{"id":20316,"date":"2023-08-03T09:12:10","date_gmt":"2023-08-03T09:12:10","guid":{"rendered":"https:\/\/zinebi.eus\/zinebi-industry\/historico\/"},"modified":"2023-12-22T09:58:52","modified_gmt":"2023-12-22T09:58:52","slug":"historico","status":"publish","type":"page","link":"https:\/\/zinebi.eus\/en\/zinebi-industry\/historico\/","title":{"rendered":"HISTORICAL"},"content":{"rendered":"
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\r\n2023<\/a><\/strong><\/p>\r\n\u00a0\r\n<\/div>\r\n<\/div>\r\n

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\r\n2022<\/a><\/strong><\/p>\r\n\u00a0\r\n<\/div>\r\n<\/div>\r\n

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\r\n2021<\/a><\/strong><\/p>\r\n\u00a0\r\n<\/div>\r\n<\/div>\r\n

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\r\n2020<\/a><\/strong><\/p>\r\n\u00a0\r\n<\/div>\r\n<\/div>\r\n

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\r\n2019<\/a><\/strong><\/p>\r\n\u00a0\r\n<\/div>\r\n<\/div>\r\n

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\r\n2018<\/a><\/strong><\/p>\r\n\u00a0\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n

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2023<\/span><\/h3>\r\n\u00a0\r\n

ZINEBI NETWORKING 2024<\/h4>\r\n
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Cuatro d\u00edas<\/strong>
\r\nItxaso D\u00edaz<\/h4>\r\n<\/div>\r\n\r\n
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Inmersas en el Imserso<\/strong>
\r\nAitor Arruti<\/h4><\/div>\r\n\r\n\r\n
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La isla sumergida<\/strong>
\r\nLuc\u00eda Malandro & Daniel Delgado Saucedo<\/h4><\/div>\r\n\r\n\r\n
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La maleta de \u00c1lex<\/strong>
\r\nAlejandro Cort\u00e9s<\/h4><\/div>\r\n<\/div>\r\n\r\n
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\u00bfEs usted secuestrable?<\/strong>
\r\nCharli Bujosa<\/h4>\r\n<\/div>\r\n\r\n
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Artefactos de guerra<\/strong>
\r\nJorge Caballero Ramos<\/h4>\r\n<\/div>\r\n\r\n
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Atlas de la desaparici\u00f3n<\/strong>
\r\nManuel Correa <\/h4>\r\n<\/div>\r\n\r\n
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Infiltrada<\/strong>
\r\nIone Monje Mart\u00ednez & Paco Mart\u00ednez-Abarca S\u00e1nchez<\/h4>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Jo Soc<\/strong>
\r\nPatricia M. F\u00e9lix<\/h4>\r\n<\/div>\r\n\r\n
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La maleta de Centelles<\/strong>
\r\nPilar P\u00e9rez Solano<\/h4>\r\n<\/div>\r\n\r\n
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La Piet\u00e0<\/strong>
\r\nRafael Mol\u00e9s & Pepe Andreu<\/h4>\r\n<\/div>\r\n\r\n
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Se eu morrer (Si me muero)<\/strong>
\r\nEsther Vital Garc\u00eda<\/h4>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\r\n\r\n
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2022<\/span><\/h3>\r\n\u00a0\r\n

