{"id":42226,"date":"2025-11-17T10:30:07","date_gmt":"2025-11-17T09:30:07","guid":{"rendered":"https:\/\/zinebi.eus\/eu\/albisteak\/?p=42226"},"modified":"2025-11-14T10:39:10","modified_gmt":"2025-11-14T09:39:10","slug":"zinebik-animazio-zinemaren-aldeko-apustua-indartu-du-txekiar-ziklo-batekin-eta-animation-lab-laborategiarekin","status":"publish","type":"post","link":"https:\/\/zinebi.eus\/eu\/albisteak\/zinebik-animazio-zinemaren-aldeko-apustua-indartu-du-txekiar-ziklo-batekin-eta-animation-lab-laborategiarekin","title":{"rendered":"ZINEBIK ANIMAZIO-ZINEMAREN ALDEKO APUSTUA INDARTU DU TXEKIAR ZIKLO BATEKIN ETA ANIMATION LAB LABORATEGIAREKIN"},"content":{"rendered":"<ul>\r\n \t<li><strong>ZINEBI Animation Lab euskal animazioaren ekosistema indartzeko eta animatzaile gazteak estatuko eta nazioarteko erreferentziazko profesionalekin harremanetan jartzeko gune gisa sortu da 67. edizio honetan. <\/strong><\/li>\r\n \t<li><strong>Jaialdiak fikziozkoak eta dokumentalak baino animazio-titulu gehiago programatu ditu Sail Ofizialean. <\/strong><\/li>\r\n \t<li><strong>Bilbon egingo da \u201cEl cuerpo de Cristo\u201d Bea Lema Komikiaren Sari Nazionaleko opera primaren mundu-mailako estreinaldia. <\/strong><\/li>\r\n<\/ul>\r\n<strong>Bilboko Dokumentalen eta Film Laburren Nazioarteko Jaialdiak \u2013 ZINEBI<\/strong>k, <strong>Eusko Jaurlaritzarekin <\/strong>lankidetzan, animazio-zinemarekiko konpromisoa indartu du 67. edizioan. Jaialdiaren <strong>kartel ofizialetik <\/strong>bertatik hasita, <strong>Jose Luis Agredaren obra<\/strong> \u2014\u201cRobot Dreams\u201d edo \u201cBu\u00f1uel en el laberinto de las tortugas\u201d filmen arte-zuzendaria\u2014, Sail Ofizialean, Jaialdiak <strong>animazioko titulu <\/strong>(20) gehiago eskaintzen ditu <strong>fikziozkoak <\/strong>(19) eta<strong> dokumentalak <\/strong>(19) baino. Modu horretan, <strong>\u201cEl cuerpo de Cristo\u201d <\/strong>bezalako obrak ikus ahal izango dira, <strong>Bea Lemaren <\/strong>opera prima, Komikiaren Sari Nazionala izandakoa 2024an, eta Bilbon egingo da mundu-mailako estreinaldia.\r\n\r\nZINEBIren animazio-zinemaren programazioan <strong>\u2018Czech Focus\u2019 <\/strong>zikloa ere badago, eta Europako zinemaren tradiziorik liluragarrienetako bat ezagutzera gonbidatzen du: txekiar animazioa. <strong>Trnka, Zeman <\/strong>edo <strong>\u0160vankmajer <\/strong>unibertso poetikoetatik hasi eta <strong>Daria Kashcheeva<\/strong> buru zuen belaunaldi berri baten begirada ausartetara, atzera begirako honek, hogei bat izenburu tartean direla, ia mende bateko irudimena, esperimentazioa eta artisau-edertasuna zeharkatzen ditu. Panpina, itzal eta ametsen arteko bidaia izango da, eta film bakoitzak animazioa arte nagusi bihurtu zuen herrialde baten espiritu aske eta ameslaria erakutsiko du.\r\n\r\nHorrez gain, <strong>ZINEBI TXIKIk <\/strong>haurrei zuzendutako programaren barruan lau film txekiar eskainiko ditu, Europako haur-animazioko eskolan erreferentzia direnak, eta Arriaga Antzokian eta Guggenheim Bilbao Museoan ikus ahal izango dira.