Light pollution increases alongside the advance of capitalism. The world is lit up in the name of security and development. However, darkness is a safe haven for those forced to flee their homes. This is a job [lan], in the night [gau], gaulana: a film about the people who, throughout the history, have sought shelter in the darkness. They were the prisoners who escaped from Ezkaba, who tried to use the stars to navigate their way to France; also, the Portuguese in the middle of the last century; today, the migrants who try to cross the Bidasoa.
During the wrap party for a film shoot in Zumaia, Miren tries to find her place within the crew.
Through a series of encounters between a researcher, a beekeeper, and a group of children, the film explores the intertwined relationships between bees, beeswax, and mourning in the Basque Country.
Bilbao, August 1983. Torrential rain causes the estuary to burst its banks and plunges the city into chaos, but the High club keeps its doors open. Although power failures and instability outside intermittently disrupt its activities, some men continue to meet, sustained by this temporary refuge and haven of desire. Little by little, the boundary between inside and outside becomes blurred: water begins to seep in, puddles form and the constant sound of rain invades the club, revealing a reality that can no longer be kept at bay.
The Madam is a reconstruction of what remains of my great-grandmother, Madame Consuelo, one of the most prominent brothel madams in Valencia during the Franco regime. Together with my aunts and my mother – three former revue stars – I set out to connect with her through a psychomagical, performative and ritualistic journey.
People, objects, and places have changed the way they relate—or at least, that’s how Oihana perceives it. Now the emptiness takes up space. A path, a window, a bed, a wardrobe, a mirror. With these, and what fits into a hiking backpack, she has all she needs to reset her coordinates and rest.
One day, Gustav hears a rumor that he will be replaced by another butler; the anxiety and uncertainty grow so strong within him that one night he decides to escape.
During Francoism, when Euskera, the language of the Basque Country, is banned and persecuted, some schoolteachers teach it in secret. In that atmosphere of secrecy, woven from games and shadows, a group of children is surprised by an extraterrestrial visit. Bewildered, they discover something even more unsettling: the unknown visitors speak their very same language.
