ois Alaux, Herv\u00e9 de Cr\u00e9cy, Ludovic Houplain (France)<\/span><\/p>\r\n

AWARD BY THE AUTHORS\u2019 AND PUBLISHERS\u2019 ENTITY (SGAE) AND THE PROFESSIONAL ASSOCIATION <\/p>

OF BASQUE COUNTRY SCRIPTWRITERS FOR THE BEST BASQUE SCRIPT
\r\n5 Recuerdos (5 Memories)<\/b>, Oriana Alcaine, Alejandra M\u00e1rquez (Euskadi)<\/span><\/p>\r\nAhate Pasa (Duck Crossing)<\/b>, Koldo Almandoz (Euskadi)<\/span>\r\n\r\n\t\t\t\t\t\t\t \r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t

\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\t\t
\"ZINEBI<\/a><\/div>\r\n\t\t\t\t\t\t\t\t\t<\/figure>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t

2008- 50 EDICI\u00d3N<\/h2>\r\n

BILBAO FESTIVAL GRAND PRIX
\r\nLe Feu, le Sang, les \u00c9toiles (The Fire, the Blood, the Stars)<\/b>, Caroline Deruas (France)<\/span><\/p>\r\n

SPANISH CINEMA GRAND PRIX
\r\nOne Goal<\/b>, Sergi Agusti (Spain)<\/span><\/p>\r\n

BASQUE CINEMA GRAND PRIX
\r\nFGM<\/b>, Jon Gara\u00f1o (Euskadi)<\/span><\/p>\r\n

ANIMATION<\/p>\r\n

GOLD MIKELDI
\r\nDix, Fabrice Le Nezet<\/b>, Fran\u00e7ois Roisin, Jules Janaud (France)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nSagan Om den Lille dockpojken (The Tale of Little Puppetboy)<\/b>, Johannes Nyholm (Sweden)<\/span><\/p>\r\n

DOCUMENTARY<\/p>\r\n

GOLD MIKELDI
\r\nClean-Up<\/b>, Sebastian Mez (Germany)<\/span><\/p>\r\n

MIKELDI DE PLATA\r\nGhosts and Gravel Roads<\/b>, Mike Rollo (Canada)<\/span><\/p>\r\n

FICTION<\/p>\r\n

GOLD MIKELDI
\r\nThe Doo<\/b>, Juanita Wilson (Ireland)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nHemel Boven Holland (Heaven above Holland)<\/b>, Rolf van Eijk (Netherlands)<\/span><\/p>\r\n

SILVER \u201cCARABELA\u201d FOR THE BEST LATIN AMERICAN FILM
\r\nTierra Roja (Red Land)<\/b>, Heidi Hassan (Cuba, Switzerland)<\/span><\/p>\r\n

AWARD BY THE IBERO-AMERICAN FEDERATION OF FILM AND AUDIOVISUAL PRODUCERS, FIPCA, <\/p>

AND THE AUDIOVISUAL PRODUCERS\u2019 RIGHTS MANAGEMENT ENTITY, EGEDA, <\/p>

FOR THE BEST IBERO-AMERICAN PRODUCTION
\r\nBuen Viaje (Good trip)<\/b>, Guillermo Rocamora, Javier Palleiro (Uruguay)<\/span><\/p>\r\n

AWARD BY THE AUTHORS\u2019 AND PUBLISHERS\u2019 ENTITY (SGAE) AND THE PROFESSIONAL ASSOCIATION OF <\/p>

BASQUE COUNTRY SCRIPTWRITERS FOR THE BEST BASQUE SCRIPT
\r\nTras los Visillos (Behind The Curtains)<\/b>, Gregorio Muro, Ra\u00fal L\u00f3pez (Euskadi)<\/span><\/p>\r\nOn the Line<\/b>, Jon Gara\u00f1o (Euskadi)<\/span>\r\n

FAS CINECLUB AWARD
\r\nLes Paradis Perdus (Lost Paradises)<\/b>, H\u00e9lier Cisterne (France)<\/span><\/p>\r\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t

\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\t\t
\"ZINEBI<\/a><\/div>\r\n\t\t\t\t\t\t\t\t\t<\/figure>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t

