{"id":31812,"date":"2024-10-24T07:49:03","date_gmt":"2024-10-24T07:49:03","guid":{"rendered":"https:\/\/zinebi.eus\/zinebi-industry\/vii-foro-profesional-zinebi-networking-2024\/"},"modified":"2025-02-21T07:16:47","modified_gmt":"2025-02-21T07:16:47","slug":"vii-foro-profesional-zinebi-networking-2024","status":"publish","type":"page","link":"https:\/\/zinebi.eus\/en\/zinebi-networking\/vii-foro-profesional-zinebi-networking-2024\/","title":{"rendered":"ZINEBI NETWORKING 2024 VII PROFESSIONAL DOCUMENTARY FILM FORUM"},"content":{"rendered":"<h1><center>ZINEBI NETWORKING 2024 VII PROFESSIONAL DOCUMENTARY FILM FORUM<center><\/center><\/center><\/h1>\r\n<br>\r\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/du2x2H71cC0?si=HKZw6BKaSIGPvj8y&amp;controls=0\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\r\n<br>\r\n<p>ZINEBI Networking is a space for knowledge transfer and a meeting point which, based on the Bilbao Film Festival\u2019s specialization in short fiction, documentary and animation films, with a particular emphasis on documentary cinema, offers up a programme of diverse activities focused on creating, analyzing and debating films on the basis of different perspectives and experiences.<\/p>\r\n<p>ZINEBI Networking strives to promote meetings of professional practitioners operating in the sector, opening up many of its activities to an audience seeking to acquire knowledge in order to mark out their own trajectory in creation and the audiovisual industry.<\/p>\r\n<p>ZINEBI Networking is also the setting for the 7th Bilbao Professional Documentary Film Forum, a process to contrast and catalyze praiseworthy documentary films in both the State and Basque project categories, in the latter case with essential cooperation from EITB. Both prizes are in the amount of 15,000 euros.<\/p>\r\n<p>I wish to extend a warm welcome to participants, and also express my sincere gratitude to the Basque Government for the specific support it has lent to this activity.<\/p>\r\n<br>\r\n<p>strong&gt;Joseba Lopezortegabr&gt;\r\nDirector of ZINEBI<\/p>\r\n<br>\r\n\r\n<div class=\"module-title text-center\">\r\n<h3 class=\"sidelines\"><span class=\"blanco\">PROYECTOS | EUSKADI <\/span><\/h3>\r\n<br>\r\n<h4>ZINEBI NETWORKING EITB 2024<\/h4>\r\n\r\n<div class=\"row justify-content-center\">\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/ANTETIMISOMBRA.jpg\">\r\n<h4><strong>Ante ti mi sombra <\/strong><br>\r\nNatxo Leuza<\/h4>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/IRAILAK27.jpg\">\r\n<h4><strong>Irailak 27<\/strong><br>\r\nIzaskun Arandia<\/h4>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/YASLC.jpg\">\r\n<h4><strong>Y as\u00ed seguir\u00e1n las cosas <\/strong><br>\r\nMarina Palacio Burgue\u00f1o<\/h4>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/CPAM.jpg\">\r\n<h4><strong>Correspondencias para habitar el mundo<\/strong><br>\r\nLaura Gabay<\/h4>\r\n<\/div>\r\n<\/div>\r\n<br>\r\n<br>\r\n\r\n<div class=\"module-title text-center\">\r\n<h3 class=\"sidelines\"><span class=\"blanco\">PROYECTOS | ESTADO <\/span><\/h3>\r\n<br>\r\n<h4>ZINEBI NETWORKING 2024<\/h4>\r\n\r\n<div class=\"row justify-content-center\">\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/FOTOGRAMA_01-Paulina-Martinez.jpg\">\r\n<h4><strong>On eres quan hi eres? \/ \u00bfD\u00f3nde estabas cuando estabas?<\/strong><br>\r\nJana Montllor Blanes<\/h4>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/046_09-Clara-Julian.jpg\">\r\n<h4><strong>La Noche de la Infancia<\/strong><br>\r\nXisi Sofia Ye Chen<\/h4>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/Sempre-insieme_Still-1-Nakarey.jpg\">\r\n<h4><strong>Sempre Insieme<\/strong><br>\r\nAlberto Baldini<\/h4>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/Dutchbat1-15L-Films.jpg\">\r\n<h4><strong>The Dutchbat<\/strong><br>\r\nGuillermo Roqu\u00e9s, Rafael Honrubia y Javier Mar\u00edn<\/h4>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/Fotograma-Murmur-I-Clara-Cebrian-Segon.jpg\">\r\n<h4><strong>Murmur<\/strong><br>\r\nLupe