Portrait of Mexico City. Centre of chaos. Anonymous characters crosses each other self-absorbed in their daily life and existence. She, in movement; he, in paralysis. Both living in the past evading the present. They inhabit the realm of cycles trying to free themselves from attachment and suffering. Movement and paralysis intertwine in a city trapped in the cycles of earthly and recurrent existence.
Seeking to explore his newfound power to perceive beyond the strictures of time, Cambodian migrant Jit travels to Phimai, Thailand, believed to be the site of the epic conflict between prince Prajit, his beloved Orapim and Phommathat the King. In this temple town, Jit meets Pim and Tat, a young couple drifting apart, and together, the trio find themselves reprising the love triangle of legend.
Kinshasa and its inhabitants are in darkness. They wait and struggle to get access to light. Between hope, disappointment and religious faith, Tongo Saa is a subtle and fragmented portrait of a population that, despite the challenges, is sublimated by the beauty of Kinshasa's nights.
It is a coming-of-age tale where youth grapple with their first profound loss. Filmmaker Yi-Shan’s best friends Chun and Yueh were trapped in a Nepal cave for 47 days. Chun died three days before Yueh's rescue, prompting Yi-Shan to take up the camera and retrace her friends’ footsteps in Nepal. When Yi-Shan reaches the cave, what awaits her there?
Farah, an Iranian woman is forced to migrate to her private planet to be free. She buys other people's memories in form of Super 8 and 8mm films and records and archives her own, to create an alternative history of Iran.
After an unprecedented social uprising, Chile chooses to write a New Constitution. A colorful assembly will be in charge of writing down the dreams of dignity and social justice of an entire people. What could go wrong?
It is a coming-of-age tale where youth grapple with their first profound loss. Filmmaker Yi-Shan’s best friends Chun and Yueh were trapped in a Nepal cave for 47 days. Chun died three days before Yueh's rescue, prompting Yi-Shan to take up the camera and retrace her friends’ footsteps in Nepal. When Yi-Shan reaches the cave, what awaits her there?
The discovery of some unpublished recordings leads Juan Carlos Pérez, leader of the iconic band Itoiz, to ponder the dissolution of the band at the height of their success, after having adopted a more accessible pop style which he now disowns. Juan Carlos begins a cathartic journey to the essence of the band, reliving their beginnings in the 70s as a progressive rock group in Mutriku, in an attempt to reconcile with the past.
He develops and imagines a world in a darkroom. His daughter weaves a dialogue about latent, invented images, about the ways of resisting and navigating the darkness. This film explores how the intimate and political weight of images can open spaces to reflect upon them as acts of resistance, either because they are made despite the horror of their context or because they offer an imaginary vanishing point that might just set us free.
In the theatre of the Cold War, astronauts lost in the Darien Gap are besieged by their deepest fears when surprised by an indigenous person. Did they think they were going to be decapitated, or eaten by a wild cannibal? A deconstruction of film and propaganda archives from tropical survival training challenges the colonial narrative inscribed in the conquest of space.
Portrait of Mexico City. Centre of chaos. Anonymous characters crosses each other self-absorbed in their daily life and existence. She, in movement; he, in paralysis. Both living in the past evading the present. They inhabit the realm of cycles trying to free themselves from attachment and suffering. Movement and paralysis intertwine in a city trapped in the cycles of earthly and recurrent existence.
He develops and imagines a world in a darkroom. His daughter weaves a dialogue about latent, invented images, about the ways of resisting and navigating the darkness. This short film explores how the intimate and political weight of images can open spaces to reflect upon them as acts of resistance, either because they are made despite the horror of their context or because they offer an imaginary vanishing point that might just set us free.
Kinshasa and its inhabitants are in darkness. They wait and struggle to get access to light. Between hope, disappointment and religious faith, Tongo Saa is a subtle and fragmented portrait of a population that, despite the challenges, is sublimated by the beauty of Kinshasa's nights.
Seeking to explore his newfound power to perceive beyond the strictures of time, Cambodian migrant Jit travels to Phimai, Thailand, believed to be the site of the epic conflict between prince Prajit, his beloved Orapim and Phommathat the King. In this temple town, Jit meets Pim and Tat, a young couple drifting apart, and together, the trio find themselves reprising the love triangle of legend.
In the theatre of the Cold War, astronauts lost in the Darien Gap are besieged by their deepest fears when surprised by an indigenous person. Did they think they were going to be decapitated, or eaten by a wild cannibal? A deconstruction of film and propaganda archives from tropical survival training challenges the colonial narrative inscribed in the conquest of space.
Farah, an Iranian woman is forced to migrate to her private planet to be free. She buys other people's memories in form of Super 8 and 8mm films and records and archives her own, to create an alternative history of Iran.
The discovery of some unpublished recordings leads Juan Carlos Pérez, leader of the iconic band Itoiz, to ponder the dissolution of the band at the height of their success, after having adopted a more accessible pop style which he now disowns. Juan Carlos begins a cathartic journey to the essence of the band, reliving their beginnings in the 70s as a progressive rock group in Mutriku, in an attempt to reconcile with the past.