2007- 49 EDICI\u00d3N<\/h2>\r\n

BILBAO FESTIVAL GRAND PRIX
\r\nLe Printemps de Sant Pon\u00e7 (Spring in Sant Pon\u00e7)<\/b>, Eugenia Mumenthaler, David Epiney (Switzerland)<\/span><\/p>\r\n

SPANISH CINEMA GRAND PRIX
\r\nEl Ni\u00f1o y el Mar (The Child and the Sea)<\/b> Tito Molina (Spain)<\/span><\/p>\r\n

BASQUE CINEMA GRAND PRIX
\r\nFootnotes to a House of Love<\/b>, Laida Lertxundi (Euskadi)<\/span><\/p>\r\n

ANIMATION<\/p>\r\n

GOLD MIKELDI
\r\nLe Printemps de Sant Pon\u00e7 (Spring in Sant Pon\u00e7)<\/b>, Eugenia Mumenthaler, David Epiney (Sweden)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nAnhalter (Hitchhiker)<\/b>, Daniel H\u00f6pfner (Germany)<\/span><\/p>\r\n

DOCUMENTARY<\/p>\r\n

GOLD MIKELDI
\r\nFamilia 068 (Family 068)<\/b>, Rub\u00e9n Margall\u00f3, Toni Edo (Spain)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nRetro Visi\u00f3n (Retrovision)<\/b>, Mauricio Godoy (Spain)<\/span><\/p>\r\n

FICTION<\/p>\r\n

GOLD MIKELDI
\r\nKramasha<\/b>, Amit Dutta (India)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nT\u00fcrelem (With a Little Patience), L\u00e1szl\u00f3 Nemes (Hungary)<\/b><\/p>\r\n

SILVER \u201cCARABELA\u201d FOR THE BEST LATIN AMERICAN FILM\r\nEl Cuarto del Fondo (The guest Room)<\/b>, Leticia Jorge, Ana Guevara (Uruguay)<\/span><\/p>\r\n

GENERAL PUBLIC AWARD
\r\nL\u2019offre et la Demande (Supply and Demand)<\/b>, Fr\u00e9d\u00e9ric Farruci (France)<\/span><\/p>\r\n

FAS CINECLUB AWARD
\r\nLas Horas Muertas (Killing Time)<\/b>, Haritz Zubillaga (Euskadi)<\/span><\/p>\r\n

AWARD BY THE IBERO-AMERICAN FEDERATION OF FILM AND AUDIOVISUAL PRODUCERS, FIPCA, <\/p>

AND THE AUDIOVISUAL PRODUCERS\u2019 RIGHTS MANAGEMENT ENTITY, EGEDA, <\/p>

FOR THE BEST IBERO-AMERICAN PRODUCTION
\r\nDecir Adi\u00f3s (Saying Goodbye)<\/b>, V\u00edctor Iriarte (Euskadi)<\/span><\/p>\r\n

AWARD BY THE AUTHORS\u2019 AND PUBLISHERS\u2019 ENTITY (SGAE)<\/p>

AND THE PROFESSIONAL ASSOCIATION OF BASQUE COUNTRY SCRIPTWRITERS FOR THE BEST BASQUE SCRIPT\r\nItzalak (Shadow)<\/b>, I\u00f1igo Kintana (Euskadi)<\/span><\/p>\r\nPresent perfect<\/b>, Mikel Rueda (Euskadi)<\/span>\r\n

DEIA AWARD
\r\n\u00centre ziduri (Between the walls)<\/b>, Ana-Felicia Scutelnicu (Germany)<\/span><\/p>\r\n

UNICEF AWARD
\r\nDez Centavos (10 Cents)<\/b>, Cesar Fernando de Oliveira (Brazil)<\/span><\/p>\r\n\r\n\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\r\n\t\t\t\t\t

\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\t\t
\"ZINEBI<\/a><\/div>\r\n\t\t\t\t\t\t\t\t\t<\/figure>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t

2006- 48 EDICI\u00d3N<\/h2>\r\n\t \r\n

BILBAO FESTIVAL GRAND PRIX
\r\nLampa Cu Caciula (The Tube with a Hat)<\/b>, Radu Jude (Romania)<\/span><\/p>\r\n

