 {"id":406,"date":"2021-09-27T07:54:15","date_gmt":"2021-09-27T07:54:15","guid":{"rendered":"https:\/\/zinebi.eus\/?page_id=406"},"modified":"2022-10-05T09:51:02","modified_gmt":"2022-10-05T09:51:02","slug":"international-juries-2021","status":"publish","type":"page","link":"https:\/\/zinebi.eus\/en\/zinebi-63\/international-juries-2021\/","title":{"rendered":"International juries 2021"},"content":{"rendered":"\t<div class=\"row\">\r\n<div class=\"col-md-12 p-b-50\">\r\n<div class=\"module-title text-center\">\r\n<h3 class=\"sidelines\"><span class=\"blanco\">International Jury for the Official Selection <br>International Short Film Competition<\/span><\/h3>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t<div class=\"row justify-content-center\">\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t <div class=\"col-md-4\">\r\n\t\t\t\t\t\t\t   <img alt=\"Isabel Herguera\" width=\"800\" height=\"530\" class=\"alignnone size-full wp-image-1623 lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/isabel-helguera.jpg\" srcset=\"https:\/\/zinebi.eus\/assets\/media\/isabel-helguera.jpg 800w, https:\/\/zinebi.eus\/assets\/media\/isabel-helguera-150x99.jpg 150w, https:\/\/zinebi.eus\/assets\/media\/isabel-helguera-300x199.jpg 300w, https:\/\/zinebi.eus\/assets\/media\/isabel-helguera-400x265.jpg 400w, https:\/\/zinebi.eus\/assets\/media\/isabel-helguera-480x318.jpg 480w, https:\/\/zinebi.eus\/assets\/media\/isabel-helguera-550x364.jpg 550w, https:\/\/zinebi.eus\/assets\/media\/isabel-helguera-768x509.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\r\n\t\t\t\t\t\t\t\t<h4 class=\"m-t-20\">Isabel Herguera <\/h4>\r\n\t\t\t\t\t\t\t\t <p>Director and producer of several short films, including La gallina ciega (2005), nominated for the Best Short Animation Film; \u00c1m\u00e1r (2010), Bajo la almohada (2012), Amore d\u2019inverno (2015), which received the Grand Award of Basque Cinema, and Kutxa beltza (2016). She also ran the Mostra Internacional de Cinema d\u2019Animaci\u00f3 de Catalunya festival until 2011. She is currently teaching at Kunsthochschule f\u00fcr Medien (KHM), in Cologne (Germany) and producing her first animation feature film, El sue\u00f1o de la sultana (Sultana\u2019s Dream). <\/p>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t<div class=\"col-md-4\">\r\n\t\t\t\t\t\t\t   <img alt=\"Itandehui Jansen\" width=\"800\" height=\"530\" class=\"alignnone size-full wp-image-1605 lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/Itandehui-Jansen-.jpg\" srcset=\"https:\/\/zinebi.eus\/assets\/media\/Itandehui-Jansen-.jpg 800w, https:\/\/zinebi.eus\/assets\/media\/Itandehui-Jansen--150x99.jpg 150w, https:\/\/zinebi.eus\/assets\/media\/Itandehui-Jansen--300x199.jpg 300w, https:\/\/zinebi.eus\/assets\/media\/Itandehui-Jansen--400x265.jpg 400w, https:\/\/zinebi.eus\/assets\/media\/Itandehui-Jansen--480x318.jpg 480w, https:\/\/zinebi.eus\/assets\/media\/Itandehui-Jansen--550x364.jpg 550w, https:\/\/zinebi.eus\/assets\/media\/Itandehui-Jansen--768x509.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\r\n\t\t\t\t\t\t\t\t<h4 class=\"m-t-20\">Itandehui Jansen <\/h4>\r\n\t\t\t\t\t\t\t\t  <p>Itandehui Jansen was born in Oaxaca, Mexico and studied an MFA in Directing Film at the Film Academy in Amsterdam. She has participated in several international programs such as the Torino Film Lab and the Berlinale Talents, networking platforms devoted to the film industry. Her own films have screened at many different international film festivals, such as the Amsterdam International Documentary Film Festival (IDFA) and the Morelia International Film Festival (FICM). Her short film The Last Council received several international awards and was nominated to the Mexican Film Critics Award Diosa de Plata in 2013.She is currently a film professor at the University of Edinburgh, in the United Kingdom.