Lorea's reference points are her mother and her grandmother. Through these two generations she observes the bond that women have experienced around motherhood. Now it is up to her to decide whether or not to become a mother herself and to look for answers to pending questions.
After his death, Fernando Ruiz Vergara left dozens of film sketches that he was never able to make. The Andalusian filmmaker had only directed one documentary, Rocío, heartbreaking and fascinating, cursed after its judicial censorship in the early years of democracy in Spain. Since then, his projects have remained latent in imagination and desire. In this film, we fabulate with those dreamed projects to bring them to the cinema from the present, as a gesture of resistance.
Prequel to the popular story Mateo Txistu: Basque Country, late 19th century. In a small village, parish priest Mateo disappears without trace. As locals tattle, the Archbishopric sends two priests to get to the bottom of the occurrence.
Non-fiction short film about the fragility of memory and the places that human beings create to safeguard it. People disappear, like the buildings they lived in, the places where they worked and were happy. Those faces and those lives were once part of the written memory, a memory that will disappear because nothing is forever. What the water brings, the water takes away.
By focusing on the peripheral or hidden details of some paintings in the Bilbao Fine Arts Museum, a female narrator relates several stories linked to the social, economic and psychological conditions of the artists, both past and present.
Kana, a tender creature who travels through the desires of the young, helps a friend with a problem by delving into her subconscious, where nothing is as it seems.