SPANISH CINEMA GRAND PRIX
\r\nAbandonatii (Abandoned)<\/b>, Joan Soler (Spain)<\/span><\/p>\r\n

BASQUE CINEMA GRAND PRIX
\r\nEl Verano Espa\u00f1ol (The spanish summer)<\/b>, V\u00edctor Gonz\u00e1lez (Euskadi)<\/span><\/p>\r\n

ANIMATION<\/p>\r\n

GOLD MIKELDI
\r\nTyger<\/b>, Guilherme Marcondes (Brazil)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nAldrig Som F\u00f6rsta Gangen! (Never Like the First Time!)<\/b>, Jonas Odell (Sweden)<\/span><\/p>\r\n

DOCUMENTARY<\/p>\r\n

GOLD MIKELDI
\r\nNikita and Nikita<\/b>, Maria Tyulyaeva (Russia)<\/span><\/p>\r\nJaba<\/b>, Andreas Bolm (Germany)\r\nUku ukai<\/b>, Audrius Stonys (Lithuania)<\/span>\r\n

FICTION<\/p>\r\n

GOLD MIKELDI
\r\nTwilight<\/b>, Victoria Gamburg (USA, Russia)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nVika<\/b>, Tsivia Barkai (Israel)<\/span><\/p>\r\n

SILVER \u201cCARABELA\u201d FOR THE BEST LATIN AMERICAN FILM
\r\nEl Aprendiz (The Trainee)<\/b>, Jorge Hern\u00e1ndez Aldana (Venezuela)<\/span><\/p>\r\n

GENERAL PUBLIC AWARD
\r\nOtzenrath (Last day)<\/b>, Martijn Smits (Netherlands)<\/span><\/p>\r\n

FAS CINECLUB AWARD
\r\nFor(r)est in the des(s)ert<\/b>, Luiso Berdejo (Euskadi)<\/span><\/p>\r\n

AWARD BY THE AUTHORS\u2019 AND PUBLISHERS\u2019 ENTITY (SGAE) <\/p>

AND THE PROFESSIONAL ASSOCIATION OF BASQUE COUNTRY SCRIPTWRITERS FOR THE BEST BASQUE SCRIPT
\r\nPerpetuum Mobile<\/b>, Enrique Garc\u00eda, Raquel Ajofr\u00edn (Euskadi) <\/span><\/p>\r\nVegetables<\/b>, Javier Ortega (Euskadi)<\/span>\r\n\r\n\t\t\t\t\t\t\t<\/span><\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t

\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\t\t
\"ZINEBI<\/a><\/div>\r\n\t\t\t\t\t\t\t\t\t<\/figure>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t

2005- 47 EDICI\u00d3N<\/h2>\r\n\t \r\n

BILBAO FESTIVAL GRAND PRIX
\r\nObreras Saliendo de la F\u00e1brica (Women Workers Leaving the Factory)<\/b>, Jos\u00e9 Luis Torres Leiva (Chile)<\/span><\/p>\r\n

SPANISH CINEMA GRAND PRIX
\r\nEl Gran Zambini (The Great Zambini)<\/b>, Igor Legarreta, Emilio P\u00e9rez (Euskadi)<\/span><\/p>\r\n

BASQUE CINEMA GRAND PRIX
\r\nLa Gallina Ciega (Blindman\u2019s Bluff )<\/b>, Isabel Herguera (Euskadi)<\/span><\/p>\r\n

ANIMATION<\/p>\r\n

GOLD MIKELDI
\r\nZero Degree<\/b>, Omid Khoshnazar (Iran)<\/span><\/p>\r\n

SILVER MIKELDIb
\r\nJam Session<\/b>, Isabela Plucinska (Poland, Germany)<\/span><\/p>\r\n

DOCUMENTARY<\/p>\r\n

GOLD MIKELDI
\r\nHl\u2019adanie il\u00fazi\u00ed (Speaking of illusions)<\/b>, Sahraa Karimi (Slovakia)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nRising Tide<\/b>, Robert Todd (USA)<\/span><\/p>\r\n