<\/p>\r\n\t\t\t\t\t\t\t<\/div> \r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t<div class=\"col-md-4\">\r\n\t\t\t\t\t\t\t  <img alt=\"Jone Laspiur\" width=\"800\" height=\"530\" class=\"alignnone size-full wp-image-1611 lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/Jone-Laspiur.jpg\" srcset=\"https:\/\/zinebi.eus\/assets\/media\/Jone-Laspiur.jpg 800w, https:\/\/zinebi.eus\/assets\/media\/Jone-Laspiur-150x99.jpg 150w, https:\/\/zinebi.eus\/assets\/media\/Jone-Laspiur-300x199.jpg 300w, https:\/\/zinebi.eus\/assets\/media\/Jone-Laspiur-400x265.jpg 400w, https:\/\/zinebi.eus\/assets\/media\/Jone-Laspiur-480x318.jpg 480w, https:\/\/zinebi.eus\/assets\/media\/Jone-Laspiur-550x364.jpg 550w, https:\/\/zinebi.eus\/assets\/media\/Jone-Laspiur-768x509.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\r\n\t\t\t\t\t\t\t\t<h4 class=\"m-t-20\">Jone Laspiur<\/h4>\r\n\t\t\t\t\t\t\t\t <p>Jone Laspiur studied Fine Arts at the University of the Basque Country and spent one year at the UMSA-University of Argentine Social Museum in Buenos Aires. She worked at the Arteko Gallery and the Asmoz Cultural Foundation, as well as in the Cultural Association Azpi, in Donostia-San Sebasti\u00e1n with her own projects. In 2018, she spent time in Cutervo, Peru, as part of the Gazteaukera cooperation programme. One year later, she received a creative grant from the Basque Government. She subsequently completed an MIAC (Master\u2019s Degree in Art Research and Creation) in the Complutense University of Madrid \u2013 UCM. She made her debut as an actor in Akelarre, by Pablo Ag\u00fcero. She then portrayed Ane, by David P. Sa\u00f1udo, Goya for the Best New Actress in 2021. She has also acted in the series Alardea by the same director, in the short film Polvo somos by Esti Urresola, and in Maixabel, by Ic\u00edar Bolla\u00edn. In addition to her acting training, she studied at the Mar Navarro school in Madrid. <br><em>Photo \u00a9 Daniel Mills Salcedo<\/em> <\/p>\r\n\t\t\t\t\t\t\t<\/div> \r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t  <\/div>\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t<div class=\"row justify-content-center\">\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t<div class=\"col-md-4\">\r\n\t\t\t\t\t\t\t<img alt=\"James Lattimer\" width=\"800\" height=\"530\" class=\"alignnone size-full wp-image-1608 lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/James-Lattimer.jpg\" srcset=\"https:\/\/zinebi.eus\/assets\/media\/James-Lattimer.jpg 800w, https:\/\/zinebi.eus\/assets\/media\/James-Lattimer-150x99.jpg 150w, https:\/\/zinebi.eus\/assets\/media\/James-Lattimer-300x199.jpg 300w, https:\/\/zinebi.eus\/assets\/media\/James-Lattimer-400x265.jpg 400w, https:\/\/zinebi.eus\/assets\/media\/James-Lattimer-480x318.jpg 480w, https:\/\/zinebi.eus\/assets\/media\/James-Lattimer-550x364.jpg 550w, https:\/\/zinebi.eus\/assets\/media\/James-Lattimer-768x509.