\r\n\r\n\u00a0\r\n\r\n<img class=\"aligncenter size-full wp-image-42211 lazyload\" alt=\"\" width=\"1000\" height=\"563\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/cfc-default-weeds-poster-0-1810715-1.jpg\" srcset=\"https:\/\/zinebi.eus\/assets\/media\/cfc-default-weeds-poster-0-1810715-1.jpg 1000w, https:\/\/zinebi.eus\/assets\/media\/cfc-default-weeds-poster-0-1810715-1-150x84.jpg 150w, https:\/\/zinebi.eus\/assets\/media\/cfc-default-weeds-poster-0-1810715-1-300x169.jpg 300w, https:\/\/zinebi.eus\/assets\/media\/cfc-default-weeds-poster-0-1810715-1-400x225.jpg 400w, https:\/\/zinebi.eus\/assets\/media\/cfc-default-weeds-poster-0-1810715-1-480x270.jpg 480w, https:\/\/zinebi.eus\/assets\/media\/cfc-default-weeds-poster-0-1810715-1-550x310.jpg 550w, https:\/\/zinebi.eus\/assets\/media\/cfc-default-weeds-poster-0-1810715-1-768x432.jpg 768w, https:\/\/zinebi.eus\/assets\/media\/cfc-default-weeds-poster-0-1810715-1-992x558.jpg 992w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/>\r\n<div class=\"fake-h3\"><h6><strong>EUSKAL ANIMAZIOAREN EKOSISTEMA INDARTZEA <\/strong><\/h6><\/div>\r\n<strong>ZINEBI Animation Lab<\/strong> laborategi berriaren asmoa da euskal animazioaren ekosistema indartzea prestakuntzaren, sorkuntzaren eta hausnarketaren bidez. Aldi baterako eta elkarlanerako espazio gisa sortu denez, laborategiaren helburua da animatzaile gazteak estatuko eta nazioarteko erreferentziazko profesionalekin konektatzea nahiz jakintzen trukea, esperimentazioa eta proiektu pertsonalen eta kolektiboen garapena sustatzea.\r\n\r\n<strong>ZINEBI Animation Lab azaroaren 26tik 28ra bitartean <\/strong>izango da <strong>Azkuna Zentroan<\/strong>,\u00a0 ZINEBI Networking-en barruan. Sei ardatz nagusi izango ditu: jaialdirako <strong>buru animatuak <\/strong>sortzea; <strong>miniegonaldiak <\/strong>sortzen ari diren proiektuak garatzeko; <strong>\u2018stop motion\u2019 tailer inklusiboa, <\/strong>ikusmen-urritasuna duten haurrentzat; Europako animazio-arloko profesional nabarmenek emandako <strong>eskola magistralak;<\/strong> industriako <strong>topaketa sektoriala <\/strong>EPE-IBAIA erakundearekin elkarlanean; eta <strong>artista gonbidatuekin konektatzeko eta hitz egiteko hainbat jarduera. <\/strong>\r\n\r\nEkintza horiek proiektuaren <strong>belaunaldi arteko dimentsioa<\/strong> azpimarratzeaz gain, <strong>berdintasuna eta irisgarritasuna <\/strong>sustatu eta <strong>ZINEBIren <\/strong>nortasuna indartzen dute, <strong>ikus-entzunezko arloko berrikuntza-plataforma gisa. <\/strong>\r\n\r\n\u00a0\r\n\r\n<img class=\"aligncenter size-full wp-image-42214 lazyload\" alt=\"\" width=\"1000\" height=\"563\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/VASEN_4000636_00-02-52-22-1.jpg\" srcset=\"https:\/\/zinebi.eus\/assets\/media\/VASEN_4000636_00-02-52-22-1.jpg 1000w, https:\/\/zinebi.eus\/assets\/media\/VASEN_4000636_00-02-52-22-1-150x84.jpg 150w, https:\/\/zinebi.eus\/assets\/media\/VASEN_4000636_00-02-52-22-1-300x169.jpg 300w, https:\/\/zinebi.eus\/assets\/media\/VASEN_4000636_00-02-52-22-1-400x225.jpg 400w, https:\/\/zinebi.eus\/assets\/media\/VASEN_4000636_00-02-52-22-1-480x270.jpg 480w, https:\/\/zinebi.eus\/assets\/media\/VASEN_4000636_00-02-52-22-1-550x310.jpg 550w, https:\/\/zinebi.eus\/assets\/media\/VASEN_4000636_00-02-52-22-1-768x432.jpg 768w, https:\/\/zinebi.eus\/assets\/media\/VASEN_4000636_00-02-52-22-1-992x558.jpg 992w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/>\r\n\r\nLaborategian, mentoria-programa bat landuko da honako hauek bezalako sortzaileekin: <strong>S\u00e9bastien Sperer, Ivana Volda, Pedro Rivero, Nuria Gonzalez Blanco, Ivan Mi\u00f1ambres, Jose Luis Agreda, Jesus Mari Lazkano <\/strong>eta <strong>Kim Keukeleire<\/strong>, besteak beste. Profesional horiek beren ikuspegiaren, esperientziaren eta metodologien berri emango die hazten ari den euskal kolektiboari. Proiektuek, gainera, jarraipen-segimendu bat egiteko aukera izango dute, ZINEBI Animation Lab egin eta hiru hilabetera.