The chickens are suspicious, the relationships are dubious and businesses are shady. Margarita and Güte are stuck in their stagnant and unhealthy rural village. But they can‘t decide whether to leave the place or to change it. Meanwhile people are disappearing, the radio is sending messages and the world is awaiting the launch of the space shuttle Columba that will take humans to the edge of the solar system. "But out there is nothing" says someone at the dinner table.
In a small town in Chile, rural life deals with the electric grid that provides power to the rest of the country. A child ventures out among hundreds of transmission towers and thermoelectric power plants and giving himself over to chasing rabbits. In the darkness, the threatening presence of the large-scale industrial complex reveals the workings of an unequal system.
This unique cinematic experience dives deep into an artist’s work and reveals his life path, inspiration, and creative process. It explores his fascination with myth and history. Past and present are interwoven to diffuse the line between film and painting, allowing the audience to be completely immersed in the remarkable world of one of the greatest contemporary artists, Anselm Kiefer.
How far could Iván Zulueta's work go? This session contains a number of intuitive suggestions as to where it could have gone.
The Franciscans have been in Arantzazu for more than 500 years. From their spirituality, they have always had a close relationship with the people. They have also played an important role in the Basque socio-cultural construction and have left us a valuable treasure that we have internalized and consider very much our own. It is necessary to make it known, since it is part of our history and of our being. Arantzazu would not be what it is today without the Basque people, and the Basque people would not be the same without Arantzazu.
In a small village in Finland, which has relied solely on metallurgical activities for the past two centuries, the poet and writer Mika Lätti, and his friend, director Aki Kaurismäki, are constructing their own cinema theater within an old foundry. Employing recycled wood, metal, and pre-owned furniture, Kaurismäki and the residents of Karkkila collaboratively craft Kino Laika. The venue is surrounded by Cadillacs, motorcycles, rock bars, and the awe-inspiring beauty of nature, encapsulating the very essence of cinema’s enchantment - a place where the magic resides in its profound capacity to instigate change.
