{"id":18271,"date":"2023-04-24T10:24:53","date_gmt":"2023-04-24T10:24:53","guid":{"rendered":"https:\/\/zinebi.eus\/ehiza-hunting-hauazkena-taldea\/"},"modified":"2023-04-24T10:26:31","modified_gmt":"2023-04-24T10:26:31","slug":"ehiza-hunting-hauazkena-taldea","status":"publish","type":"page","link":"https:\/\/zinebi.eus\/en\/ehiza-hunting-hauazkena-taldea\/","title":{"rendered":"EHIZA \/ HUNTING<\/br> Hauazkena Taldea"},"content":{"rendered":"<div class=\"row\">\r\n<div class=\"col-md-3 gallery\">\r\n<figure class=\"gallery-item\"><img class=\"alignnone size-full wp-image-1629 lazyload\" alt=\"\" width=\"800\" height=\"1153\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/Bego-Vicario.jpg\">\r\n<\/figure>\r\n<h2><span class=\"ennegro\"><a href=\"https:\/\/zinebi.eus\/en\/oberhausen\/\">&lt;&lt;<\/a><\/span><\/h2>\r\n\r\n\u00a0\r\n\r\n<\/div>\r\n<div class=\"col-md-9 palmares2\">\r\n<h2><span class=\"fondotitulo2\">Hauazkena Taldea (Ani, 5 min, 2020)<\/span><\/h2>\r\n<p>In 1969, artist Rafael Ruiz Balerdi made the short animated film\u00a0<em>Homenaje a Tarz\u00e1n\u00a0(Homage to Tarzan)<\/em>, which ended with an enigmatic \u00abto be continued\u00bb. \u201cEhiza\u201d (Hunting) is its continuation. It accepts Balerdi\u2019s aesthetic proposal, but steps away from the colonial perspective of the films that inspired that work to depict the harshness of our own reality: harassment, violence and destruction.<\/p>\r\n<img alt=\"\" width=\"1314\" height=\"740\" class=\"aligncenter size-full wp-image-17713 lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/Ehiza_5.jpg\"><\/div>\r\n<\/div>\r\n<img data-src=\"https:\/\/zinebi.eus\/assets\/media\/logos_oberhausen-1.jpg\" class=\" lazyload\">","protected":false},"excerpt":{"rendered":"<p>&lt;&lt; \u00a0 Hauazkena Taldea (Ani, 5 min, 2020) In 1969, artist Rafael Ruiz Balerdi made the short animated film\u00a0Homenaje a Tarz\u00e1n\u00a0(Homage to Tarzan), which ended with an enigmatic \u00abto be continued\u00bb. \u201cEhiza\u201d (Hunting) is its continuation. It accepts Balerdi\u2019s aesthetic proposal, but steps away from the colonial perspective of the films that inspired that work [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":17894,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-hero-mikeldi.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-18271","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/18271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=18271"}],"version-history":[{"count":2,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/18271\/revisions"}],"predecessor-version":[{"id":18275,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/18271\/revisions\/18275"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media\/17894"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=18271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}