\r\n<div class=\"fake-h3\"><h6><strong>2025EKO ZINEBIN PROGRAMATURIKO ANIMAZIO-TITULUAK <\/strong><\/h6><\/div>\r\n<strong>Film Laburren nazioarteko lehiaketa <\/strong>\r\n<ul>\r\n \t<li>\u201cKaries\u201d (Aline H\u00f6chli, Suiza)<\/li>\r\n \t<li>\u201cEl cuerpo de Cristo\u201d (Bea Lema, Espa\u00f1a)<\/li>\r\n \t<li>\u201cHugs\u201d (Nicolas Fong, B\u00e9lgica)<\/li>\r\n \t<li>\u201cShould Virtual Petz Die?\u201d (Carlo Galbiati, Italia)<\/li>\r\n \t<li>\u201cFille de l\u2019eau\u201d (Sandra Desmazi\u00e8res, Francia, Pa\u00edses Bajos, Portugal)<\/li>\r\n \t<li>\u201cDollhouse Elephant\u201d (Jenny Jokela, Finlandia)<\/li>\r\n \t<li>\u201cS the Wolf\u201d (Sameh Alaa, Egipto, Francia)<\/li>\r\n \t<li>\u201cUna vez en un cuerpo\u201d (Mar\u00eda Cristina P\u00e9rez, Colombia, EEUU)<\/li>\r\n \t<li>\u201cDipolar Bipolar\u201d (Quankai Li, China, Jap\u00f3n)<\/li>\r\n \t<li>\u201cMy Good Boy\u201d (Sara Priorelli, Italia)<\/li>\r\n \t<li>\u201cMirror Products Catalog\u201d (Annapurna Kumar, EEUU)<\/li>\r\n \t<li>\u201cCan You Hear Me?2 (Anastazja Naumenko, Polonia)<\/li>\r\n \t<li>\u201cMerrimundi\u201d (Niles Atallah, Chile)<\/li>\r\n \t<li>\u201cThe Diversity of Waves Under the Scrutiny of Ma Yuan\u201d (Dmitry Geller, China)<\/li>\r\n \t<li>\u201cBoundaries\u201d (Seun Yee, Corea del Sur)<\/li>\r\n \t<li>\u201cCrow, Starfish and Unicorn\u201d (Xiaoxuan Han, China)<\/li>\r\n \t<li>\u201cThe Fall\u201d (Christine Rebet, Francia)<\/li>\r\n \t<li>\u201cKyiv Cake\u201d (Mykyta Lyskov, Estonia, Ucrania)<\/li>\r\n \t<li>\u201cMr. Ogre\u2019s Castle\u201d (Maxime Chudeau, EEUU)<\/li>\r\n \t<li>\u201cArguments in Favor of Love\u201d (Gabriel Abrantes, Portugal)<\/li>\r\n<\/ul>\r\n<img class=\"aligncenter size-full wp-image-42217 lazyload\" alt=\"\" width=\"1000\" height=\"562\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/cfc-default-awaker-poster-0-481776-1.jpg\" srcset=\"https:\/\/zinebi.eus\/assets\/media\/cfc-default-awaker-poster-0-481776-1.jpg 1000w, https:\/\/zinebi.eus\/assets\/media\/cfc-default-awaker-poster-0-481776-1-150x84.jpg 150w, https:\/\/zinebi.eus\/assets\/media\/cfc-default-awaker-poster-0-481776-1-300x169.jpg 300w, https:\/\/zinebi.eus\/assets\/media\/cfc-default-awaker-poster-0-481776-1-400x225.jpg 400w, https:\/\/zinebi.eus\/assets\/media\/cfc-default-awaker-poster-0-481776-1-480x270.jpg 480w, https:\/\/zinebi.eus\/assets\/media\/cfc-default-awaker-poster-0-481776-1-550x309.jpg 550w, https:\/\/zinebi.eus\/assets\/media\/cfc-default-awaker-poster-0-481776-1-768x432.jpg 768w, https:\/\/zinebi.eus\/assets\/media\/cfc-default-awaker-poster-0-481776-1-992x558.jpg 992w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/>\r\n\r\n<strong>Czech Focus<\/strong>\r\n<ul>\r\n \t<li>\u201cDimensions of Dialogue\u201d (Jan \u0160vankmajer, Checoslovaqia)<\/li>\r\n \t<li>\u201cInspiration\u201d (Karel Zeman, Checoslovaquia)<\/li>\r\n \t<li>\u201cRomance\u201d (B\u0159etislav Pojar, Checoslovaquia)<\/li>\r\n \t<li>\u201cThe Knot in the Handkerchief\u201d (Herm\u00edna T\u00fdrlov\u00e1, Josef Pinkava, Checoslovaquia)<\/li>\r\n \t<li>\u201cThe Last Theft\u201d (Ji\u0159\u00ed Barta, Checoslovaquia)<\/li>\r\n \t<li>\u201cAt Spiral\u2019s End\u201d (Eli\u0161ka Kerbachov\u00e1\u202f, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cCloudy\u201d (Filip Diviak, Zuzana \u010cupov\u00e1, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cElectra\u201d (Daria Kashcheeva, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cFruits of Clouds\u201d (Kate\u0159ina Karh\u00e1nkov\u00e1, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cThe House\u201d (Veronika Zacharov\u00e1, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cThe Kite\u201d (Martin Smatana, Eslovaquia, Polonia, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cApart\u201d (Diana Cam Van Nguyen, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cCarp Xmass\u201d (Anna Heribanov\u00e1, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cHurikan\u201d (Jan Saska, Bosnia Herzegovina, Eslovaquia, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cLove is Just a Death Away\u201d (B\u00e1ra Anna, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cWay of Sylvie\u201d (Verica Posp\u00ed\u0161ilov\u00e1 Kordi\u0107, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cPassion\u201d (Ji\u0159\u00ed Trnka, Checoslovaquia)<\/li>\r\n \t<li>\u201cThe Christmas Dream\u201d (Bo\u0159ivoj Zeman, Karel Zeman, Checoslovaquia)<\/li>\r\n \t<li>\u201cThe Revolt of the Toys\u201d (Herm\u00edna T\u00fdrlov\u00e1, Franti\u0161ek S\u00e1dek, Checoslovaquia)<\/li>\r\n \t<li>\u201cThe Song of the Prairie\u201d (Ji\u0159\u00ed Trnka, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cWatch Out!\u201d (Ji\u0159\u00ed Brde\u010dka, Checoslovaquia)<\/li>\r\n \t<li>\u201cAwaker\u201d (Filip Diviak, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cDaughter\u201d (Daria Kashcheeva, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cDede is Dead\u201d (Philippe Kastner, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cFree the Chickens\u201d (Mat\u00fa\u0161 Viz\u00e1r, Eslovaquia, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cSisters\u201d (Andrea Szelesov\u00e1, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cForget Me Not\u201d (Adela Kri\u017eovensk\u00e1, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cOverboard!\u201d (Barbora Valeck\u00e1, Filip Po\u0161iva\u010d, Eslovaquia, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cRed Shoes\u201d (Anna Podskalsk\u00e1, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cShadow Over Prague\u201d (Marek Berger, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cHello Summer\u201d (Martin Smatana, Veronika Zacharov\u00e1, Eslovaquia, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cSh_t Happens\u201d (D\u00e1vid \u0160tumpf, Michaela Mihalyi, Eslovaquia, Francia, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cSounds Between the Crowns\u201d (Filip Diviak, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cThe Christmas Balad\u201d (Michal \u017dabka, Rep\u00fablica Checa)<\/li>\r\n<\/ul>\r\n<img class=\"aligncenter size-full wp-image-42220 lazyload\" alt=\"\" width=\"1000\" height=\"527\" data-src=\"https:\/\/zinebi.eus\/assets\/media\/ECDC_009-Iva\u0301n-Min\u0303ambres-1.jpg\" srcset=\"https:\/\/zinebi.eus\/assets\/media\/ECDC_009-Iva\u0301n-Min\u0303ambres-1.jpg 1000w, https:\/\/zinebi.eus\/assets\/media\/ECDC_009-Iva\u0301n-Min\u0303ambres-1-150x79.jpg 150w, https:\/\/zinebi.eus\/assets\/media\/ECDC_009-Iva\u0301n-Min\u0303ambres-1-300x158.jpg 