ZINEBI NETWORKING 2022<\/h4>\r\n
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ALEVOSIA<\/h4>\r\n\r\n\r\n\r\n\r\n
Sara Casasnovas<\/strong><\/td>\r\n<\/tr>\r\n
Sara Horta\r\n
Ind\u00edgena Films<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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DEUS DE PEDRA<\/h4>\r\n\r\n\r\n\r\n\r\n
Iv\u00e1n Casti\u00f1eiras<\/strong><\/td>\r\n<\/tr>\r\n
\u00c1ngel Santos Touza\r\n
Amateurfilms<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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ELENA DIO A LUZ UN HERMOSO NI\u00d1O<\/h4>\r\n\r\n\r\n\r\n\r\n
Chiara Mara\u00f1\u00f3n, Juan Soto<\/strong><\/td>\r\n<\/tr>\r\n
Ricard Sales, Luis Ferr\u00f3n. & Sandra Tabares-Duque\r\n
LaCima Producciones<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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L\u2019HOME M\u00c9S PAC\u00cdFIC DEL M\u00d3N (THE MOST PEACEFUL MAN IN THE WORLD)<\/h4>\r\n\r\n\r\n\r\n\r\n
Raquel Barrera Sutorra<\/strong><\/td>\r\n<\/tr>\r\n
Efthymia Zymvragaki\r\n
Gris Medio<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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LA MARSELLESA DE LOS BORRACHOS<\/h4>\r\n\r\n\r\n\r\n\r\n
Pablo Gil Rituerto<\/strong><\/td>\r\n<\/tr>\r\n
Bernat Manzano\r\n
Boogaloo Film<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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LA COMUNITAT<\/h4>\r\n\r\n\r\n\r\n\r\n
Almudena Verd\u00e9s<\/strong><\/td>\r\n<\/tr>\r\n
Eva Garc\u00eda Godes\r\n
Silence Comunicaci\u00f3n<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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PAPAMAMA<\/h4>\r\n\r\n\r\n\r\n\r\n
Lorena Ros<\/strong><\/td>\r\n<\/tr>\r\n
Patricia S\u00e1nchez Mora\r\n
Novena Nube Producciones<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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UN FILM DE FERNANDO RUIZ VERGARA<\/h4>\r\n\r\n\r\n\r\n\r\n
Concha Barquero, Alejandro Alvarado<\/strong><\/td>\r\n<\/tr>\r\n
Jos\u00e9 Manuel Rodr\u00edguez Calvo & Sara S\u00e1nchez\r\n
Azhar Media, Alvarquero<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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36, ZURI BELTZEAN<\/h4>\r\n\r\n\r\n\r\n\r\n
Ainhoa Urgoitia, Enrique Rey<\/strong><\/td>\r\n<\/tr>\r\n
Guillermo Martinez Velasco & Naiara Olite<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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ESTO NO ES HOLLYWOOD<\/h4>\r\n\r\n\r\n\r\n\r\n
Jone Ibarretxe, Nere Falagan\r\n<\/strong><\/td>\r\n<\/tr>\r\n
Eduardo Carneros Gonz\u00e1lez\r\n
Euskadi Movie Aie<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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ITACA<\/h4>\r\n\r\n\r\n\r\n\r\n
Juan Prado<\/strong><\/td>\r\n<\/tr>\r\n
\r\nJuan Prado &Teresa Sendagorta\r\n
El Burro Films, Chisgarabis Kino<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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LA SINSORGA<\/h4>\r\n\r\n\r\n\r\n\r\n
Marta G\u00f3mez, Paula Iglesias<\/strong><\/td>\r\n<\/tr>\r\n
Paula Iglesias Calderon & Andrea Momoitio\r\n
Al Borde Films<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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ZIKUN\u0303AGAKO AMA<\/h4>\r\n\r\n\r\n\r\n\r\n
Pello Guti\u00e9rrez Pe\u00f1alba\r\n<\/strong><\/td>\r\n<\/tr>\r\n
\r\nIn\u0303aki Sagastume\r\n
\r\nZazpi T\u2019erdi<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n\u00a0\r\n\r\n<\/div>\r\n<\/div>\r\n\r\n
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2021<\/span><\/h3>\r\n\u00a0\r\n

ZINEBI NETWORKING 2021<\/h4>\r\n
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A LOS LIBROS Y A LAS MUJERES CANTO<\/h4>\r\n\r\n\r\n\r\n\r\n
Mar\u00eda Elorza<\/strong><\/td>\r\n<\/tr>\r\n
Marian Fernandez Pascal & Koldo Almandoz\r\n
Txintxua Films<\/h5><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n\r\n
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AMAK ESAN ZIDAN<\/h4>\r\n\r\n\r\n\r\n\r\n
Irati Cano Alkain<\/strong><\/td>\r\n<\/tr>\r\n
Ricardo del Conde\r\n
Kalakalab<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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AUPA MAURIZIA!<\/h4>\r\n\r\n\r\n\r\n\r\n
Gentzane Mart\u00ednez de Osaba<\/strong><\/td>\r\n<\/tr>\r\n
Gentzane Mart\u00ednez de Osaba & Alex Garc\u00eda de Vicu\u00f1a\r\n
Marmoka Films & Bideografik<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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CABEZA Y CORAZ\u00d3N<\/h4>\r\n\r\n\r\n\r\n\r\n
Ainhoa Andraka & Zuri Goikoetxea<\/strong><\/td>\r\n<\/tr>\r\n
Ainhoa Andraka & Zuri Goikoetxea\r\n
Doxa Producciones<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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E\u00d1AUT ZUAZO 2<\/h4>\r\n\r\n\r\n\r\n\r\n
Meritxell Valls & David \u00c1lvarez <\/strong><\/td>\r\n<\/tr>\r\n
E\u00f1aut Zuazo\r\n
Asociaci\u00f3n Iris Audiovisual<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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HEZURRAK<\/h4>\r\n\r\n\r\n\r\n\r\n
Ainhoa Guiti\u00e9rez del Pozo & Olatz Gonz\u00e1lez Abrisketa<\/strong><\/td>\r\n<\/tr>\r\n
Ritxi Lizartza\r\n
Maluta Films & Azaroa Films<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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MY WAY OUT<\/h4>\r\n\r\n\r\n\r\n\r\n
Izaskun Arandia<\/strong><\/td>\r\n<\/tr>\r\n
Izaskun Arandia Galarraga & Peter Stephensd\r\n
IZAR Films & AltContent<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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2020<\/span><\/h3>\r\n\u00a0\r\n

