"Esa Maravillosa Niebla" is a trilogy that seeks to help normalise the various developmental disorders. As its author explains, it is a literary/musical project reflecting the social evolution of these disorders over the last century, promoting education in diversity and equality. Taken as a whole, the work stands as a tribute to inclusion and fairness.
The first instalment, published in November 2018, focused on raising awareness of autism. The second broadens its scope to include both autism and Down syndrome. Finally, the third and final part aims to address the topic of mental health without censorship.
Ernesto, a 90-year-old man living in a care home, decides to reveal the secret he has kept hidden all his life: that he is gay. By doing so, he faces the unwanted loneliness he has endured for keeping it secret. Meanwhile, Aitor receives the shocking news that he will die soon, which makes him rethink his life and start living experiences he had previously rejected. Marta, a widow for many years, struggles against the monotony of her daily life, trapped in a routine of memories, until an old love unexpectedly reappears in her life.
“Two Iberias” is a historical documentary exploring the connections between Georgians and Basques. Through history, linguistics, and folklore, it compares two cultures that, despite their distance, share structural traits and parallel paths. Based on the hypothesis of a common pre-Indo-European origin, the film doesn’t aim to prove it but to analyze similarities in language, traditions, and cultural resilience. Filmed in Georgia and the Basque Country, it includes interviews and scenes showing how both societies have preserved their identity against empires and globalization.
Joseba Lekuona, a stone artist, sculpts exclusive pieces of art only within the reach of a few. Simeón Hidalgo, a retired teacher with a passion for rural Romanesque art, barely maintains the Petrus museum, a tiny and exciting cultural project in the middle of nowhere. Elsa Plano, mayoress of the area, has made the survival of the Izagaondoa valley, in Navarre, her crusade, regardless of political parties. The paths of Joseba, Simeón and Elsa come together, paths in which, each in their own way, they make everyday life a form of resistance.
A documentary based on edited footage that explores the traumas of the post-war period in Spain, comparing images that remain alive in people’s memory and images filmed at the time.
Two transgressive journalists decide to transform a hundred-year-old wedding dress atelier into the first feminist culture center in the city. What if they wanted the entire work to be done only by women?
The summer of 1936 saw two thousand people executed throughout La Rioja, and among the “tumbados” (not fallen) was Agustín Martínez Royo, the Republican mayor of a small village on the banks of the river Ebro, Alcanadre.
When his body was exhumed during the years of the Transition, an almond tree had grown over his chest. This tree, born from spilled blood, serves as the guiding thread of this auteur documentary, where the search for truth intertwines with the uncovering of the senselessness of a dark and fateful time.
A courageous film director, an “enfant terrible” in his early days, who fought against censorship and constantly pushed the boundaries of freedom of expression, chronicling the darkest side of Spain’s Transition, would fall into the depths of drug addiction. For more than a decade he would be forgotten, and at times even rejected, but he managed to emerge from ostracism to return to filmmaking, the addiction he was never able to quit.
José Corbacho and Catalina Solivellas reunite thirty years later to reenact a free adaptation of Don Quixote with amateur actors from Mallorca diagnosed with mental health conditions. Through theatre, the documentary follows a shared journey of humour, emotion, and resilience, where stage and life intertwine amid laughter, memories, and a few tears.
This documentary attempts to reflect the role played by Pello Rubio a person living in a Basque farmhouse who, in 1999, decided to unite two politically opposed worlds: Paco Egea of the PSE (Basque Socialist Party) and Arnaldo Otegi of the Basque Nationalist Left. It took nearly six years of silent conversations that bore fruit with the end of ETA. Pello Rubio's role was key to bringing this entire process to fruition. This documentary captures his experiences, his fears, and his work promoting dialogue.
