Turn your love into a weapon. This film reads Soviet revolutionary and sexual activist Alexandra Kollontai’s writings on female sexuality and emancipation, on the abolition of the family and the need to “change hearts and minds”. This reading traces a complex web of connections between 20th century European Marxist feminism and 21st century Latin American transfeminisms, and between the melancholic gaze of disenchantment and the furious, tender, and imperious demand that the Revolution, finally, fulfil its promise.
After his death, Fernando Ruiz Vergara left dozens of film sketches that he was never able to make. The Andalusian filmmaker had only directed one documentary, Rocío, heartbreaking and fascinating, cursed after its judicial censorship in the early years of democracy in Spain. Since then, his projects have remained latent in imagination and desire. In this film, we fabulate with those dreamed projects to bring them to the cinema from the present, as a gesture of resistance.
In 1979, the Virgin of Zikuñaga disappeared, leaving its inhabitants without her iconic image. A gap in the niche; a collective void. This is a film about gaps. My father, the filmmaker Juanmi Gutiérrez, passed away some years ago. Now, from a distance, I return to his films in an exercise of personal memory through the image, or rather, through its absence. Can the lack of an image be as strong as its presence? And in that case, what do we do with this emptiness?
An unflinching chronicle of Americans at war with each other, offering an unprecedented look at right—wing activists as they search for purpose and power—with dire consequences.
Sound and image stare each other in the face as Oksana Karpovych contrasts quiet compositions of everyday life of Ukrainians since the full-scale invasion with intercepted phone conversations between Russian soldiers and their families.
Mature women speak about their marriage, their “first time”, their intimate relationship with sexuality. In the repetition of these ancestral rituals, the director questions her own absence of marriage, of children, and thereby, a chain of mother-daughter relationships that is extinguishing.
Documentary film about bullfighting based on the portrait of the bullfighter Andrés Roca Rey and his cuadrilla.
In 1952, Anita Conti, France's first female oceanographer, embarked on a trawler to share the hard life of Atlantic cod fishermen, alone with her camera and sixty men for six months. Using her 16mm film rushes and photographs, the film reveals her scientific and yet tender gaze for the workers of the sea. This pioneering woman foresaw the need to protect the oceans.This film explores the modernity of her struggle, as well as the hazy, rhythmic beauty of her writing and photography.