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\r\n\t\t\t\t\t\t\t\t<h4 class=\"m-t-20\">James Lattimer <\/h4>\r\n\t\t\t\t\t\t\t\t <p>James Lattimer is a programmer, critic and filmmaker. He has been a member of the Berlinale Forum selection committee since 2011 and joined the Viennale in 2018 as a programming advisor. He was guest curator for Documenta Madrid 2020. He co-directed the short film All Still Orbit with Dane Komljen and is co-writer of his new feature film Afterwater. As a critic he publishes in Cinema Scope, Sight and Sound, The Brooklyn Rail and Fireflies. He is co-editor of TEXTUR, a new series on contemporary directors published by the Viennale, the first editions of which have been dedicated to Angela Schanelec, Kelly Reichardt and Terence Davies.<\/p>\r\n<\/div> \r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t<div class=\"col-md-4\">\r\n\t\t\t\t\t\t\t  <img alt=\"Florencia de Mugica\" width=\"800\" height=\"530\" class=\"alignnone size-full wp-image-1802 lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/Florencia-Mugica.jpg\" srcset=\"https:\/\/zinebi.eus\/assets\/media\/Florencia-Mugica.jpg 800w, https:\/\/zinebi.eus\/assets\/media\/Florencia-Mugica-150x99.jpg 150w, https:\/\/zinebi.eus\/assets\/media\/Florencia-Mugica-300x199.jpg 300w, https:\/\/zinebi.eus\/assets\/media\/Florencia-Mugica-400x265.jpg 400w, https:\/\/zinebi.eus\/assets\/media\/Florencia-Mugica-480x318.jpg 480w, https:\/\/zinebi.eus\/assets\/media\/Florencia-Mugica-550x364.jpg 550w, https:\/\/zinebi.eus\/assets\/media\/Florencia-Mugica-768x509.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\r\n\t\t\t\t\t\t\t\t<h4 class=\"m-t-20\">Florencia de Mugica <\/h4>\r\n\t\t\t\t\t\t\t\t <p>Florencia de Mugica graduated in Dramatic Arts and has a Master\u2019s Degree in Film Curatorship from El\u00edas Querejeta Zine Eskola (EQZE). She founded Bomba Cine in 2015. Her productions include two debut films: La noche, by Edgardo Castro, selected in numerous film festivals and winner of the Special Jury Award at  Buenos Aires International Festival of Independent Cinema (BAFICI), and Mam\u00e1, mam\u00e1, mam\u00e1, by Sol Berruezo, co-produced with Rita Cine and winner of the Special Jury Award at Berlinale 2020; along with the short film PinPin, by Jaime Levinas. She is currently working on a project directed by Pablo Ag\u00fcero.<\/p>\r\n\t\t\t\t\t\t\t<\/div> \r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t  <\/div>\r\n\t\t\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t\t\t<div class=\"row\">\r\n<div class=\"col-md-12 p-t-50 p-b-50\">\r\n<div class=\"module-title text-center\">\r\n<h3 class=\"sidelines\"><span class=\"blanco\">International Jury for the Official Selection <br> ZIFF (ZINEBI FIRST FILM) International Competition<\/span><\/h3>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t<div class=\"row justify-content-center\">\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t  <div class=\"col-md-4\">\r\n\t\t\t\t\t\t\t  <img alt=\"Paula Arantzazu Ruiz\" width=\"800\" height=\"530\" class=\"alignnone size-full wp-image-1614 lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/Paula-Ruiz.jpg\" srcset=\"https:\/\/zinebi.eus\/assets\/media\/Paula-Ruiz.jpg 800w, https:\/\/zinebi.eus\/assets\/media\/Paula-Ruiz-150x99.jpg 150w, https:\/\/zinebi.eus\/assets\/media\/Paula-Ruiz-300x199.jpg 300w, https:\/\/zinebi.eus\/assets\/media\/Paula-Ruiz-400x265.jpg 400w, https:\/\/zinebi.eus\/assets\/media\/Paula-Ruiz-480x318.jpg 480w, https:\/\/zinebi.eus\/assets\/media\/Paula-Ruiz-550x364.jpg 550w, https:\/\/zinebi.eus\/assets\/media\/Paula-Ruiz-768x509.