A film team visits the roads and villages of northern Spain during the summer. They are following in the steps of the clandestine group Cantacronache which, in the summer of 1961, during Franco's dictatorship, went around collecting popular resistance songs. Through the prism of oral recollections and sound files recorded in 1961, the two journeys enter into a dialogue mapping the emotional and political geography of a territory in which the wounds of the past are still unhealed.
The session will be accompanied by Amorante's live performance of one of the songs in the film, and other songs from the Elgoibar musician's repertoire, where tradition and modernity go magically hand in hand.
A dead body has appeared in the Arga river. No one has missed him or reported his disappearance. Although it seems like it will be another normal working day for the detective Ana Miravalles, she will experience for the first time the disadvantages of working in her own town. In fact, she suspects that his daughter Eukene might know something. From that moment on, Ana will have to make a decision.
In 1967, in the midst of Franco's dictatorship, a group of seminarians thirsty for freedom founded the group Enarak. They played pop, rock and psychedelia, styles that were foreign to the society of the time, and all of it entirely in Basque. After hundreds of concerts, they mysteriously disappeared in 1971. Fifty years later, the singer's son, Beñat, sets out to find traces of the group, immersing himself in a film labyrinth that mixes ornithology, collage and eccentric research.
Bernardo and Esperanza met in Bilbao in 1978, when both were students at university in the midst of the turbulent political circumstances of the time. They had an on-off relationship—brimming with passionate encounters and inexplicable misunderstandings—until in 2001, during a trip to Havana to visit the aunt and cousin she had never met, the two forever went their different ways.