FICTION<\/p>\r\n

GOLD MIKELDI
\r\nLyu-go Hun Okure no Heimon<\/b>, Takeshi Kushida (Japan)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nSolace<\/b>, Jared Katsiane (USA., G. Britain)<\/span><\/p>\r\n

SILVER \u201cCARABELA\u201d FOR THE BEST LATIN AMERICAN FILM
\r\nDalva<\/b>, Caroline Leone (Brazil)<\/span><\/p>\r\n

GENERAL PUBLIC AWARD
\r\nLa Apertura (The opening)<\/b>, Duska Zagorac ( G. Britain, Argentina)<\/span><\/p>\r\n

FAS CINECLUB AWARD
\r\nThe Fan and the Flower<\/b>, Bill Plympton (USA)<\/span><\/p>\r\n

SPECIAL MENTION
\r\nOh My God<\/b>, John Bryant (USA)<\/span><\/p>\r\n

AWARD BY THE AUTHORS\u2019 AND PUBLISHERS\u2019 ENTITY (SGAE) <\/p>

AND THE PROFESSIONAL ASSOCIATION OF BASQUE COUNTRY SCRIPTWRITERS FOR THE BEST BASQUE SCRIP
\r\nSinton\u00eda (Syntony)<\/b>, Jos\u00e9 Mari Goenaga (Euskadi)<\/span><\/p>\r\nLos Ojos de Alicia (Alicia\u00b4s Eyes)<\/b>, Ugo Sanz (Euskadi)<\/span>\r\n

AISGE AWARD for BEST PERFORMANCE
\r\nSinton\u00eda (Tuning)<\/b>, Jos\u00e9 Mari Goenaga, Tania De la Cruz (Euskadi)<\/span><\/p>\r\n

UNICEF AWARD
\r\nEl mont\u00f3n (The moped)<\/b>, Yury Tacher (Mexico) <\/span><\/p>\r\nTiny Katerina (Malenkaya Katerina)<\/b>, Ivan Golovnev (Russia)<\/span>\r\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t

\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\t\t
\"ZINEBI<\/a><\/div>\r\n\t\t\t\t\t\t\t\t\t<\/figure>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t

2004- 46 EDICI\u00d3N<\/h2>\r\n

BILBAO FESTIVAL GRAND PRIX
\r\nDetail<\/b>, Avi Mograbi (Israel)<\/span><\/p>\r\n

SPANISH CINEMA GRAND PRIX
\r\nCuadril\u00e1tero (Quadrangle)<\/b>, Jos\u00e9 Carlos Ruiz (Spain)<\/span><\/p>\r\n

BASQUE CINEMA GRAND PRIX
\r\nDos encuentros (Two Encounters)<\/b>, Alan Griffin (Euskadi)<\/span><\/p>\r\n

ANIMATION<\/p>\r\n

GOLD MIKELDI
\r\nThe Final Solution<\/b>, Phil Mulloy (Germany, G. Britain)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nRyan<\/b>, Chris Landreth (Canada)<\/span><\/p>\r\n

DOCUMENTARY<\/p>\r\n

GOLD MIKELDI
\r\nMorada (Home)<\/b>, Alejandro Gerber Bicecci (Brazil-Mexico)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nWell<\/b>, Turaniyaz Kalymbetov (Uzbekistan)<\/span><\/p>\r\n

FICTION<\/p>\r\n

GOLD MIKELDI
\r\nEl Otro Sue\u00f1o Americano (The Other American Dream)<\/b>, Enrique Arroyo (Mexico)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nKi a Macska? (Who\u2019s The Cat)<\/b>, P\u00e9ter M\u00e9sz\u00e1ros (Hungary)<\/span><\/p>\r\n

SILVER \u201cCARABELA\u201d FOR THE BEST LATIN AMERICAN FILM\r\nEl Otro Sue\u00f1o Americano (The Other American Dream)<\/b>, Enrique Arroyo (Mexico)<\/span><\/p>\r\n

GENERAL PUBLIC AWARD
\r\nHogtown Blues<\/b>, Hugh Gibson (Canada)<\/span><\/p>\r\n