ZINEBI NETWORKING 2020<\/h4>\r\n
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ALMANAKA<\/h4>\r\n\r\n\r\n\r\n\r\n
Jorge Moreno Quintana <\/strong><\/td>\r\n<\/tr>\r\n
Ricardo del Conde\r\n
Kalakalab<\/h5><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n\r\n
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AMORES TRASHUMANTES<\/h4>\r\n\r\n\r\n\r\n\r\n
Iban Ayesta Aldanondo<\/strong><\/td>\r\n<\/tr>\r\n
Pako Ruiz & Iban Ayesta Aldanondo\r\n
Sonora Estudios & Enara Films<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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ASUNTO INCONCLUSO<\/h4>\r\n\r\n\r\n\r\n\r\n
Oscar Tejedor<\/strong><\/td>\r\n<\/tr>\r\n
Pamela Rendon & Pako Ruiz\r\n
Sonora Estudios<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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BAYO BAYO BABY<\/h4>\r\n\r\n\r\n\r\n\r\n
Amaia Ramirez<\/strong><\/td>\r\n<\/tr>\r\n
Ra\u00fal de la Fuente, Nano Arrieta, Eduardo Villanueva, Nacho Lavilla & Katrin Pors\r\n
Maracan\u00e1 Films S.L.<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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IF YOU WISH TO MAKE AN APPLE PIE<\/h4>\r\n\r\n\r\n\r\n\r\n
Nagore Eceiza<\/strong><\/td>\r\n<\/tr>\r\n
Alejandra Mora & Nagore Eceiza\r\n
Quatre Films<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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LA PIBA DE ORO<\/h4>\r\n\r\n\r\n\r\n\r\n
Tola Bonino & Marcos Joubert<\/strong><\/td>\r\n<\/tr>\r\n
Tamara Garc\u00eda Iglesias\r\n
Atekaleun<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n\r\n
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LOS CABALLOS MUEREN AL AMANECER<\/h4>\r\n\r\n\r\n\r\n\r\n
Ione Atenea<\/strong><\/td>\r\n<\/tr>\r\n
Garazi Erburu, Ione Atenea, Pello Guti\u00e9rrez, David Aguilar I\u00f1igo & I\u00f1aki Sagastume\r\n
Hiruki Filmak & Zazpi T\u2019erdi Koop.<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n\r\n
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LOS XEY. UNA HISTORIA DE PEL\u00cdCULA<\/h4>\r\n\r\n\r\n\r\n\r\n
Eneko Olasagasti<\/strong><\/td>\r\n<\/tr>\r\n
David Berraondo\r\n
Eneko Olasagasti<\/h5><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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2019<\/span><\/h3>\r\n\u00a0\r\n

ZINEBI NETWORKING 2019<\/h4>\r\n
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BALIKA<\/h4>\r\n\r\n\r\n\r\n\r\n
Lander Ibarretxe & Aitor S\u00e1nchez<\/strong><\/td>\r\n<\/tr>\r\n
Lander Ibarretxe\r\n
Vereda Studio, Nightwalk Fims<\/h5><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n\r\n
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BOLANTE BATEN HISTORIA<\/h4>\r\n\r\n\r\n\r\n\r\n
I\u00f1aki Alforja eta Iban Toledo<\/strong><\/td>\r\n<\/tr>\r\n
Lucia Ezker\r\n
I\u00f1aki Alforja eta Iban Toledo<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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BOST MINUTU<\/h4>\r\n\r\n\r\n\r\n\r\n
Amaia Nerekan Umaran<\/strong><\/td>\r\n<\/tr>\r\n
Gentzane Martinez de Osaba & \u00c1lex Garc\u00eda de Vicu\u00f1a\r\n
Marmoka Films<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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CAMINHO LONGE<\/h4>\r\n\r\n\r\n\r\n\r\n
Josu Martinez & Txaber Larreategi<\/strong><\/td>\r\n<\/tr>\r\n
Mikel Arredondo\r\n
Adabaki <\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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EL PESO<\/h4>\r\n\r\n\r\n\r\n\r\n
Tamara Lucarini<\/strong><\/td>\r\n<\/tr>\r\n
Aitor Arenas\r\n
BANATU FILMAK<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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EUROPA A LA INTEMPERIE<\/h4>\r\n\r\n\r\n\r\n\r\n
Roberto San Sebastian & Naiel Ibarrola<\/strong><\/td>\r\n<\/tr>\r\n
Igor Garc\u00eda Pi\u00f1as\r\n
PLATANOBOL\u00edGRAFO<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n\r\n
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MARGOLAN BAT OPARITZEN DIDAZU?(\u00bfME REGALAS UN CUADRO?)<\/h4>\r\n\r\n\r\n\r\n\r\n
Enrique Rey & Ainhoa Urgoitia<\/strong><\/td>\r\n<\/tr>\r\n
Ainhoa Urgoitia\t\r\n
BITART NEW MEDIA SL<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n\r\n
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TETU\u00c1N<\/h4>\r\n\r\n\r\n\r\n\r\n
Iratxe Fresneda<\/strong><\/td>\r\n<\/tr>\r\n
Txelu Medina & Iratxe Fresneda\r\n
Pimpi&Nella films<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\r\n\r\n
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2018<\/span><\/h3>\r\n\u00a0\r\n