P\u00e9rez Garc\u00eda<\/h4>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/MVI_4413ok.MOV.00_00_06_16.Imagen-fija001-Beli-Martinez.jpg\">\r\n<h4><strong>A monta\u00f1a na mi\u00f1a parede<\/strong><br>\r\nCarla Andrade<\/h4>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/Ivan-Blanco-75-MariMar-UMMM-SON.jpg\">\r\n<h4><strong>M<\/strong><br>\r\nIvan Blanco<\/h4>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/A-Vanesa-Abajo.jpg\">\r\n<h4><strong>The Possibility of Man \/ La Posibilidad de un Ser Humano <\/strong><br>\r\nVanesa Abajo P\u00e9rez<\/h4>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/FRAME_ENG_PARAR-EN-AUTOPISTA-Aizpea-de-Atxa-Cancel.jpg\">\r\n<h4><strong>Luna en Escorpio\/ Ilargia Eskorpion<\/strong><br>\r\nMaria Corri\u00e0s Serra y Aizpea de Atxa Cancel<\/h4>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/Inundacion-Sofia-Lena-Monardo.jpg\">\r\n<h4><strong>Level<\/strong><br>\r\nAnna Berkhof y Carlos Mora Fuentes<\/h4>\r\n<\/div>\r\n\r\n<\/div>\r\n<\/div>\r\n\r\n<br>\r\n<br>\r\n\r\n<div><div><h3 class=\"sidelines\"><center>AWARDS<center><\/center><\/center><\/h3><\/div>\r\n<table class=\"table\">\r\n<tbody class=\"Izq\">\r\n<tr>\r\n<td><strong>ZINEBI Networking EITB 2024 Award       <\/strong><\/td>\r\n<td>15.000 \u20ac<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>ZINEBI Networking 2024 Award       <\/strong><\/td>\r\n<td>15.000 \u20ac<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Impulso ECAM Award \u2013 ZINEBI Networking 2024<\/strong><\/td>\r\n<td>Personalised advisory package for the selected project<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n\r\n<br>\r\n<br>\r\n\r\n\r\n\r\n\r\n\r\n<div><h3 class=\"sidelines\"><center>TEAM<center><\/center><\/center><\/h3><\/div>\r\n<table class=\"table\">\r\n<tbody class=\"Izq\">\r\n<tr>\r\n<td><strong>PRODUCTION <\/strong><\/td>\r\n<td>Mar\u00eda Salazar Ria\u00f1o, Ana\u00eds C\u00f3rdova-P\u00e1ez \u2013 Pacay Kulturmedia S.L.<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>SELECTION TEAM<\/strong><\/td>\r\n<td>Maui Alena, Noem\u00ed Cuetos, Jorge Tur, A\u00edda Vallejo<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>TUTOR<\/strong><\/td>\r\n<td>Jorge Tur<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>HOST<\/strong><\/td>\r\n<td>A\u00edda Vallejo<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>GUESTS<\/strong><\/td>\r\n<td>Marisol Gil Antillano \u2013 Pacay Kulturmedia S.L.<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>EDITORIAL<\/strong><\/td>\r\n<td>Yunuen Cuenca V\u00e1zquez \u2013 Pacay Kulturmedia S.L.<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>GRAPHIC DESIGN<\/strong><\/td>\r\n<td>Aitor Arberas, Ane S\u00e1nchez \u2013 Binari Servicios Globales de Comunicaci\u00f3n<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>PRESS OFFICE<\/strong><\/td>\r\n<td>Andr\u00e9s Garc\u00eda de la Riva \u2013 Nueve Cartas Comunicaci\u00f3n<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>GRAPHIC CAMPAIGN<\/strong><\/td>\r\n<td>Cuchillo<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>WEB<\/strong><\/td>\r\n<td>Lander Telletxea Armendariz<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>PRODUCTION SUPPORT<\/strong><\/td>\r\n<td>Soraya G\u00f3mez Mu\u00f1oz, Pello Maudo Herrero \u2013 Pacay Kulturmedia S.L.<\/td>\r\n<\/tr>\r\n<td><strong>VIDEO &amp; PHOTOGRAPHY NETWORKING<\/strong><\/td>\r\n<td>Begira Produkzioak<\/td>\r\n\r\n<tr>\r\n<td><strong>BILBAO AS FABRIK<\/strong><\/td>\r\n<td>Luis Berasategi, Agust\u00edn B\u00f3veda, Iker Egizabal Atxaerandio, Lehior Gorrotxategi Caballero, Ziortza Olano Astigarraga<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>TRANSLATIONS<\/strong><\/td>\r\n<td>Traductores e Int\u00e9rpretes S. A. \u2013 TISA<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>TRANSFERS<\/strong><\/td>\r\n<td>Leticia Gorbea Ibarbengoetxea, Ricardo Ib\u00e1\u00f1ez Vallbona \u2013 Rockabona<\/td>\r\n<\/tr>\r\n<\/tbody><\/table>\r\n\r\n<br>\r\n\r\n\r\n<div><h3><center>COMISSIONING