FAS CINECLUB AWARD
\r\nLa Derniere Minute (The Last Minute)<\/b>, Nicolas Salis (France)<\/span><\/p>\r\n

SPECIAL MENTION
\r\nGjennom Mine Tykke Briller (Through My Thick Glasses)<\/b>, Pjotr Sapegin (Norway)<\/span><\/p>\r\nAcerca de la vida (About Live)<\/b>, Ignacio Ceruti (Cuba)<\/span>\r\n

AWARD BY THE AUTHORS\u2019 AND PUBLISHERS\u2019 ENTITY (SGAE) <\/p>

AND THE PROFESSIONAL ASSOCIATION OF BASQUE COUNTRY SCRIPTWRITERS <\/p>

FOR THE BEST BASQUE SCRIPT
\r\nEl So\u00f1ador (The Dreamer)<\/b>, Oskar Santos (Euskadi)<\/span><\/p>\r\nDos encuentros (Two Encounters)<\/b>, Alan Griffin (Euskadi)<\/span>\r\n

AISGE AWARD for BEST PERFORMANCE
\r\nAnta Coundoul, Y\u00e1kar (Esperanza) (Hope) Guillermo Sempere (Spain)<\/span><\/p>\r\n

UNICEF AWARD
\r\nYa\u2019eshoon bainana<\/b>, Mahmood Solima (Egypt)<\/span><\/p>\r\n

DOCTORS WITHOUT BORDERS AWARD
\r\nBirthday Boy<\/b>, Sejong Park (Australia)<\/span><\/p>\r\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t

\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\t\t
\"ZINEBI<\/a><\/div>\r\n\t\t\t\t\t\t\t\t\t<\/figure>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t

2003- 45 EDICI\u00d3N<\/h2>\r\n\t \r\n

BILBAO FESTIVAL GRAND PRIX
\r\nMyaso (Meat)<\/b>, Slava Ross (Russia)<\/span><\/p>\r\n

ZINEBIDOK DOCUMENTARY FEATURE FILM AWARD
\r\nDix-Sept Ans (Seventeen)<\/b>, Didier Nion (France)<\/span><\/p>\r\n

SPANISH CINEMA GRAND PRIX
\r\nO Prezo Da Dote (The Price of the Dowry)<\/b>, Chus Dom\u00ednguez (Spain)<\/span><\/p>\r\n

BASQUE CINEMA GRAND PRIX
\r\nLepokoa (The Scarf )<\/b>, Safy Nebbou (Euskadi)<\/span><\/p>\r\n

ANIMATION<\/p>\r\n

GOLD MIKELDI
\r\nThe Tram N\u00ba 9 Goes On<\/b>, Stepan Koval (Ukraine)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nExtn.21<\/b>, Lizzie Oxby (G. Britain)<\/span><\/p>\r\n

DOCUMENTARY<\/p>\r\n

GOLD MIKELDI
\r\nKawah Ijen (The Solitary Crater)<\/b>, Philip Mulroy (G. Britain)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nPors<\/b>, Iradj Salarvand (Iran)<\/span><\/p>\r\n

FICTION<\/p>\r\n

GOLD MIKELDI
\r\n(A) Torzija ((A) Torsion)<\/b>, Stepan Arsenijevic (Slovenia)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nEstaci\u00f3n de Invierno (Winter Season)<\/b>, Pamela Espinoza (Chile)<\/span><\/p>\r\n

SILVER \u201cCARABELA\u201d FOR THE BEST LATIN AMERICAN FILM
\r\nEstaci\u00f3n de Invierno (Winter Season)<\/b>, Pamela Espinoza (Chile)<\/span><\/p>\r\n

SPECIAL MENTION
\r\nAu Noir<\/b>, Ronan le Page (France)<\/span><\/p>\r\n9-Kilometer Road in the Sea<\/b>, Li-Rujian (Cuba)<\/span>\r\nObreras sin Patr\u00f3n (Works without a patron)<\/b>, Kino Nuestra Lucha (Argentina)<\/span>\r\nLa Historia de Todos (Our Story)<\/b>, Blanca Aguerre (Mexico)<\/span>\r\n