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\r\n\t\t\t\t\t\t\t<h4 class=\"m-t-20\">Paula Arantzazu Ruiz  <\/h4>\r\n\t\t\t\t\t\t\t  <p>Paula Arantzazu Ruiz graduated in journalism from Pompeu Fabra University (UPF). She completed her PhD in Social Communication in the same university with a thesis on the films of the Italians Yervant Gianikian and Angela Ricci Lucchi in relation to the visual culture of medicine. As a film critic and journalist, she writes in Cineman\u00eda and Diari Ara, among other media, and is an associate lecturer at the University of Castilla \u2013 La Mancha. Her latest publications include the collective works La paranoia contempor\u00e1nea. El cine en la sociedad de control [Trea, 2019] and Cuerpos representados. Objetos de ciencia art\u00edsticos en Espa\u00f1a, siglos XVIII \u2013 XX [Sans Soleil, 2020].<\/p>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t  <div class=\"col-md-4\">\r\n\t\t\t\t\t\t\t  <img alt=\"Eva Sangiorgi\" width=\"800\" height=\"530\" class=\"alignnone size-full wp-image-1620 lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/Eva-Sangiorgi.jpg\" srcset=\"https:\/\/zinebi.eus\/assets\/media\/Eva-Sangiorgi.jpg 800w, https:\/\/zinebi.eus\/assets\/media\/Eva-Sangiorgi-150x99.jpg 150w, https:\/\/zinebi.eus\/assets\/media\/Eva-Sangiorgi-300x199.jpg 300w, https:\/\/zinebi.eus\/assets\/media\/Eva-Sangiorgi-400x265.jpg 400w, https:\/\/zinebi.eus\/assets\/media\/Eva-Sangiorgi-480x318.jpg 480w, https:\/\/zinebi.eus\/assets\/media\/Eva-Sangiorgi-550x364.jpg 550w, https:\/\/zinebi.eus\/assets\/media\/Eva-Sangiorgi-768x509.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\r\n\t\t\t\t\t\t\t<h4 class=\"m-t-20\">Eva Sangiorgi <\/h4>\r\n\t\t\t\t\t\t\t   <p>Eva Sangiorgi is a writer and programmer based in Vienna. In 2011, she founded the UNAM International Film Festival (FICUNAM) in Mexico City, which she headed until 2018. She also set up Brava Cinema, her own distribution company, in 2016. Sangiorgi has also worked as a film programmer and television presenter for film programmes. She is currently the artistic director of the Viennale, in Austria, and director of the Curatorial Studies Department at the EQZE in San Sebastian.br&gt;<em>Photo \u00a9 Alexi Pelekanos<\/em>.<\/p>\r\n<\/div> \r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t  <div class=\"col-md-4\">\r\n\t\t\t\t\t\t\t  <img alt=\"Helena Wittmann\" width=\"800\" height=\"530\" class=\"alignnone size-full wp-image-1617 lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/Helena-Whittmann.jpg\" srcset=\"https:\/\/zinebi.eus\/assets\/media\/Helena-Whittmann.jpg 800w, https:\/\/zinebi.eus\/assets\/media\/Helena-Whittmann-150x99.jpg 150w, https:\/\/zinebi.eus\/assets\/media\/Helena-Whittmann-300x199.jpg 300w, https:\/\/zinebi.eus\/assets\/media\/Helena-Whittmann-400x265.jpg 400w, https:\/\/zinebi.eus\/assets\/media\/Helena-Whittmann-480x318.jpg 480w, https:\/\/zinebi.eus\/assets\/media\/Helena-Whittmann-550x364.jpg 550w, https:\/\/zinebi.eus\/assets\/media\/Helena-Whittmann-768x509.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\r\n\t\t\t\t\t\t\t<h4 class=\"m-t-20\">Helena Wittmann<\/h4>\r\n\t\t\t\t\t\t\t   <p>Helena Wittmann is an artist and filmmaker living in Hamburg (Germany). After studying Spanish Philology and Communication Science between Erlangen and Hamburg, Wittmann graduated from the Hamburg School of Fine Arts (HFBK) in 2014. Her first feature film, Drift, was premiered at the Venice International Film Critics Week in 2017 and gained a Special Mention from the ZIFF Young Jury at ZINEBI before its screening at different international film festivals, as have her short films Ada Kaleh (2018), 21,3\u00b0C (2014) and Wildnis (2013). Wittmann has worked on different projects such as those with Nika Son and as the director of photography for other filmmakers. She was also the artistic research assistant at HFBK 2020 \u2013 2021 and mentor at the EQZE at San Sebasti\u00e1n.