{"id":4056,"date":"2021-11-05T11:55:40","date_gmt":"2021-11-05T11:55:40","guid":{"rendered":"https:\/\/zinebi.eus\/zinebi-industry\/soinu-bandei-eta-musikari-buruzko-mahai-inguru-profesionala\/"},"modified":"2021-11-15T12:30:11","modified_gmt":"2021-11-15T12:30:11","slug":"soundtracks-and-music-professional-meeting","status":"publish","type":"page","link":"https:\/\/zinebi.eus\/en\/zinebi-industry\/soundtracks-and-music-professional-meeting\/","title":{"rendered":"Soundtracks and Music Professional Meeting"},"content":{"rendered":"<div class=\"row\">\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t <div class=\"col-md-12\">\r\n\r\n\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t\t\t\t <p>In 2020, the report of the Association of Women Filmmakers and of Audiovisual Media \u2013 CIMA estimated an 11% of women composers in our industry. Despite these figures slowly increasing, women composers are starting to gain greater visibility and recognition. <\/p>\r\n <p>Only twice have women won the Goya for the Best Original Music: Eva Gancedo, for La buena estrella (Ricardo Franco, 1997), and Ar\u00e1nzazu Calleja and Maite Arroitajauregi for Akelarre (Pablo Ag\u00fcero, 2021). <\/p>\r\n <p>With the aim of drawing attention to and creating points of reference among young female musicians and composers, the association (H)emen and ZINEBI, in collaboration with Zineuskadi, are organising this professional meeting which will bring together, for the first time in Spain, the following prestigious professionals: \r\n<\/p>\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t <\/div>\r\n\t\t\t\t\t\t\t\t<\/div> \r\n<div class=\"row\">\r\n <div class=\"col-md-12\">\r\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Pgunr1JtXOQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row\">\r\n\t\t\t\t\t\t\t<div class=\"col-md-12 support-box\"> <img alt=\"Zinebi\" data-src=\"\/assets\/media\/compositoras.jpg\" class=\" lazyload\"> <\/div>\r\n\t\t\t\t\t \r\n\t\t\t\t\t\r\n\t\t\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>In 2020, the report of the Association of Women Filmmakers and of Audiovisual Media \u2013 CIMA estimated an 11% of women composers in our industry. Despite these figures slowly increasing, women composers are starting to gain greater visibility and recognition. Only twice have women won the Goya for the Best Original Music: Eva Gancedo, for [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":4044,"parent":439,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4056","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/4056","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=4056"}],"version-history":[{"count":5,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/4056\/revisions"}],"predecessor-version":[{"id":5302,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/4056\/revisions\/5302"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/439"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media\/4044"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=4056"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}