AWARD BY THE AUTHORS\u2019 AND PUBLISHERS\u2019 ENTITY (SGAE) <\/p>

AND THE PROFESSIONAL ASSOCIATION OF BASQUE COUNTRY SCRIPTWRITERS <\/p>

FOR THE BEST BASQUE SCRIPT
\r\n913<\/b>, Galder Gaztelu-Urrutia, F\u00e9lix Guede (Euskadi)<\/span><\/p>\r\n7:35 de la Ma\u00f1ana (7:35 in the Morning)<\/b>, Nacho Vigalondo (Euskadi)<\/span>\r\n

GENERAL PUBLIC AWARD SPONSORED BY EUSKAL IRRATI TELEBISTA EITB
\r\n913<\/b>, Galder Gaztelu-Urrutia, F\u00e9lix Guede (Euskadi)<\/span><\/p>\r\n

FAS CINECLUB AWARD
\r\nGreyscale<\/b>, Amin Dora (Lebanon)<\/span><\/p>\r\n

AISGE AWARD for BEST PERFORMANCE
\r\nC\u00e9sar Saratxu, Expreso nocturno (Night Express)<\/b>, Imanol Ortiz (Euskadi)<\/span><\/p>\r\n\r\n\t \r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t

\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\t\t
\"ZINEBI<\/a><\/div>\r\n\t\t\t\t\t\t\t\t\t<\/figure>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t

2002- 44 EDICI\u00d3N<\/h2>\r\n

BILBAO FESTIVAL GRAND PRIX
\r\nAntychrist<\/b>, Adam Guzinski (Poland)<\/span><\/p>\r\n

BASQUE CINEMA GRAND PRIX
\r\nTopeka<\/b>, Asier Altuna (Euskadi)<\/span><\/p>\r\n

SPANISH CINEMA GRAND PRIX
\r\nNada Que Perder (Nothing to Lose)<\/b>, Rafa Russo (Spain)<\/span><\/p>\r\n

FICTION<\/p>\r\n

GOLD MIKELDI
\r\nExpediente W.C (WC Files)<\/b>, Arturo Ruiz (Spain)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nSpeel Met Me<\/b>, Esther Rots (Netherlands)<\/span><\/p>\r\n

DOCUMENTARY<\/p>\r\n

GOLD MIKELDI
\r\nPulse<\/b>, Stephen Dean (France)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nSepulum Menit Menjelang Kematian, Michel Caula (Canada)<\/span><\/p>\r\n

ANIMATION<\/p>\r\n

GOLD MIKELDI
\r\nHolding Your Breath<\/b>, Anthony Lucas (Australia)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nLluvia (Rain)<\/b>, Diego Agudo (Spain)<\/span><\/p>\r\n

GENERAL PUBLIC AWARD
\r\nLe Puits (The Well)<\/b>, Gabriel Le Bomin (France)<\/span><\/p>\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\r\n\t\t

\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\t\t
\"ZINEBI<\/a><\/div>\r\n\t\t\t\t\t\t\t\t\t<\/figure>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t

2001- 43 EDICI\u00d3N<\/h2>\r\n

BILBAO FESTIVAL GRAND PRIX EX \u2013 AEQUO
\r\nLos Zapatos de Zapata (Zapata\u00b4s shoes)<\/b>, Luciano Larobina (Mexico) <\/span><\/p>\r\nZyklon Portrait, Elida Schogt (Canada)\r\n<\/b>

BASQUE CINEMA GRAND PRIX
\r\nEl M\u00e9todo (The Method)<\/b>, Haritz Zubillaga, Jos\u00e9 a. P\u00e9rez (Euskadi)<\/span><\/p>\r\n

SPANISH CINEMA GRAND PRIX
\r\nV.O. (C)<\/b>, Antonia San Juan (Spain)<\/span><\/p>\r\n

FICTION<\/p>\r\n

GOLD MIKELDI
\r\nSomething Like Freedom<\/b>, Mohamad Taghi Ravandi (Iran)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nBartleby<\/b>, Miro Bilbrough (Australia)<\/span><\/p>\r\n