<\/p>\r\n<\/div> \r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t  <\/div>\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t<div class=\"row\">\r\n<div class=\"col-md-12 p-t-50 p-b-50\">\r\n<div class=\"module-title text-center\">\r\n<h3 class=\"sidelines\"><span class=\"blanco\">SGAE <br>Basque Country Council Jury<\/span><\/h3>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<div class=\"row justify-content-center\">\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t <div class=\"col-md-4\">\r\n\t\t\t\t\t\t\t<img alt=\"Ana Hormaetxea\" width=\"800\" height=\"530\" class=\"alignnone size-full wp-image-2653 lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/Ana-Hormaetxea.jpg\" srcset=\"https:\/\/zinebi.eus\/assets\/media\/Ana-Hormaetxea.jpg 800w, https:\/\/zinebi.eus\/assets\/media\/Ana-Hormaetxea-150x99.jpg 150w, https:\/\/zinebi.eus\/assets\/media\/Ana-Hormaetxea-300x199.jpg 300w, https:\/\/zinebi.eus\/assets\/media\/Ana-Hormaetxea-400x265.jpg 400w, https:\/\/zinebi.eus\/assets\/media\/Ana-Hormaetxea-480x318.jpg 480w, https:\/\/zinebi.eus\/assets\/media\/Ana-Hormaetxea-550x364.jpg 550w, https:\/\/zinebi.eus\/assets\/media\/Ana-Hormaetxea-768x509.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\r\n\t\t\t\t\t\t\t\t<h4 class=\"m-t-20\">Ana Hormaetxea<\/h4>\r\n\t\t\t\t\t\t\t\t <p>Graduated in Audiovisual Communication (University of Navarra). As a television scriptwriter, she has mainly worked on series and programmes for the Basque Broadcasting Company-ETB, including Go!azen, Vaya semanita, Esto no es serio, \u00bfo s\u00ed?; Dale una vuelta, T\u00fa al norte y yo al sur and Balbemendi. She is currently working on several feature films and fiction series: Amor S\u00f3lido, Ladronas, 1134 kil\u00f3metros and El tesoro de Lehman. Ana is the Chair of EHGEP (Professional Association of Basque Scripwriters) and a member of CIMA (Association of Women Filmmakers and Audiovisual Media) as of (H)EMEN (Basque Women in the Audiovisual Industry).<\/p>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t<div class=\"col-md-4\">\r\n\t\t\t\t\t<img alt=\"Nekane E. Zubiaur Gorozika\" width=\"800\" height=\"530\" class=\"alignnone size-full wp-image-2650 lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/Nekane-Zubiaur.jpg\" srcset=\"https:\/\/zinebi.eus\/assets\/media\/Nekane-Zubiaur.jpg 800w, https:\/\/zinebi.eus\/assets\/media\/Nekane-Zubiaur-150x99.jpg 150w, https:\/\/zinebi.eus\/assets\/media\/Nekane-Zubiaur-300x199.jpg 300w, https:\/\/zinebi.eus\/assets\/media\/Nekane-Zubiaur-400x265.jpg 400w, https:\/\/zinebi.eus\/assets\/media\/Nekane-Zubiaur-480x318.jpg 480w, https:\/\/zinebi.eus\/assets\/media\/Nekane-Zubiaur-550x364.jpg 550w, https:\/\/zinebi.eus\/assets\/media\/Nekane-Zubiaur-768x509.