A dead body has appeared in the Arga river. No one has missed him or reported his disappearance. Although it seems like it will be another normal working day for the detective Ana Miravalles, she will experience for the first time the disadvantages of working in her own town. In fact, she suspects that his daughter Eukene might know something. From that moment on, Ana will have to make a decision.
The shop manager of a floating bordershop-container in the Baltic Sea, casts off the chains to shore to save the universe of love she and her employees have created inside.
In 1967, in the midst of Franco's dictatorship, a group of seminarians thirsty for freedom founded the group Enarak. They played pop, rock and psychedelia, styles that were foreign to the society of the time, and all of it entirely in Basque. After hundreds of concerts, they mysteriously disappeared in 1971. Fifty years later, the singer's son, Beñat, sets out to find traces of the group, immersing himself in a film labyrinth that mixes ornithology, collage and eccentric research.
In 1979, the Virgin of Zikuñaga disappeared, leaving its inhabitants without her iconic image. A gap in the niche; a collective void. This is a film about gaps. My father, the filmmaker Juanmi Gutiérrez, passed away some years ago. Now, from a distance, I return to his films in an exercise of personal memory through the image, or rather, through its absence. Can the lack of an image be as strong as its presence? And in that case, what do we do with this emptiness?
Bureaucratic systems and cultural traditions have always tried to tell me “who I am”, while today's AI industry, capable of creating “magic”, is destroying it through homogenization.
Sound and image stare each other in the face as Oksana Karpovych contrasts quiet compositions of everyday life of Ukrainians since the full-scale invasion with intercepted phone conversations between Russian soldiers and their families.
