A film in two parts: a first act filmed as an observational documentary in the world’s largest flower market, followed by a fictional second act about a man, afflicted by a terminal illness, encountering a stranger in a train station bar. A radical reflection about time running out and what remains to be done, adapted from a play by Pirandello.
Guoqiang is a socially awkward Instagram poet and occasionally posts his self penned haikus on his Instagram page. In order to get more attention for his haiku, Guoqiang decides to go to local author Augustine Chua’s writing panel to get his feedback. When he eventually gets the chance to ask questions during the Q&A, he comes off confusing instead, creating mass awkwardness.
Dad is gone. Dad is a ghost. Dad is something that spins within his own skin.
In the heat of a summer day, Draginja discovers a dead body that resembles her. In the heat of a summer day, Draginja hires a fake husband to show off in front of her friends. In the cold of a winter night, Draginja roams the streets hoping to recover her lost memory. Through three different life possibilities, a middle-aged woman tries to get out of her skin.
Nothingness bursts, and lets out something. From a dark, tarry mass beings emerge genderless, looped and alone, in repetitive aimless motions. Everything changes when one of them discovers “something”. It is a red ball taken from within itself. Immediately, the ball starts getting bigger, shifting its shape and hypnotising all of the beings.
In a barren land there is a lone greenhouse with four inhabitants. From a nearby lake a mysterious man emerges and goes on a motorbike hunt for living souls. A girl from the greenhouse, the only one uncaptured, follows the soul hunter into a hidden realm of hallways and ruins. When she finally reaches her enemy's secret lair, she realizes that it was all part of an alchemical ceremony that she herself has to bring to its conclusion.
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