{"id":40364,"date":"2025-10-29T16:33:39","date_gmt":"2025-10-29T15:33:39","guid":{"rendered":"https:\/\/zinebi.eus\/zinebi-67\/jurados\/"},"modified":"2025-11-12T13:30:02","modified_gmt":"2025-11-12T12:30:02","slug":"jurados","status":"publish","type":"page","link":"https:\/\/zinebi.eus\/en\/zinebi-67\/jurados\/","title":{"rendered":"Juries"},"content":{"rendered":"
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Official Selection Short Film International Competition Jury<\/span><\/h3>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n
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\"jurado\"\r\n

Callisto Mc Nulty<\/h4>\r\n

Callisto Mc Nulty (Paris, 1990) is a filmmaker, writer, and translator. Educated at Central Saint Martins and Goldsmiths University in London, her work blends research, archival exploration, and audiovisual creation to amplify marginalized voices. In 2017, she co-directed Eric\u2019s Tape<\/em>, centered on a mysterious Andy Warhol recording. Her second feature, Delphine et Carole, insoumuses<\/em> (2019), explores the creative and political collaboration between Delphine Seyrig and Carole Roussopoulos, and was selected at over thirty international festivals, earning multiple awards. Since 2019, she has performed with \u00c9milie Not\u00e9ris, reinterpreting the SCUM Manifesto. She is also co-editor of SCUM Manifesto (NAIMA, 2018) and Bibelot (2019).<\/p>\r\n<\/div>\r\n

\"jurado\"\r\n

Daniel \u0160ulji\u0107<\/h4>\r\n

Daniel \u0160ulji\u0107 is an animation film director and musician from Zagreb. He studied painting and animation at the University of Applied Arts in Vienna, where he graduated from Masterclass C. L. Attersee. From 1992 to 2010 he lived in Vienna, and since 2011 he has been working between Zagreb and Vienna. His films \u2014 including Evening Star, Leckdonalds, The Cake, I Can Imagine It Very Well, Short Life, Transparency, and From Under Which Rock Did They Crawl Out<\/em> \u2014 have been screened at hundreds of international festivals and received numerous awards. He has served on festival juries and had retrospectives at Anifilm T\u0159ebo\u0148, Monstra Lisbon, and ITFS Stuttgart. Since 2011 he has been the artistic director of Animafest Zagreb, and since 2024 Head of the Department of Animation and New Media at the Academy of Fine Arts in Zagreb.<\/p>\r\n\r\n<\/div>\r\n

\"jurado\"\r\n

Ramia Beladel<\/h4>\r\n

Ramia Beladel is a Moroccan visual artist and cultural curator, graduate of the prestigious \u00c9cole des Beaux-Arts of T\u00e9touan. With over ten years of experience in cultural curation, she has developed and led numerous artistic and cinematic initiatives that bridge creativity, community, and dialogue. In 2021, she founded the Marrakech Short Film Festival (MsFF), which has quickly become a key platform for emerging filmmakers and international exchange, celebrating the power of short films to connect cultures and voices.<\/p>\r\n<\/div>\r\n

\"jurado\"\r\n

Santiago Tabernero<\/h4>\r\n

Film director, screenwriter, and journalist. He debuted with Vida y color<\/em> (2007), awarded at festivals in Miami, Toulouse, Murcia, and Valladolid, and nominated for the Goya Award for Best New Director. In 2014, he directed Presentimientos<\/em>, based on the novel by Clara S\u00e1nchez. His short films include Tiempo muerto, El amor, El amor 2<\/em>, and the documentary Las gafas de Isabel Coixet<\/em> (2025). As a screenwriter, he has worked on Desv\u00edo al para\u00edso, Taxi, Asfalto, C\u00e9sar y Za\u00edn, and La flor del almendro<\/em>. At Spanish public broadcaster TVE, he created shows such as Versi\u00f3n Espa\u00f1ola, Carta Blanca, La nube, En familia<\/em>, and live formats like Torres y Reyes, Alaska y Coronas, Alaska y Segura, and S\u00e1nchez y Carbonell<\/em>. A founding member of D\u00edas de Cine<\/em>, he has directed musical specials for artists like Miguel Bos\u00e9, Raphael, Luz Casal, and Joan Manuel Serrat.<\/p>\r\n\r\n<\/div>\r\n