ZINEBI NETWORKING 2018<\/h4>\r\n
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AZTARNAK \u2013 HUELLAS<\/h4>\r\n\r\n\r\n\r\n\r\n
Maru Solores <\/strong><\/td>\r\n<\/tr>\r\n
Jos\u00e9 M\u00aa (Txepe) Lara\r\n
Lumiere Produkzioak<\/h5><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n\r\n
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BELEAK<\/h4>\r\n\r\n\r\n\r\n\r\n
Maialen Oleaga & Ana Serna\t<\/strong><\/td>\r\n<\/tr>\r\n
Maialen Oleaga\r\n
Al Borde Films\t<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
\r\n\r\n\r\n

BIDEAN JARRAITUZ<\/h4>\r\n\r\n\r\n\r\n\r\n
Aitor Lopez de Aberasturi<\/strong><\/td>\r\n<\/tr>\r\n
Ainhoa Urgoitia\r\n
Luces Del Ayer Producciones<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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ITOIZ<\/h4>\r\n\r\n\r\n\r\n\r\n
Larraitz Zuazo<\/strong><\/td>\r\n<\/tr>\r\n
Zuri Goikoetxea, Cristina Hergueta & Ainhoa Andraka\r\n
Doxa Producciones<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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MESETA<\/h4>\r\n\r\n\r\n\r\n\r\n
Juan Palacios<\/strong><\/td>\r\n<\/tr>\r\n
Ainhoa Andraka, Zuri Goikoetxea & Cristina Hergueta\r\n
Doxa Producciones<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n
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MURU (SEMILLAS)<\/h4>\r\n\r\n\r\n\r\n\r\n
Joseba Urrutikoetxea\t<\/strong><\/td>\r\n<\/tr>\r\n
Celia Vazquez\r\n
Proyecto Wakaya<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n\r\n
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UN TIPO DIFERENTE\t<\/h4>\r\n\r\n\r\n\r\n\r\n
Alex Garc\u00eda de Vicu\u00f1a\t<\/strong><\/td>\r\n<\/tr>\r\n
Gentzane Martinez de Osaba\t\r\n
Marmoka Films<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n\r\n
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WAN XIA, LA \u00daLTIMA LUZ DEL ATARDECER\t<\/h4>\r\n\r\n\r\n\r\n\r\n
Silvia Rey<\/strong><\/td>\r\n<\/tr>\r\n
Luis Angel Ramirez\t\r\n
Kubelik Films\t<\/h5>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n\"\"\r\n\r\n\r\n","protected":false},"excerpt":{"rendered":"

2023 \u00a0 2022 \u00a0 2021 \u00a0 2020 \u00a0 2019 \u00a0 2018 \u00a0 2023 \u00a0 ZINEBI NETWORKING 2024 Cuatro d\u00edas Itxaso D\u00edaz Inmersas en el Imserso Aitor Arruti La isla sumergida Luc\u00eda Malandro & Daniel Delgado Saucedo La maleta de \u00c1lex Alejandro Cort\u00e9s \u00bfEs usted secuestrable? Charli Bujosa Artefactos de guerra Jorge Caballero Ramos Atlas de […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":439,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-hero-mikeldi.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-20316","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/20316","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=20316"}],"version-history":[{"count":10,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/20316\/revisions"}],"predecessor-version":[{"id":29222,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/20316\/revisions\/29222"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/439"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=20316"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}