EDITORS<center><\/center><\/center><\/h3><\/div>\r\n<div class=\"row justify-content-center\">\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/maui_alena.jpg\">\r\n<h4><strong>Maui Alena<\/strong><br>\r\nProject Coordinator and Curator<\/h4>\r\n<p>EFilm enthusiast, communicator, programmer and researcher, a well-known specialist in Curating and Development of Cinematographic and Audiovisual Projects from the El\u00edas Querejeta Zine Eskola (Spain), and also a full film and TV editor from the Cinematographic Research Centre (Argentina).Between 2007 and the present day he has worked as programmer, lab coordinator and tutor at festivals and cultural institutions such as the Buenos Aires BAFICI, the Mar del Plata Festival, M\u00e1rgenes Madrid, Doc Lisboa, Bilbao\u2019s ZINEBI, the Recoleta Cultural Centre and the Buenos Aires \u201cBienal Arte Joven\u201d.<\/p>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/noemi_cuetos_fernandez_0078-1-copia.jpg\">\r\n<h4><strong>Noemi Cuetos<\/strong><br>\r\nCurator and communicator<\/h4>\r\n<p>She has a degree in Journalism and Audiovisual Communication, also a specialist diploma in Cultural Communication, and a Ph.D in Film Curating from El\u00edas Querejeta Zine Eskola Film School. She spent seven years as coordinator for Comunicaci\u00f3n de Documental Ambulante A.C., a Mexican organisation which fosters the documentary genre. She has also worked with Vitrine Filmes, Doxa Producciones, Tabakalera-Donostia, the Spanish Institute of Cinematography and Audiovisual Arts-ICAA\u2019s Marketing Department, Donostia\u2019s Human Rights Film Festival, and also Crew United. She now heads up the Films Sector at ICEX Espa\u00f1a Exportaci\u00f3n e Inversiones.<\/p>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/jorge-tur.jpg\">\r\n<h4><strong>Jorge Tur<\/strong><br>\r\nFilmmaker and directing\/script tutor<\/h4>\r\n<p>Lecturer and coordinator on the UAB Creative Documentary Master\u2019s course, filmmaker and directing\/script tutor, with over 10 years\u2019 experience in the field. He has sat on subsidy committees and his films have been a feature at festivals such as Bafici, Doclisboa, Visions Du R\u00e9el, Zinebi, Punto de Vista, Vila do Conde and Dei Popoli, among others. His work has been included in collections such as \u201cLa \u00faltima risa\u201d [The last laugh] at The Lincoln Center in New York. He has worked as programmer for Xc\u00e8ntric-CCCB. He is co-author of the book Territorios y Fronteras II, and has contributed to the periodical Caim\u00e1n.<\/p>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/AIDA.jpg\">\r\n<h4><strong>Aida Vallejo<\/strong><br>\r\nProfessor at the University of the Basque Country (UPV\/EHU)<\/h4>\r\n<p>Lecturer in films at the University of the Basque Country (UPV\/ EHU), specialising in creation documentaries and film festivals. She co-edited two books, Documentary Film Festivals (Vol. 1 &amp; 2) and Film Festivals and Anthropology, and also headed up the ikerFESTS research project (about festivals in the Basque Country). She has been a member of documentary selection committees (for Zinemaldia\u2019s forum and the Bizkaia Provincial Council), and a member of the jury panel at a number of international festivals. She is coordinator of the European Film Academy in Spain\u2019s university awards.<\/p>\r\n<\/div>\r\n<\/div>\r\n<br>\r\n<br>\r\n\r\n<div><h3><center>EDITORS<center><\/center><\/center><\/h3><\/div>\r\n<div class=\"row justify-content-center\">\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/1.AlejandroAlvaradoc.jpg\">\r\n<h4><strong>Alejandro Alvarado J\u00f3dar <\/strong><br>\r\nFilmmaker, lecturer and researcher at the University of M\u00e1laga<\/h4>\r\n<p>Alejandro Alvarado J\u00f3dar is a filmmaker, lecturer and researcher at the University of M\u00e1laga. As director he teams up in a creative tandem with Concha Barquero. Together they have directed, scripted and edited a dozen films, mainly creation documentaries and experimental work. One of their best known short films is Descartes (2021), while the feature films include Pepe el andaluz (2012) and Caja de resistencia (2024). He has sat on the Selection Committee for the official short film section at the M\u00e1laga Festival and the Institute of Cinematography and Audiovisual Arts-ICAA Committee for Selective Aid for the Production of Feature Films and Short Films.