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\r\n\t\t\t\t\t\t\t\t<h4 class=\"m-t-20\">Nekane E. Zubiaur Gorozika <\/h4>\r\n\t\t\t\t\t\t\t\t  <p>Is an adjunct lecturer in the Audiovisual Communication and Advertising Department at the University of the Basque Country (UPV\/EHU), where she teaches Fiction Script. She is also a film analyst and historian of Spanish cinema, and is a member of the Contemporary Audiovisual Mutations Research Group. Some of Nekane\u2019s published books are Peter Weir (2013), Anatom\u00eda de un cineasta pasional. El cine de Manuel Mur Oti (2013), Cortometrajes de Kimuak. Semillas del cine vasco (2014) and Kimuak: The Seeds of Basque Cinema (2018), the latter written with Ainhoa Fern\u00e1ndez de Arroyabe and I\u00f1aki Lazkano.<\/p>\r\n\t\t\t\t\t\t\t<\/div> \r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t<div class=\"col-md-4\">\r\n\t<img alt=\"Haritz Zubillaga\" width=\"800\" height=\"530\" class=\"alignnone size-full wp-image-2647 lazyload\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/Aritz-Zubilaga.jpg\" srcset=\"https:\/\/zinebi.eus\/assets\/media\/Aritz-Zubilaga.jpg 800w, https:\/\/zinebi.eus\/assets\/media\/Aritz-Zubilaga-150x99.jpg 150w, https:\/\/zinebi.eus\/assets\/media\/Aritz-Zubilaga-300x199.jpg 300w, https:\/\/zinebi.eus\/assets\/media\/Aritz-Zubilaga-400x265.jpg 400w, https:\/\/zinebi.eus\/assets\/media\/Aritz-Zubilaga-480x318.jpg 480w, https:\/\/zinebi.eus\/assets\/media\/Aritz-Zubilaga-550x364.jpg 550w, https:\/\/zinebi.eus\/assets\/media\/Aritz-Zubilaga-768x509.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\r\n\t\t\t\t\t\t\t\t<h4 class=\"m-t-20\">Haritz Zubillaga<\/h4>\r\n\t\t\t\t\t\t\t\t <p>Director of the cult film El ata\u00fad de cristal (2017) and editor of the international blockbuster The Platform 2019). The former was premiered in the Official Selection of the Sitges Film Festival. Its accolades include the Prize of the Best Film at the FilmQuest (Utah), ShriekFest (LA), Fright Nights (Atenas) and Rojo Sangre (Buenos Aires) festivals. His short films Las horas muertas (2007), nominated as the Best European Fantastic Short Film, She\u2019s Lost Control (2010) and The Devil On Your Back (2015) have won over a hundred prizes. He is currently dividing his time between working on his second feature film and recording the debut album of Heil Flame, a synthwave band that he and the filmmaker Norma Vila, form.<\/p>\r\n\t\t\t\t\t\t\t<\/div> \r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t  <\/div>","protected":false},"excerpt":{"rendered":"<p>International Jury for the Official Selection International Short Film Competition Isabel Herguera Director and producer of several short films, including La gallina ciega (2005), nominated for the Best Short Animation Film; \u00c1m\u00e1r (2010), Bajo la almohada (2012), Amore d\u2019inverno (2015), which received the Grand Award of Basque Cinema, and Kutxa beltza (2016). She also ran [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1636,"parent":398,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"templates\/page-with-container.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-406","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/comments?post=406"}],"version-history":[{"count":6,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/406\/revisions"}],"predecessor-version":[{"id":10192,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/406\/revisions\/10192"}],"up":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/pages\/398"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media\/1636"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/en\/wp-json\/wp\/v2\/media?parent=406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}