DOCUMENTARY<\/p>\r\n

GOLD MIKELDI
\r\nLehrfilm \u00fcber die Rekonstruktion von Stasiakten (Educational film about the reconstruction of Stasi files)<\/b>, Anke Limprecht (Germany)\r\n

SILVER MIKELDI
\r\nLa Virgen Lupita (Virgin Lupita)<\/b>, Ivonne Fuentes Mendoza (Mexico)<\/span><\/p>\r\n

ANIMATION<\/p>\r\n

GOLD MIKELDI
\r\nRockin & Rollin<\/b>, Richard Jack, Daniel Greaves (G. Britain)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nPassion Fatale<\/b>, Alla Churikova (Germany)<\/span><\/p>\r\n

SILVER \u201cCARABELA\u201d FROM THE AECI\r\nUn Pedazo de Tierra (A piece of Land)<\/b>, Jorge Gaggero (Mexico, USA.)<\/span><\/p>\r\n

SPECIAL MENTION
\r\nConfession<\/b>, Carl Pfirman (USA.)<\/span><\/p>\r\nEl Cumplea\u00f1os de Carlos (Carlos\u00b4s birthday)<\/b>, Jos\u00e9 Javier Rodr\u00edguez (Spain)<\/span><\/span><\/p>\r\nTilka el-Mara\u2019 El- Worda<\/b>, Ehab Salty (Israel)<\/span>\r\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t<\/div>\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t

\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\t\t
\"ZINEBI<\/a><\/div>\r\n\t\t\t\t\t\t\t\t\t<\/figure>\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t

2000- 42 EDICI\u00d3N<\/h2>\r\n\t \r\n

BILBAO FESTIVAL GRAND PRIX
\r\nDou Khahar (Two Sisters)<\/b>, Bizhan Bagheri (Iran)<\/span><\/p>\r\n

BASQUE CINEMA GRAND PRIX
\r\nHilarri (Grave)<\/b>, Manu G\u00f3mez (Euskadi)<\/span><\/p>\r\n

SPANISH CINEMA GRAND PRIX
\r\nPeces Muertos (Dead Fish)<\/b>, Gerardo Lemes (Spain)<\/span><\/p>\r\n

FICTION<\/p>\r\n

GOLD MIKELDI
\r\nDou Khahar (Two Sisters)<\/b> Bizhan Bagheri (Iran)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nKleingeld (Change)<\/b>, Marc Andreas Bochert (Germani)<\/span><\/p>\r\n

DOCUMENTARY<\/p>\r\n

GOLD MIKELDI
\r\nMoglem Byc Czlowiekiem (I Could Have Been Human)<\/b>, Barbara Medajska (Poland)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nThe Bridge Man<\/b>, Noriko Takabishi (USA)<\/span><\/p>\r\n

ANIMATION<\/p>\r\n

GOLD MIKELDI
\r\nEndstation: Paradies<\/b>, Jan Th\u00fcring (Germany)<\/span><\/p>\r\n

SILVER MIKELDI
\r\nBSSS<\/b>, Felix G\u00f6nnert (Germany)<\/span><\/p>\r\n

SILVER \u201cCARABELA\u201d FROM THE AECI
\r\nA Invencao da Infancia (The Invention of Childhood)<\/b>, Liliana Sulzbach (Brazil)<\/span><\/p>\r\n\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t<\/div>\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"

YEARS 2010-2022 \u00a0 YEARS 2000-2009 \u00a0 YEARS 1990-1999 \u00a0 YEARS 1980-1989\u00a0 \u00a0 YEARS 1970-1979 \u00a0 YEARS 1959-1969 \u00a0 2009- 51 EDICI\u00d3N BILBAO FESTIVAL GRAND PRIX Wagah, Supriyo Sen (Germany) SPANISH CINEMA GRAND PRIX Johannes, Graciela de Torres Olson (Spain) BASQUE CINEMA GRAND PRIX 5 Recuerdos (5 Memories), Oriana Alcaine, Alejandra M\u00e1rquez (Euskadi) ANIMATION GOLD MIKELDI […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":390,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1711","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/1711","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=1711"}],"version-history":[{"count":13,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/1711\/revisions"}],"predecessor-version":[{"id":20540,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/1711\/revisions\/20540"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/390"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=1711"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}