<\/p>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/2.Antonio-Miguel-Arenas.jpg\">\r\n<h4><strong>Antonio Miguel Arenas<\/strong><br>\r\nCoordinator of the ECAM distributor.<\/h4>\r\n<p>AAntonio Miguel Arenas (Granada, 1986) has a Degree in Audiovisual Communication from the University of M\u00e1laga. In 2012 he created Revista Magnolia, an online film analysis and critique publication, which he coordinated for five years. He soon began to alternate his film critic vocation with communication and management of festivals, working with the Punto de Vista Festival\u2019s press department in 2016 and 2017. In 2018 he was selected in the first intake of the Curating postgraduate course at San Sebasti\u00e1n\u2019s El\u00edas Querejeta Zine Eskola Film School. He has been artistic director of Granada\u2019s Young Filmmakers Festival since 2021. He is now coordinator of the ECAM distributor.<\/p>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/3.-Montse-Armengou.jpg\">\r\n<h4><strong>Montserrat Armengou Mart\u00edn<\/strong><br>\r\nDirector of \u201cSense Ficci\u00f3\u201d by Televisi\u00f3 de Catalunya TV3<\/h4>\r\n<p>Her research work, such as \u201cLos ni\u00f1os perdidos del franquismo\u201d, \u201cLas fosas del silencio\u201d, \u201cDevolvedme a mi hijo\u201d, \u201cAbuelo, te sacar\u00e9 de aqu\u00ed!\u201d or \u201cLos internados del miedo\u201d, have brought a number of hitherto unknown aspects of Franco\u2019s dictatorship to light, and have won her international awards (National Culture Award, FIGRA Grand Prix, Memorimage, Montecarlo, IFTA, Liberpress-Radio France Internationale etc.). In the absence of any public memory policies on the part of the Spanish state, her documentaries have served as a tool of reparation for the victims.<\/p>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/4.ConchaBarqueroCbyJoseLuisGutierrez.jpg\">\r\n<h4><strong>Concha Barquero Art\u00e9s<\/strong><br>\r\nFilmmaker, programmer and lecturer at the University of M\u00e1laga<\/h4>\r\n<p>Concha Barquero Art\u00e9s is a filmmaker, programmer and lecturer at the University of M\u00e1laga. She combines research into documentary films with programming and cinematographic creation. As director she teams up in a creative tandem with Alejandro Alvarado. She has sat on the Official Documentary Selection Committee for the M\u00e1laga Festival, she has also worked as coordinator of M\u00e1laga Docs. Encuentro de Cine Documental (Mafiz), and consultant for ICEX (Cannes and Hotdocs). She helped write the books Film Undone. Elements of a Latent Cinema (Archive Books) and No se est\u00e1 quieto.  <\/p>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/5.Maria-Basagoiti-Foto.jpg\">\r\n<h4><strong>Maria Basagoiti Salazar\r\n<\/strong><br>\r\nJoint head of antenna rights and co-productions\r\n<\/h4>\r\n<p>With a degree in Audiovisual Communication and a master\u2019s in Film Industry Business Management, Mar\u00eda has worked for more than 10 years on the production of programmes, reality shows and fiction in Mediaset, Video Media and Pausoka, among others. Between 2021 and 2024 she worked on administering the creation of the OTTs Primeran and Makusi , and now works at EITB as joint head of antenna rights and co-productions.\r\n\r\n<\/p>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/6.Arkaitz-Basterra-Picture.jpg\">\r\n<h4><strong>Arkaitz Basterra<\/strong><br>\r\nDirector and scriptwriter<\/h4>\r\n<p>As a director and screenwriter, Arkaitz Basterra completed films that premiered at San Sebastian IFF and Montreal World FF and is currently developing two documentary series. Arkaitz is also a specialized film consultant, advising international producers on script and film development, international funding, international sales and marketing strategies. He is, at the same time, a creative producer for Garachico Film Service and adviser of Moby Dick Film Capital, a venture capital fund.