300w, https:\/\/zinebi.eus\/assets\/media\/ECDC_009-Iva\u0301n-Min\u0303ambres-1-400x211.jpg 400w, https:\/\/zinebi.eus\/assets\/media\/ECDC_009-Iva\u0301n-Min\u0303ambres-1-480x253.jpg 480w, https:\/\/zinebi.eus\/assets\/media\/ECDC_009-Iva\u0301n-Min\u0303ambres-1-550x290.jpg 550w, https:\/\/zinebi.eus\/assets\/media\/ECDC_009-Iva\u0301n-Min\u0303ambres-1-768x405.jpg 768w, https:\/\/zinebi.eus\/assets\/media\/ECDC_009-Iva\u0301n-Min\u0303ambres-1-992x523.jpg 992w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/>\r\n\r\n<strong>Zinebitxiki<\/strong>\r\n<ul>\r\n \t<li>\u201cHello Summer\u201d (Martin Smatana, Veronika Zacharov\u00e1, Eslovaquia, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cOverboard!\u201d (Barbora Valeck\u00e1, Filip Po\u0161iva\u010d, Eslovaquia, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cThe Kite\u201d (Martin Smatana, Eslovaquia, Polonia, Rep\u00fablica Checa)<\/li>\r\n \t<li>\u201cThe Little Cousteau\u201d (Jakub Kou\u0159il, Rep\u00fablica Checa)<\/li>\r\n<\/ul>\r\n<strong>Short Films on Tour \u2013 EFA<\/strong>\r\n<ul>\r\n \t<li>\u201cThe Exploding Girl\u201d (Caroline Poggi, Jonathan Vinel, Francia)<\/li>\r\n \t<li>\u201cWander to Wonder\u201d (Nina Gantz, B\u00e9lgica, Francia, Pa\u00edses Bajos, Reino Unido)<\/li>\r\n<\/ul>\r\n<strong>Dep\u00f3sito Zinebi<\/strong>\r\n<ul>\r\n \t<li>\u201cA Normal Mclaren\u201d (Manuel Marzel, Cuba)<\/li>\r\n<\/ul>\r\n\u00a0\r\n\r\nLos <strong>materiales de prensa<\/strong> del Festival pueden consultarse en este <a href=\"https:\/\/hodei.bilbao.eus\/index.php\/s\/saS966Mmd8joRcp\"><strong>enlace<\/strong><\/a><strong>.<\/strong>","protected":false},"excerpt":{"rendered":"<p>ZINEBI Animation Lab euskal animazioaren ekosistema indartzeko eta animatzaile gazteak estatuko eta nazioarteko erreferentziazko profesionalekin harremanetan jartzeko gune gisa sortu da 67. edizio honetan. Jaialdiak fikziozkoak eta dokumentalak baino animazio-titulu gehiago programatu ditu Sail Ofizialean. Bilbon egingo da \u201cEl cuerpo de Cristo\u201d Bea Lema Komikiaren Sari Nazionaleko opera primaren mundu-mailako estreinaldia. Bilboko Dokumentalen eta Film [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":42203,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[376],"tags":[],"class_list":["post-42226","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albisteak"],"acf":[],"_links":{"self":[{"href":"https:\/\/zinebi.eus\/eu\/wp-json\/wp\/v2\/posts\/42226","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zinebi.eus\/eu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zinebi.eus\/eu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/eu\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/eu\/wp-json\/wp\/v2\/comments?post=42226"}],"version-history":[{"count":2,"href":"https:\/\/zinebi.eus\/eu\/wp-json\/wp\/v2\/posts\/42226\/revisions"}],"predecessor-version":[{"id":42228,"href":"https:\/\/zinebi.eus\/eu\/wp-json\/wp\/v2\/posts\/42226\/revisions\/42228"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zinebi.eus\/eu\/wp-json\/wp\/v2\/media\/42203"}],"wp:attachment":[{"href":"https:\/\/zinebi.eus\/eu\/wp-json\/wp\/v2\/media?parent=42226"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zinebi.eus\/eu\/wp-json\/wp\/v2\/categories?post=42226"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zinebi.eus\/eu\/wp-json\/wp\/v2\/tags?post=42226"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}