In 1970s Spain, Ali, a young Moroccan student, faces discrimination at university while trying to pass his math class. With the unexpected support of a classmate, he challenges the rigid norms of the dictatorship.
Alice narrates her reflections on art as we immerse ourselves in a liminal journey.
Leo, Unai and Josepet are three boys growing up in La Ribera, in the heart of the Ebro Delta (Catalonia). During one of their last summers before adolescence, we witness their friendship and the small adventures that fill their days. Among rice fields, mud and swims, a sincere portrait emerges of a radically free childhood and of a rural world slowly fading away.
The director’s midlife crisis catches up with her in the summer, on the beach of Empúries, in the Catalan coast, just a few meters from the Greco-Roman archaeological site. Observing the excavated and yet-to-be-excavated terrain leads her to discover that time can be a very relative thing.
Chemotherapy leaves Candela feeling insecure and undesirable. To brave love again, she must confront her shame and reclaim her femininity.
1957. As a farewell to her lover Teresa, la Zurda and her friends organise one of their usual weekend camping trips deep in the forest. Stolen time for rest, play and illicit pleasures, far from the repressive gaze of Franco’s dictatorship.
The tide sweeps Bárbara to a cove in the Serra de Tramuntana, where she awakens with a new mission: to reach the Valley of the Moon and help Juan Garaizabal forge a steel sculpture born of the landscape and the flesh.
A teenage girl studies half‑heartedly when a melody drifts in, drawing her to the window. Across the courtyard, a young man just out of the shower dries himself slowly to the rhythm of the music. Their eyes meet in the courtyard of lights.