\r\n<\/p>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/7.Paola-Buontempo-Portrait.jpg\">\r\n<h4><strong>Paola Buontempo<\/strong><br>\r\nFilmmaker, programmer and lecturer at the Film University (FUC)<\/h4>\r\n<p>She holds a degree in Audiovisual Arts from La Plata\u2019s Universidad Nacional  (UNLP). She studied History of Art and Photography Directing. Her short films Las instancias del v\u00e9rtigo (2010), Los animales (2012) and Las fuerzas (2018) were screened at Cin\u00e9ma du R\u00e9el, Film at Lincoln Center, FICUNAM, BAFICI among others. She was programmer for La Plata\u2019s Independent International Film Festival (Festifreak). From 2018 to 2023 she worked on the programming team at the La Plata International Film Festival. She lectures at Universidad del Cine (FUC), the Film University.<\/p>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/8.Raphaelle-Cittanova.jpg\">\r\n<h4><strong>Rapha\u00eblle Cittanova<\/strong><br>\r\nNetworking and coproduction at Cannes Docs<\/h4>\r\n<p>Rapha\u00eblle Cittanova is a producer at Itsi Bitsi Films with over a decade of experience in film production for cinema and television. She is also producing workshops for filmmakers and media artists at UnionDocs, a documentary art center in New York. Since 2023, she is managing networking events and coproduction meetings at Cannes Docs, the documentary industry platform of the March\u00e9 du Film at the Festival de Cannes. <\/p>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/9.marion_czarny.jpg\">\r\n<h4><strong>Marion Czarny<\/strong><br>\r\nProgrammer and project manager<\/h4>\r\n<p>Marion Czarny is a programmer and project manager based in Paris. Holder of a master\u2019s degree in Cultural Project Management from la Sorbonne Nouvelle, she did part of her studies in the United States (OSU) and Ireland (UCD). She was an editorial assistant for cinema magazines and worked on the selection committees of several festivals. Head of Campus at Fipadoc, she supervises all editorial content for the young audience, students and emerging professionals. <\/p>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/10.Ione-Feijoo.jpg\">\r\n<h4><strong>Ione Feijoo<\/strong><br>\r\nHead of marketing, communication and international development of Basque. Audiovisual. <\/h4>\r\n<p>She holds a degree in Humanities and Communication from the University of Deusto, and worked for twelve years at a communication agency, where she started out as an accounts executive managing clients and carrying out digital projects, and coordinating events and trade fairs, among other functions. In 2022 she joined Zineuskadi to work on the marketing, communication and international development of the Basque Audiovisual brand, through market presence, strategies in digital environments and brand content via specialist media.<\/p>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/11.Tamara-Garcia.jpg\">\r\n<h4><strong>Tamara Garc\u00eda Iglesias<\/strong><br>\r\nCurator and filmmaker<\/h4>\r\n<p>She was artistic director of the Aguilar de Campoo International Short Film Festival for five years, and also spent four years as programmer for the MAPA Collective associated with the Arteleku Art Centre. Within the last decade she has curated the following films: \u201cMujer\/M\u00e1quina\/F\u00e1brica\u201d, \u201cIm\u00e1genes Secuenciadas\u201d (2021); \u201cMarcar. Signar. Notar\u201d (2020); \u201cBRBA Irratia\u201d (2021); \u201cMitominas. Narcisa Hirsch\u201d (2016); \u201cThis is Just To Say\u201d (2016). She also took charge of cinematographic production for the following films: \u201cSobre Todo de Noche\u201d (2023); \u201cO Gemer\u201d (2022)\u201c, \u201cLa Piba de Oro\u201d (2021) and \u201cZarata\u201d (2023).