Turn your love into a weapon. This film reads Soviet revolutionary and sexual activist Alexandra Kollontai’s writings on female sexuality and emancipation, on the abolition of the family and the need to “change hearts and minds”. This reading traces a complex web of connections between 20th century European Marxist feminism and 21st century Latin American transfeminisms, and between the melancholic gaze of disenchantment and the furious, tender, and imperious demand that the Revolution, finally, fulfil its promise.
After his death, Fernando Ruiz Vergara left dozens of film sketches that he was never able to make. The Andalusian filmmaker had only directed one documentary, Rocío, heartbreaking and fascinating, cursed after its judicial censorship in the early years of democracy in Spain. Since then, his projects have remained latent in imagination and desire. In this film, we fabulate with those dreamed projects to bring them to the cinema from the present, as a gesture of resistance.
Reality and imagination blend in a journey back to the director's childhood when she returns to the last place where she was with her father: the house in Campolivar.
Filmmaker Laura Poitras and journalist Glenn Greenwald’s encounter with Edward Snowden in Hong Kong as he hands over classified documents providing evidence of mass indiscriminate and illegal invasions of privacy by the National Security Agency (NSA).This documentary places you in the room with Poitras, Greenwald, and Snowden as they attempt to manage the media storm raging outside, forced to make quick decisions that will impact their lives and all of those around them.
With the help of workers and former neighbors, we dig up the layers of memory that have accumulated in the Church of San Miguel in Jaén. We explored how this ancient church has served as a parish, residential block, and workplace, looking into the past to understand the present.
The fungus Microsphaerella dearnessi, which affects the insigne pine variety, has stained the forests of the Basque Country brown, even infecting the painted forest of Oma, the artwork of the Basque artist Agustin Ibarrola. This work belongs to the Land Art movement, which is mainly characterised by its ephemeral nature. Within this movement, artists leave their works on display at the mercy of weather conditions and other elements beyond human control.