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Norika Sefa<\/h4>\r\n

Norika Sefa is a writer\/ director. She has graduated from FAMU in Prague. She is best known for her 2021 debut film Looking for Venera<\/em>, which established her as an emerging talent with a very distinguished voice. The film won and was nominated for many prestigious awards. Her earlier works include Desde Arriba<\/em>, a short documentary filmed in the Peruvian jungle under the guidance of Werner Herzog. Her most recent short, Like a Sick Yellow<\/em>, 2024 \u2013 is an avant-garde documentary that further explores her bold approach to storytelling and visual expression. Invitations brought Norika across different arts and cultural institutions, to talk about her distinctive cinematic approach. She is actively involved in teaching filmmaking and has served as a jury member for numerous important film festivals. Norika is a member of the European Film Academy (EFA).<\/p>\r\n\r\n<\/div>\r\n<\/div>\r\n\r\n

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Bertoko Begiradak \u2013 Mirentxu Loyarte \u2013 (H)emen Saria<\/span><\/h3>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n
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Aroa Fern\u00e1ndez Lazkano<\/h4>\r\n

Director and screenwriter. A graduate in Audiovisual Communication from the University of the Basque Country (UPV\/EHU), she specialised in Film Directing at the Madrid Film Institute. Winner of the first competition for Basque women filmmakers, Emakumezko Euskal Egileentzako Film Laburren I. Gidoi Lehiaketa, and finalist in its second edition. She is currently preparing her first short film, Itsas-epel<\/em>, selected for the AUKERA short film laboratory programme run by HEMEN, and winner of the Bizkaia Provincial Council award for best project in Basque.<\/p>\r\n\r\n<\/div>\r\n

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Inge Mendioroz Ib\u00e1\u00f1ez<\/h4>\r\n

From Andoain, Inge Mendioroz Ib\u00e1\u00f1ez studied illustration at the Massana School of Art in Barcelona. After working for several years as a layout designer in the press, she completed a master\u2019s in editing and post-production. Since then, she has worked in the audiovisual field using the name Behirada.\r\nShe assisted editor Ra\u00fal L\u00f3pez on several films and subsequently began working independently as an editor. In recent years she has combined her work as editor with directing, recently presenting her latest work, the documentary Lurdes Iriondo, Ez gera alferrik pasako<\/em>, co-created with screenwriter Idoia Garzes Aldazabal, in the SSIFF\u2019s Zinemira section. She also enjoys taking part in artistic projects, such as the video installation Cielo redondo y tierra cuadrada<\/em> for the artist Yu Depeng, which she edited and which is currently on view at Madrid\u2019s Prado Museum.\r\n\r\n\r\n<\/p>\r\n\r\n<\/div>\r\n

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Tamara Lucarini Cort\u00e9s<\/h4>\r\n

Tamara Lucarini holds a degree in Political Science, with a master\u2019s in feminist and gender studies and a scriptwriting programme at the Complutense University in association with The Media Pro Studio. She began her career in the audiovisual sector in 2016 as a short film distributor, later moving into scriptwriting and directing with the short film No es coma<\/em>. Since then she has undertaken various projects, including Txango and Prioridades<\/em>, of which the latter was selected for international festivals such as OutFest Los Angeles and London\u2019s BFI Flare.\r\nIn the past year she has acted as Mentor on \u201cMemorias Sin Verg\u00fcenzas\u201d, a series of workshops exploring queer memory in the Basque Country, and has been selected as a screenwriter for the CIMA 1to1 programme and as resident in Una habitaci\u00f3n propia, where she wrote La Gotera, her first feature-length fiction film.\r\n\r\n\r\n<\/p>\r\n\r\n<\/div>\r\n<\/div>","protected":false},"excerpt":{"rendered":"

Official Selection Short Film International Competition Jury Callisto Mc Nulty Callisto Mc Nulty (Paris, 1990) is a filmmaker, writer, and translator. Educated at Central Saint Martins and Goldsmiths University in London, her work blends research, archival exploration, and audiovisual creation to amplify marginalized voices. In 2017, she co-directed Eric\u2019s Tape, centered on a mysterious Andy […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":36753,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-40364","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/40364","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=40364"}],"version-history":[{"count":7,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/40364\/revisions"}],"predecessor-version":[{"id":42006,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/40364\/revisions\/42006"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/36753"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=40364"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}