<\/p>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/12.Ainhoa-Gonzalez.jpg\">\r\n<h4><strong>Ainhoa Gonz\u00e1lez Sanchiz<\/strong><br>\r\nHead of Creative Europe Desk \u2013 MEDIA Basque Country <\/h4>\r\n<p>She holds a University of Deusto diploma as technical officer for businesses and tourism activities. She drew most of her employment experience from the MEDIA Basque Country Creative Europe Desk, where she has been working since 2002, and has headed up as of 2012. She has been working from this office to promote Basque films, and has been involved with some of Europe\u2019s major international markets.<\/p>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/13.Berry-Hahn-2024-square.jpg\">\r\n<h4><strong>Berry Hahn<\/strong><br>\r\nSales Agent and film programmer<\/h4>\r\n<p>Berry Hahn is currently representing fiction and documentary features at Square Eyes. Regularly serving as jury member and decision maker on various international events, she has been actively involved in supporting emerging storytellers shaping a strong film ecosystem between the Global South and North. Getting Real fellow (2024), she is also a Realness Institute alumna and participated to U30 (2023) with Locarno Pro and to the Southern Africa-Locarno Industry Academy (2021). <\/p>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/14.-Louise-Martin.jpg\">\r\n<h4><strong>Louise Martin Papasian <\/strong><br>\r\nFilmmaker and film curator<\/h4>\r\n<p>French filmmaker and programmer of Armenian origin, with a Master\u2019s qualification from El\u00edas Querejeta Zine Eskola (2023). After studying philosophy in Paris and Buenos Aires, where she began her trajectory in documentary films, she made her first short film, Appel\u00e9-\u0566\u0578\u0580\u0561\u056f\u0578\u0579\u056b\u056f (2021), which was premiered at Visions du R\u00e9el and selected for a number of festivals in France and elsewhere. She has been a member of the FIDMarseille selection committee since 2021. She has sat on a number of jury panels (Beirut Shorts, Go Short Nijmegen, FICValdivia), and recently worked with the periodicals Sabzian and Fidback.<\/p>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/15.-Noe-Mendelle.jpg\">\r\n<h4><strong>No\u00e9 Mendelle <\/strong><br>\r\nHead of the Scottish Documentary Institute<\/h4>\r\n<p>She began her film career at Steel Bank Films (1982), a Channel 4 film workshop based in Sheffield. She is an experienced director and producer on the international scene, and has worked on numerous prizewinning documentaries for festivals and broadcasting channels. She created the Scottish Documentary Institute in 2004 and set up a number of programmes to develop creative documentary in Scotland, such as Bridgend the Gap, This is Scotland, Right Here, and Edinburgh Pitch. In 2019 she was appointed as a member of the Academy for the documentaries section.<\/p>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/16.Nevena-Milasinovic.jpg\">\r\n<h4><strong>Nevena Mila\u0161inovi\u0107 <\/strong><br>\r\nSales agent and distribution specialist<\/h4>\r\n<p>As part of Lightdox team, Nevena oversees distribution and sales in Central &amp; Eastern Europe, Asia, LATAM and Africa. She embraced the challenge of mastering the most promising and excitingly evolving markets with worlds of creativity and innovativeness. She graduated Painting at the Academy of Arts Banjaluka and holds a Master\u2019s degree in Stage Design from Jan\u00e1\u010dek Academy of Music and Performing Arts in Brno. Nevena has been working in sales and distribution of documentary films since 2015, with a deep focus on VOD and festival distribution.<\/p>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/17.