Is artificial intelligence a disruptive revolution that will change the way animation is done forever? Round table on the ethical, technical and artistic challenges which arise from making AI part and parcel of animation, and also exploring the opportunities afforded by this technology and how its tools can transform the future of this sector.
Public service to facilitate and streamline the work of all audiovisual productions opting for Bilbao-Bizkaia as scenarios to carry out their projects.
A dialogue between Esther Garcia, a renowned Spanish producer, and Santiago Tabernero, journalist, scriptwriter and film director on the production of contemporary cinema, its weaknesses and strengths in the local film industry.
How to perform an analysis of half a century of documentaries and short films from material on deposit with Filmoteca Vasca - Euskadiko Filmategia. A research project by the Elías Querejeta Zine Eskola Film School.
Presentation of the project to be located at Punta Zorrotza, with a space of 100,000 square metres for film shoots with digital sets, postproduction areas, outdoor scenes, dressing rooms, storage facilities and offices.
This is the film office created by the Government of Cantabria to facilitate arrangements for companies and practitioners operating in the audiovisual sector wishing to make films in this community.
El ganador del Mikeldi de Honor de la 66ª edición del Festival Internacional de Cine Documental y Cortometraje de Bilbao, ZINEBI, es José Luis Alcaine, uno de los directores de fotografía más laureados de la historia del cine español, ganador de cinco premios Goya entre los años 1990 y 2008, además de operador de referencia en el cine de Almodóvar (con el que ha colaborado desde Mujeres al borde de un ataque de nervios hasta su penúltimo trabajo, Extraña forma de vida), Fernando Fernán Gómez, Fernando Trueba o Manuel Gutiérrez Aragón. Fuera del estado, ha trabajado a las órdenes de Brian de Palma, Adolfo Aristarain, Alberto Lattuada o Luis Puenzo
On the anniversary of "La muerte de Mikel", Zinegoak revisits this film from the queer perspective, conducting an analysis of the context in which it emerged and what it meant from the social point of view, and also reflecting on the transformation of inclusion of sexual diversity, identity and gender in contemporary audiovisual with an intersectional approach.
An approach to the creative and technical process of making music for films and audiovisual projects.
A conversation on the creative process of URHO, an experimental documentary on an icebreaker with visual material and live music, to be presented in the Azkuna Zentroa atrium on Tuesday 12 November at 19:00 h.
Association of women working in the audiovisual sector and scenic arts in the Basque Country.
A discussion by female programmers at a number of film festivals on their operations, in order to dispel myths on how films succeed in becoming part of their programming, and the functioning, objectives and challenges faced by each of them.
A conversation on the design and implementation of joint projects by businesses, public bodies and universities.
Conference on the experiences and challenges faced by José Luis Ágreda in directing art for the Robot Dreams film by director Pablo Berger and the graphic novel by Sara Varon