-Ana-Pelaez.jpg\">\r\n<h4><strong>Ana Pel\u00e1ez<\/strong><br>\r\nExecutive Producer of Co-Production Documentaries at RTVE<\/h4>\r\n<p>With twenty-nine years under her professional belt in communication media, press, radio, agencies and television, she is currently Executive Producer of Co-Production Documentaries at RTVE. She has been working full-time on documentaries at RTVE since 2007, initially as scriptwriter and director of in-house documentary productions for various spaces (La aventura del saber, Monogr\u00e1ficos, Los oficios de la cultura) and subsequently as director of Imprescindibles (2013-2021) and Los oficios de la cultura (2009-2013). <\/p>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/18.Leticia-Perez-Rico.jpg\">\r\n<h4><strong>Leticia P\u00e9rez Rico <\/strong><br>\r\nHead of documentaries and music with Movistar Plus+<\/h4>\r\n<p>Currently at Movistar Plus+ as head of documentaries and music. She holds a degree in Audiovisual Communication from UCM (Madrid\u2019s Universidad Complutense). A specialist in contents and national and international market trends. She has over twenty years\u2019 experience in functions related to programming, selection and production of contents on free-to-air and pay TV \u2013 documentaries, factual, films and series. She has extensive experience in the sector at leading companies such as Canal Sat\u00e9lite Digital, Cuatro, Mediaset and Movistar Plus+. <\/p>\r\n<\/div>\r\n\r\n<div class=\"col-md-3\"><img class=\"alignnone wp-image-10359 size-full lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/19.DARIA-VOUMARD.jpg\">\r\n<h4><strong>Daria Voumard<\/strong><br>\r\nLocarno Pro Industry Manager at Locarno Film Festival<\/h4>\r\n<p>Media Management graduate, began her career in communications and journalism, working for several media platforms. She has worked at the Locarno Film Festival\u2019s industry hub Locarno Pro for 7 years, now as Industry Manager. She coordinates industry activities and curates the First Look work-in-progress section and the Heritage Online classic films database.<\/p>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n<br>\r\n  <div class=\"row justify-content-center\"><div class=\"col-md-2\">\r\n    <div class=\"support-box p-5 text-center\">\r\n    <div class=\"support-box-icon\"><i class=\"far fa-file-pdf\"><\/i><\/div>\r\n       <div class=\"support-box-title\">\r\n          <h4>Bases<\/h4><\/div>\r\n          <div class=\"support-box-link\"><a href=\"https:\/\/zinebi.eus\/assets\/media\/bases_NTW_24.pdf\" target=\"_blank\" rel=\"noopener\"><\/a><\/div>\r\n       <\/div>\r\n    <\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\r\n\r\n\r\n<div class=\"row\">\r\n<div class=\"col-md-12 p-t-50 p-b-50\">\r\n<div class=\"module-title text-center\">\r\n<h3 class=\"sidelines\"><span class=\"blanco\">CATALOGUES<\/span><\/h3>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row justify-content-center\">\r\n\r\n<div class=\"col-md-2 gallery catalogo\">\r\n<figure class=\"gallery-item\">\r\n<div class=\"gallery-icon\"><a title=\"ZINEBI 66 (2024)\" href=\"https:\/\/zinebi.eus\/assets\/media\/portada_catalogo_networking_2024.jpg\" rel=\"gallery\"><img data-src=\"https:\/\/zinebi.eus\/assets\/media\/portada_catalogo_networking_2024.jpg\" class=\" lazyload\"><\/a><\/div><\/figure>\r\n<h4>ZINEBI 66 (2024)<\/h4>\r\n<a class=\"boton-descarga\" href=\"https:\/\/zinebi.eus\/assets\/media\/catalogo_NTW_Final.pdf\" target=\"_blank\" rel=\"noopener\"><i class=\"fa fa-file-pdf-o mr-2\"><\/i>Download<\/a>\r\n<\/div>\r\n\r\n<div class=\"col-md-2 gallery catalogo\">\r\n<figure class=\"gallery-item\">\r\n<div class=\"gallery-icon\"><a title=\"ZINEBI 65 (2023)\" href=\"https:\/\/zinebi.eus\/assets\/media\/portada_catalogo_networking_2023-2-scaled.jpg\" rel=\"gallery\"><img data-src=\"https:\/\/zinebi.eus\/assets\/media\/portada_catalogo_networking_2023-2-scaled.jpg\" class=\" lazyload\"><\/a><\/div><\/figure>\r\n<h4>ZINEBI 65 (2023)<\/h4>\r\n<a class=\"boton-descarga\" href=\"https:\/\/zinebi.eus\/assets\/media\/catalogo_NETWORKING_z65.pdf\" target=\"_blank\" rel=\"noopener\"><i class=\"fa fa-file-pdf-o mr-2\"><\/i>Download<\/a>\r\n\r\n<\/div>\r\n<div class=\"col-md-2 gallery catalogo\">\r\n<figure class=\"gallery-item\">\r\n<div class=\"gallery-icon\"><a title=\"ZINEBI 64 (2022)\" href=\"https:\/\/zinebi.eus\/assets\/media\/ZINEBI64_NETWORKING-scaled.jpg\" rel=\"gallery\"><img alt=\"ZINEBI 64 (2022)\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/ZINEBI64_NETWORKING-scaled.jpg\" class=\" lazyload\"><\/a><\/div><\/figure>\r\n<h4>ZINEBI 64 (2022)<\/h4>\r\n<a class=\"boton-descarga\" href=\"catalogo_NETWORKING_z65(9)\" target=\"_blank\" rel=\"noopener\"><i class=\"fa fa-file-pdf-o mr-2\"><\/i>Download<\/a>\r\n\r\n<\/div>\r\n<div class=\"col-md-2 gallery catalogo\">\r\n<figure class=\"gallery-item\">\r\n<div class=\"gallery-icon\"><a title=\"ZINEBI 63 (2021)\" href=\"\/assets\/media\/zinebi-networking-63.jpg\" rel=\"gallery\"><img alt=\"ZINEBI 63 (2021)\" data-src=\"\/assets\/media\/zinebi-networking-63.jpg\" class=\" lazyload\"><\/a><\/div><\/figure>\r\n<h4>ZINEBI 63 (2021)<\/h4>\r\n<a class=\"boton-descarga\" href=\"https:\/\/zinebi.eus\/assets\/media\/ZINEBI-NETWORKING-2021.pdf\" target=\"_blank\" rel=\"noopener\"><i class=\"fa fa-file-pdf-o mr-2\"><\/i>Download<\/a>\r\n\r\n<\/div>\r\n<div class=\"col-md-2 gallery catalogo\">\r\n<figure class=\"gallery-item\">\r\n<div class=\"gallery-icon\"><a title=\"ZINEBI 62 (2020)\" href=\"\/assets\/media\/zinebi-networking-62.jpg\" rel=\"gallery\"><img alt=\"ZINEBI 62 (2020)\" data-src=\"\/assets\/media\/zinebi-networking-62.jpg\" class=\" lazyload\"><\/a><\/div><\/figure>\r\n<h4>ZINEBI 62 (2020)<\/h4>\r\n<a class=\"boton-descarga\" href=\"https:\/\/zinebi.eus\/assets\/media\/ZINEBI-NETWORKING-2020.pdf\" target=\"_blank\" rel=\"noopener\"><i class=\"fa fa-file-pdf-o mr-2\"><\/i>Download<\/a>\r\n\r\n<\/div>\r\n<div class=\"col-md-2 gallery catalogo\">\r\n<figure class=\"gallery-item\">\r\n<div class=\"gallery-icon\"><a title=\"ZINEBI 61 (2019)\" href=\"\/assets\/media\/zinebi-networking-61.jpg\" rel=\"gallery\"><img alt=\"ZINEBI 61 (2019)\" data-src=\"\/assets\/media\/zinebi-networking-61.jpg\" class=\" lazyload\"><\/a><\/div><\/figure>\r\n<h4>ZINEBI 61 (2019)<\/h4>\r\n<a class=\"boton-descarga\" href=\"https:\/\/zinebi.eus\/assets\/media\/ZINEBI-NETWORKING-2019.pdf\" target=\"_blank\" rel=\"noopener\"><i class=\"fa fa-file-pdf-o mr-2\"><\/i>Download<\/a>\r\n\r\n<\/div>\r\n<div class=\"col-md-2 gallery catalogo\">\r\n<figure class=\"gallery-item\">\r\n<div class=\"gallery-icon\"><a title=\"ZINEBI 60 (2018)\" href=\"\/assets\/media\/zinebi-networking-60.jpg\" rel=\"gallery\"><img alt=\"ZINEBI 61 (2019)\" data-src=\"\/assets\/media\/zinebi-networking-60.jpg\" class=\" lazyload\"><\/a><\/div><\/figure>\r\n<h4>ZINEBI 60 (2018)<\/h4>\r\n<a class=\"boton-descarga\" href=\"https:\/\/zinebi.eus\/assets\/media\/ZINEBI-NETWORKING-2018.pdf\" target=\"_blank\" rel=\"noopener\"><i class=\"fa fa-file-pdf-o mr-2\"><\/i>Download<\/a>\r\n<\/div>\r\n<\/div>\r\n<img alt=\"\" width=\"1024\" height=\"325\" class=\"aligncenter size-full wp-image-28388 lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/faldones-logos-color-2023-03-copia-1.png\"><\/div>","protected":false},"excerpt":{"rendered":"<p>ZINEBI NETWORKING 2024 VII PROFESSIONAL DOCUMENTARY FILM FORUM ZINEBI Networking is a space for knowledge transfer and a meeting point which, based on the Bilbao Film Festival\u2019s specialization in short fiction, documentary and animation films, with a particular emphasis on documentary cinema, offers up a programme of diverse activities focused on creating, analyzing and debating [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":30364,"parent":32491,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-hero-mikeldi.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-31812","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/31812","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=31812"}],"version-history":[{"count":19,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/31812\/revisions"}],"predecessor-version":[{"id":36579,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/31812\/revisions\/36579"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/32491"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media\/30364"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=31812"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}